The Best Of Bob Dylan, Vol. 1
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The Best Of Bob Dylan, Vol. 1
''The Best of Bob Dylan'' is a compilation album released in the United Kingdom, New Zealand, Australia and Canada on 2 June 1997. It was later released in Europe and Japan, although it has never been released in the United States. Track listing Certifications References External links * 1997 greatest hits albums Albums produced by Barry Beckett Albums produced by Bob Dylan Albums produced by Bob Johnston Albums produced by Daniel Lanois Albums produced by Don DeVito Albums produced by John Hammond (producer) Albums produced by Jerry Wexler Albums produced by Leon Russell Albums produced by Mark Knopfler Albums produced by Tom Wilson (record producer) Bob Dylan compilation albums Columbia Records compilation albums {{1990s-compilation-album-stub ...
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Bob Dylan
Bob Dylan (legally Robert Dylan, born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning more than 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and " The Times They Are a-Changin' (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture. Following his self-titled debut album in 1962, which comprised mainly traditional folk songs, Dylan made his breakthrough as a songwriter with the release of ''The Freewheelin' Bob Dylan'' the following year. The album features "Blowin' in the Wind" and the thematically complex " A Hard Rain's a-Gonna Fall". Many of his s ...
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Blowin' In The Wind
"Blowin' in the Wind" is a song written by Bob Dylan in 1962. It was released as a single and included on his album ''The Freewheelin' Bob Dylan'' in 1963. It has been described as a protest song and poses a series of rhetorical questions about peace, war, and freedom. The refrain "The answer, my friend, is blowin' in the wind" has been described as "impenetrably ambiguous: either the answer is so obvious it is right in your face, or the answer is as intangible as the wind". In 1994, the song was inducted into the Grammy Hall of Fame. In 2004, it was ranked number 14 on ''Rolling Stone'' magazine's list of the "500 Greatest Songs of All Time". Origins and initial response Dylan originally wrote and performed a two-verse version of the song; its first public performance, at Gerde's Folk City on April 16, 1962, was recorded and circulated among Dylan collectors. Shortly after this performance, he added the middle verse to the song. Some published versions of the lyrics reverse ...
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Nashville Skyline
''Nashville Skyline'' is the ninth studio album by American singer-songwriter Bob Dylan, released on April 9, 1969, by Columbia Records as LP record, reel to reel tape and audio cassette. Building on the rustic style he experimented with on ''John Wesley Harding'', ''Nashville Skyline'' displayed a complete immersion into country music. Along with the more basic lyrical themes, simple songwriting structures, and charming domestic feel, it introduced audiences to a radically new singing voice from Dylan, who had temporarily quit smoking—a soft, affected country croon. The result received a generally positive reaction from critics, and was a commercial success. Reaching in the U.S., the album also scored Dylan his fourth UK No. 1 album. Background The concept of recording a country album in Nashville was first discussed with Dylan in 1965 by Johnny Cash, who expressed interest in producing such an album."I've got my own ideas about that Nashville sound and I'd like to try it w ...
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Lay Lady Lay
"Lay Lady Lay", sometimes rendered "Lay, Lady, Lay", is a song written by Bob Dylan and originally released in 1969 on his ''Nashville Skyline'' album. Like many of the tracks on the album, Dylan sings the song in a low croon, rather than in the high nasal singing style associated with his earlier (and eventually later) recordings. The song has become a standard and has been covered by numerous bands and artists over the years. Bob Dylan version "Lay Lady Lay" was originally written for the soundtrack of the movie ''Midnight Cowboy'' but wasn't submitted in time to be included in the finished film. Joel Whitburn said instead that the song was "written for his wife Sarah Lowndes". In a 1971 interview for which transcripts were auctioned in 2020, Dylan said the song was written for Barbra Streisand. Dylan's recording was released as a single in July 1969 and quickly became his fourth and last top U.S. hit, peaking at #7 on the ''Billboard'' Hot 100. The single did even better in ...
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John Wesley Harding
''John Wesley Harding'' is the eighth studio album by American singer-songwriter Bob Dylan, released on December 27, 1967, by Columbia Records. Produced by Bob Johnston, the album marked Dylan's return to semi-acoustic instrumentation and folk-influenced songwriting after three albums of lyrically abstract, blues-indebted rock music. ''John Wesley Harding'' shares many stylistic threads with, and was recorded around the same time as, the prolific series of home recording sessions with The Band, partly released in 1975 as ''The Basement Tapes'', and released in complete form in 2014 as ''The Bootleg Series Vol. 11: The Basement Tapes Complete''. ''John Wesley Harding'' was well received by critics and sold well, reaching on the U.S. charts and topping the UK charts. Less than three months after its release, ''John Wesley Harding'' was certified gold by the RIAA. "All Along the Watchtower" became one of his most popular songs after Jimi Hendrix's rendition was released in the au ...
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All Along The Watchtower
"All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, ''John Wesley Harding'' (1967). The song was written by Dylan and produced by Bob Johnston. The song's lyrics, which in its original version contain 12 lines, feature a conversation between a joker and a thief. The song has been subject to various interpretations; some reviewers have noted that it echoes lines in the Book of Isaiah, Chapter 21, verses 5–9. Dylan has released several different live performances, and versions of the song are included on some of his subsequent greatest hits compilations. Covered by numerous artists, "All Along the Watchtower" is strongly identified with the interpretation Jimi Hendrix recorded with the Jimi Hendrix Experience for their third studio album, ''Electric Ladyland'' (1968). The Hendrix version, released six months after Dylan's original recording, became a Top 20 single in 1968, received a Grammy Hall of Fame award in 2001, and w ...
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Blonde On Blonde
''Blonde on Blonde'' is the seventh studio album by American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know (Sooner or Later)". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded. ''Blonde on Blonde'' completed the trilogy of rock albums that Dylan recorded in 1965 and 1966, starting with ''Bringing It All Back Home'' and ''Highway 61 Revisited''. Critics often rank ''Blonde on Blonde'' as one ...
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Just Like A Woman
"Just Like a Woman" is a song by American singer-songwriter Bob Dylan first released on his seventh studio album, ''Blonde on Blonde'' on June 20, 1966. It was written by Dylan and produced by Bob Johnston. A shorter edit was released as a single in the United States during August 1966 and peaked at number 33 on the ''Billboard'' Hot 100. The song has been criticized for supposed sexism or misogyny in its lyrics, and has received a mixed critical reaction; some critics have suggested that the song was inspired by Edie Sedgwick, while other consider that it refers to Dylan's relationship with fellow folk singer Joan Baez. Dylan allegedly wrote "Just Like a Woman" on Thanksgiving Day in 1965, though some biographers doubt this, claiming he most likely improvised the lyrics in the studio. Dylan recorded the track at Columbia studio B in Nashville, Tennessee in March 1966, together with frequent collaborator Al Kooper along with guitarists Charlie McCoy and Joe South. Retrospective ...
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Highway 61 Revisited
''Highway 61 Revisited'' is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America. Author Michael Gray has argued that, in an important sense, the 1960s "started" with this album. Leading with the hit song "Like a Rolling Stone", the album features songs that Dylan has continued to perform live over his long career, including "Ballad of a Thin Man" and the title track. He named the album after the major American highway which connected his birthplace of Duluth, Minnesota, to southern cities famed for their musical heritage, includ ...
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Like A Rolling Stone
"Like a Rolling Stone" is a song by American singer-songwriter Bob Dylan, released on July 20, 1965, by Columbia Records. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. Dylan distilled this draft into four verses and a chorus. "Like a Rolling Stone" was recorded a few weeks later as part of the sessions for the forthcoming album ''Highway 61 Revisited''. During a difficult two-day preproduction, Dylan struggled to find the essence of the song, which was demoed without success in time. A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the Hammond B2 organ riff for which the track is known. Columbia Records was unhappy with both the song's length at over six minutes and its heavy electric sound, and was hesitant to release it. It was only when, a month later, a copy was leaked to a new popular music club and h ...
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Bringing It All Back Home
''Bringing It All Back Home'' (known as ''Subterranean Homesick Blues'' in some European countries; sometimes also spelled ''Bringin' It All Back Home'') is the fifth studio album by American singer-songwriter Bob Dylan. It was released in April 1965, by Columbia Records. The first half of the album features electric songs, followed by mainly acoustic songs in the second half. The album abandons the protest music of Dylan's previous records in favor of more surreal, complex lyrics. On side one of the original LP, Dylan is backed by an electric rock and roll band—a move that further alienated him from some of his former peers in the folk music community. The album reached No. 6 on ''Billboard''s Pop Albums chart, the first of Dylan's LPs to break into the US top 10. It also topped the UK charts later that spring. The first track, "Subterranean Homesick Blues", became Dylan's first single to chart in the US, peaking at No. 39. ''Bringing It All Back Home'' has been described a ...
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Don't Think Twice, It's All Right
"Don't Think Twice, It's All Right" is a song written by Bob Dylan in 1962, recorded on November 14 that year, and released on the 1963 album ''The Freewheelin' Bob Dylan'' and as the b-side of the ''Blowin' in the Wind'' single. The song was covered by several other artists, including Peter, Paul and Mary who released it as a single which reached the Top 10 of the ''Billboard'' Hot 100. Composition In the liner notes to the original release, Nat Hentoff calls the song "a statement that maybe you can say to make yourself feel better ... as if you were talking to yourself." It was written around the time that Suze Rotolo indefinitely prolonged her stay in Italy. The melody is based on the public domain traditional song "Who's Gonna Buy Your Chickens When I'm Gone", which was taught to Dylan by folksinger Paul Clayton, who had used it in his song "Who's Gonna Buy You Ribbons When I'm Gone?" As well as the melody, a couple of lines were taken from Clayton's "Who's Gonna Buy ...
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