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The Bathers (Courbet)
''The Bathers'' is a painting by Gustave Courbet, first exhibited at the Paris Salon of 1853, where it caused a major scandal. It was unanimously attacked by art critics for the huge nude woman at its centre and the sketchy landscape background, both against official artistic canons. It was bought for 3000 francs by Courbet's future friend Alfred Bruyas, an art collector – this acquisition allowed the artist to become financially and artistically independent. It is signed and dated in the bottom right hand corner on a small rock. It has been in the musée Fabre in Montpellier since 1868. History The painter had already experienced his first successes in France, Belgium and Germany, with some major figures of the Second French Republic buying his works. He had won a medal and resumed exhibited at the Paris Salon. In summer 1852 he returned to the female nude, which he had previously treated in '' The Bacchante'' (possibly 1847) and ''Sleeping Blonde Woman'' (1849, private c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Courbet
Jean Désiré Gustave Courbet ( , , ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged convention by depicting unidealized peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects. Courbet's subsequent paintings were mostly of a less overtly political character: landscapes, seascapes, hunting scenes, nudes, and still lifes. Courbet, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franche-Comté
Franche-Comté (, ; ; Frainc-Comtou: ''Fraintche-Comtè''; frp, Franche-Comtât; also german: Freigrafschaft; es, Franco Condado; all ) is a cultural and historical region of eastern France. It is composed of the modern departments of Doubs, Jura, Haute-Saône and the Territoire de Belfort. In 2016, its population was 1,180,397. From 1956 to 2015, the Franche-Comté was a French administrative region. Since 1 January 2016, it has been part of the new region Bourgogne-Franche-Comté. The region is named after the ' (Free County of Burgundy), definitively separated from the region of Burgundy proper in the fifteenth century. In 2016, these two-halves of the historic Kingdom of Burgundy were reunited, as the region of Bourgogne-Franche-Comté. It is also the 6th biggest region in France. The name "Franche-Comté" is feminine because the word "comté" in the past was generally feminine, although today it is masculine. The principal cities are the capital Besançon, Belfort an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nude Art
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures are generally understood to be symbols of fertility or well-being. In India, the Khajuraho Group of Monuments built between 950 and 1050 CE are known for their erotic sculptures, which comprise about 10% of the temple decorations. Japanese prints are one of the few non-western traditions that can be called nudes, but the activity of communal bathing in Japan is portrayed as just another social activity, without the significance placed upon the lack of clothing that exists in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Tinterow
Gary Tinterow OAL (born 1953 in Louisville) is an American art historian and curator. A specialist on 19th-century French art, Tinterow is currently Director and Margaret Alkek Williams Chair of the Museum of Fine Arts, Houston. Career Born in Louisville, but raised in Houston, Tinterow graduated from Bellaire High School in 1972. He then received a Bachelor of Arts in American Studies from Brandeis University in 1976. His senior honors thesis was on Jewish architecture and was titled "Post-World War II Synagogue Architecture in America." Tinterow then proceeded to receive a Master of Arts in Art History from Harvard University in 1983. After graduating from Harvard, Tinterow was hired at Metropolitan Museum of Art, where he would remain until 2012. There, he served as the Engelhard Chairman of the Department of Nineteenth-Century, Modern, and Contemporary Art. During that tenure, Tinterow was part of a group of curators to help formalize the Association of Art Museum Curators ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centre De Recherche Et De Restauration Des Musées De France
The National Centre for Research and Restoration in French Museums (C2RMF, ''Centre de recherche et de restauration des musées de France'') is the national research centre in France responsible for the documentation, conservation and restoration of the items held in the collections of more than 1,200 museums across France. C2RMF also carries out extensive scientific studies and data recording for these collections, and is active both nationally and internationally in the field of cultural heritage conservation and analysis. The C2RMF is involved in the development of technologies and scientific procedures employed in the preservation of art works and artefacts, both on its own and in partnership with other museums and research institutions across the globe. The centre was established in 1998 by an ''arrêté'' (administrative decision) issued by Catherine Trautmann, the then Minister of Culture and Communications, which was gazetted in the ''Journal Officiel'' on December 30. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Man Made Mad With Fear By Gustave Courbet
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Charivari
''Le Charivari'' was an illustrated magazine published in Paris, France, from 1832 to 1937. It published caricatures, political cartoons and reviews. After 1835, when the government banned political caricature, ''Le Charivari'' began publishing satires of everyday life. The name refers to the folk practice of holding a charivari, a loud, riotous parade, to shame or punish wrongdoers. History and profile ''Le Charivari'' was started by caricaturist Charles Philipon and his brother-in-law Gabriel Aubert to reduce their financial risk of censorship fines. They also had published the satirical, anti-monarchist, illustrated newspaper '' La Caricature'', which had more pages and was printed on more expensive paper. In ''Le Charivari'', they featured humorous content which was not so political. Ownership of the paper changed often due to issues with government censorship, and related taxes and fines. ''Le Charivari'' published daily from 1832 to 1936, and then weekly until 1937. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amédée De Noé
Amédée is a French masculine forename. Notable people with the forename include: Persons * Amédée, stage name of Philippe de Chérisey (1923-1985), French writer, radio humorist, surrealist and actor *Amédée Artus (1815-1892), French conductor and composer *Amédée Baillot de Guerville (1869–1913), French war correspondent * Amédée de Béjarry (1840-1916), French politician *Amédée Bollée (1844-1917), French bellfounder and inventor *Amédée Borrel (1867-1936), French biologist *Amédée Courbet (1827-1885), French army admiral *Amédée Dechambre (1812-1886), French physician *Amédée Despans-Cubières (1786-1853), French army general *Amédée Domenech (1933-2003), French rugby union player and politician * Amédée Dumontpallier (1826-1899), French gynecologist *Amédée Dunois (1878-1945), French lawyer, journalist, politician *Amédée Faure (1801-1878), French painter * Amédée Fengarol (1905-1951), French politician * Amédée E. Forget (1847-1923), Canadia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Joseph Proudhon
Pierre-Joseph Proudhon (, , ; 15 January 1809, Besançon – 19 January 1865, Paris) was a French socialist,Landauer, Carl; Landauer, Hilde Stein; Valkenier, Elizabeth Kridl (1979) 959 "The Three Anticapitalistic Movements". ''European Socialism: A History of Ideas and Movements from the Industrial Revolution to Hitler's Seizure of Power''. University of California Press. pp. 59, 63. "In France, post-Utopian socialism begins with Peter Joseph Proudhon. .. roudhonwas the most profound thinker among pre-Marxian socialists."Eatwell, Roger; Wright, Anthony (1999). ''Contemporary Political Ideologies'' (2nd ed.). London: Continuum. p. 82. .Newman, Michael (2005). ''Socialism: A Very Short Introduction''. Oxford University Press. p. 15. .Docherty, James C.; Lamb, Peter, eds. (2006). ''Historical Dictionary of Socialism''. Historical Dictionaries of Religions, Philosophies, and Movements. 73 (2nd ed.). Lanham, Maryland: The Scarecrow Press. p. 284. . See also Lamb, Peter (2015). ''H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Artiste
''L’Artiste'' was a weekly illustrated review published in Paris from 1831 to 1904, supplying "the richest single source of contemporary commentary on artists, exhibitions and trends from the Romantic era to the end of the nineteenth century." History ''L'Artiste'' was founded in 1831 by Achille Ricourt with financing provided by the businessman Aimé-Joseph Brame. In 1843, it was purchased by Arsène Houssaye. Originally, ''L'Artiste'' addressed fine arts and literature, but by 1859, literature became its primary concern. It later absorbed the ''Revue de Paris''. Important editors included A. Ricourt, H. Delaunay, and Arsène Houssaye. Notably, it published works by Honoré de Balzac, Gérard de Nerval, Théophile Gautier, Jules Janin, Théodore de Banville, Émile Zola, Henri Murger, Jules Champfleury, Charles Baudelaire, Joseph Méry, Eugène Sue Marie-Joseph "Eugène" Sue (; 26 January 18043 August 1857) was a French novelist. He was one of several author ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Sand
Amantine Lucile Aurore Dupin de Francueil (; 1 July 1804 – 8 June 1876), best known by her pen name George Sand (), was a French novelist, memoirist and journalist. One of the most popular writers in Europe in her lifetime, being more renowned than both Victor Hugo and Honoré de Balzac in England in the 1830s and 1840s, Sand is recognised as one of the most notable writers of the European Romantic era, with more than 70 novels to her credit and 50 volumes of various works including novels, tales, plays and political texts. Like her great-grandmother, Louise Dupin, whom she admired, George Sand stood up for women, advocated passion, castigated marriage and fought against the prejudices of a conservative society. Personal life Childhood Amantine Aurore Lucile Dupin, the future George Sand, was born on 1 July 1804 in Paris on Meslay Street to Maurice Dupin de Francueil and Sophie-Victoire Delaborde. She was the paternal great-granddaughter of the Marshal of Fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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