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The Art Journal
''The Art Journal'' was the most important British 19th-century magazine on art. It was founded in 1839 by Hodgson & Graves, print publishers, 6 Pall Mall, with the title ''Art Union Monthly Journal'' (or ''The Art Union''), the first issue of 750 copies appearing 15 February 1839. It was published in London but its readership was global in reach. History Hodgson & Graves hired Samuel Carter Hall as editor of ''Art Union Monthly Journal'', assisted by James Dafforne. Hall soon became the principal proprietor, but he was unable to turn a profit on his own. The London publisher George Virtue bought a share of the business in 1848, with Hall remaining as editor, and they renamed the periodical ''The Art Journal'' in 1849. In 1851, as part of the "Great Exhibition" of that year, ''The Art Journal'' featured Hall's engravings of 150 pictures from the private collections of Queen Victoria and Prince Albert. Although this project was popular, the publication remained unprofitable, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Era
In the history of the United Kingdom and the British Empire, the Victorian era was the period of Queen Victoria's reign, from 20 June 1837 until her death on 22 January 1901. The era followed the Georgian period and preceded the Edwardian period, and its later half overlaps with the first part of the '' Belle Époque'' era of Continental Europe. There was a strong religious drive for higher moral standards led by the nonconformist churches, such as the Methodists and the evangelical wing of the established Church of England. Ideologically, the Victorian era witnessed resistance to the rationalism that defined the Georgian period, and an increasing turn towards romanticism and even mysticism in religion, social values, and arts. This era saw a staggering amount of technological innovations that proved key to Britain's power and prosperity. Doctors started moving away from tradition and mysticism towards a science-based approach; medicine advanced thanks to the adoption ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magazine Of Art
''The Magazine of Art'' was an illustrated monthly British journal devoted to the visual arts, published from May 1878 to July 1904 in London and New York City by Cassell, Petter, Galpin & Co. It included reviews of exhibitions, articles about artists and all branches of the visual arts, as well as some poetry, and was lavishly illustrated by leading wood-engravers of the period such as William Biscombe Gardner.Joanne Shattock. ''The Cambridge bibliography of English literature'', Volume 4 (Cambridge University Press, 2000) p. 2962.Liela Rumbaugh Greiman"William Ernest Henley & The Magazine of Art" ''Victorian Periodicals Review'' Vol. 16, No. 2 (Summer, 1983), pp. 53–64 (Retrieved 9 Sep 2010) History Its origins can be traced back to May 1851, when the House of Cassell started publication of a journal devoted to The Great Exhibition of that year. It evolved, in 1852, into ''The Illustrated Exhibitor and Magazine of Art'', a weekly devoted to the arts, educational in purpose an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magazines Disestablished In 1912
A magazine is a periodical publication, generally published on a regular schedule (often weekly or monthly), containing a variety of content. They are generally financed by advertising, purchase price, prepaid subscriptions, or by a combination of the three. Definition In the technical sense a ''journal'' has continuous pagination throughout a volume. Thus ''Business Week'', which starts each issue anew with page one, is a magazine, but the '' Journal of Business Communication'', which continues the same sequence of pagination throughout the coterminous year, is a journal. Some professional or trade publications are also peer-reviewed, for example the '' Journal of Accountancy''. Non-peer-reviewed academic or professional publications are generally ''professional magazines''. That a publication calls itself a ''journal'' does not make it a journal in the technical sense; ''The Wall Street Journal'' is actually a newspaper. Etymology The word "magazine" derives from Arabic , th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magazines Established In 1839
A magazine is a periodical publication, generally published on a regular schedule (often weekly or monthly), containing a variety of content. They are generally financed by advertising, purchase price, prepaid subscriptions, or by a combination of the three. Definition In the technical sense a ''journal'' has continuous pagination throughout a volume. Thus ''Business Week'', which starts each issue anew with page one, is a magazine, but the '' Journal of Business Communication'', which continues the same sequence of pagination throughout the coterminous year, is a journal. Some professional or trade publications are also peer-reviewed, for example the '' Journal of Accountancy''. Non-peer-reviewed academic or professional publications are generally ''professional magazines''. That a publication calls itself a ''journal'' does not make it a journal in the technical sense; ''The Wall Street Journal'' is actually a newspaper. Etymology The word "magazine" derives from Arabic , th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Defunct Magazines Published In The United Kingdom
{{Disambiguation ...
Defunct (no longer in use or active) may refer to: * ''Defunct'' (video game), 2014 * Zombie process or defunct process, in Unix-like operating systems See also * * :Former entities * End-of-life product * Obsolescence Obsolescence is the state of being which occurs when an object, service, or practice is no longer maintained or required even though it may still be in good working order. It usually happens when something that is more efficient or less risky r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visual Arts Magazines Published In The United Kingdom
The visual system comprises the sensory organ (the eye) and parts of the central nervous system (the retina containing photoreceptor cells, the optic nerve, the optic tract and the visual cortex) which gives organisms the sense of sight (the ability to detect and process visible light) as well as enabling the formation of several non-image photo response functions. It detects and interprets information from the optical spectrum perceptible to that species to "build a representation" of the surrounding environment. The visual system carries out a number of complex tasks, including the reception of light and the formation of monocular neural representations, colour vision, the neural mechanisms underlying stereopsis and assessment of distances to and between objects, the identification of a particular object of interest, motion perception, the analysis and integration of visual information, pattern recognition, accurate motor coordination under visual guidance, and more. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Austin Artlett
Richard Austin Artlett (9 November 1807 – 1 September 1873) was a British engraver and painter. He was a pupil of Robert Cooper, and then of James Thomson. Works Artlett engraved in the dotted manner. He carried out some figure-subjects, including ''Boulogne in 1805'' and ''Boulogne in 1855'', after John Absolon. Among his portraits were those of Lord Ashburton, after Sir Thomas Lawrence; Lord Lyndhurst, after Alfred Edward Chalon; the Right Hon. Henry Goulburn and Sir James Emerson Tennent, after George Richmond; George MacDonald, after George Reid; Lady Clementina Villiers, after Franz Xaver Winterhalter; and Mrs. Gladstone, after William Say. Artlett was best known as an engraver of sculpture, in particular for plates in ''The Art Journal.'' Among them were: *''The Fawn'', a statue by C. B. Birch; *''The Virgin Mother'', a group by Albert-Ernest Carrier-Belleuse; *''The Leopard-Hunter'', a statue by Jens Adolf Jerichau; *''The Day-Dream'', a statue by Patric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Llewellynn Jewitt
Llewellynn Frederick William Jewitt (or Llewellyn) (24 November 1816 – 5 June 1886) was a British illustrator, engraver, natural scientist and author of ''The Ceramic Art of Great Britain'' (1878). His output was prodigious and covered a large range of interests. Biography Jewitt was born at Kimberworth, Rotherham, the seventeenth and final child of artist, author and schoolmaster Arthur Jewitt and his wife Martha. His education, largely from his father, who was master at Kimberworth Endowed School, started in Duffield, Derbyshire where his family moved in 1818. On Christmas Day of 1838 he married Elizabeth Sage, daughter of Isaac Sage of Derby, hurriedly returning to London the same day so as not to fall behind in his work. From 1839 to 1845 he was employed by the engraver Frederick William Fairholt, to illustrate the works of Charles Knight, and contribute to the ''Pictorial Times'', the '' Saturday Magazine'', the ''Illustrated London News'' and ''Punch''. He worked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Lewes Cutts
Edward Lewes Cutts was an English writer, antiquarian and curate, specialising in archaeology and the study of ecclesiastical history. Life and church career Cutts was born on 2 March 1824 in Sheffield. He was the son of John Priston Cutts, an optician, and Mary, daughter of Robert Waterhouse. He was educated at Sheffield Collegiate School and graduated B.A. at Queens' College, Cambridge, in 1848. Being ordained in the same year, he was curate successively of Ide Hill, Kent, until 1850, of Coggeshall, Essex, until 1857, and of Kelvedon until 1859, and was perpetual curate of Billericay until 1865. He had already acted also as local organising secretary of the Additional Curates Society, and on leaving Billericay became general secretary of the society in London, resigning in 1871, on presentation to the vicarage of Holy Trinity, Haverstock Hill. In 1876 Cutts was selected by the Archbishops of Canterbury and York to visit the East and inquire into the position of the Syrian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick William Fairholt
Frederick William Fairholt (1814 – 3 April 1866) was an English antiquarian, antiquary and wood-engraver. Early life Fairholt was born in London. His father, who was of a German family (the name was originally Fahrholz), was a tobacco manufacturer, and Frederick was at first employed in the business. He then worked as a drawing-master and later as a scene-painter. Pen and ink copies made by him of figures from William Hogarth's plates led to his being employed by Charles Knight (engraver), Charles Knight on several of his illustrated publications. Career Fairholt's first published literary work was a contribution to ''Hone's Year-Book'' in 1831. His life was one of almost uninterrupted quiet labour, carried on until within a few days of death. Several works on civic pageantry and some collections of ancient unpublished songs and dialogues were edited by him for the Percy Society in 1842. In 1844, he was elected fellow of the Society of Antiquaries of London, Society of Antiqua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Wright (antiquarian)
Thomas Wright (23 April 181023 December 1877) was an English antiquarian and writer. Life Wright was born near Ludlow at Tenbury Wells, Worcestershire descended from a Quaker family formerly living at Bradford. He was educated at Ludlow Grammar School and at Trinity College, Cambridge, whence he graduated in 1834. While at Cambridge he contributed to the ''Gentleman's Magazine'' and other periodicals, and in 1835 he came to London to devote himself to a literary career. His first separate work was ''Early English Poetry in Black Letter, with Prefaces and Notes'' (1836, 4 vols. 12mo), which was followed during the next forty years by an extensive series of publications, many of lasting value. He helped to found the British Archaeological Association and the Percy, Camden and Shakespeare Societies. In 1842 he was elected corresponding member of the Académie des Inscriptions et Belles Lettres of Paris, and was a fellow of the Society of Antiquaries as well as member of many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Nicholson Wornum
Ralph Nicholson Wornum (1812–1877) was a British artist, art historian and administrator. He was Keeper and Secretary of the National Gallery of London from 1855 until his death. Early life He was the son of Robert Wornum the pianoforte maker, and was born at Thornton, near Norham, Northumberland, on 29 December 1812. Having studied at University College London in 1832, he gave up plans to read for the bar, and attended the studio of Henry Sass. In 1834 he went abroad, spending six years in visiting galleries, in Munich, Dresden, Rome, Florence, and Paris. Art and design in London At the end of 1839 Wornum settled in London as a portrait-painter. Thomas Sibson came to study with him. He was honourably mentioned in the Westminster Hall cartoon competition of 1840. In 1848 Wornum was appointed lecturer on art to the government schools of design, and lectured around England. Among his topics was Islamic design, and he suggested that his students should visit Owen Jones's reconstr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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