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The Ancestors
''The Ancestors'' is an album by Tim Berne and which was released on the Italian-based Soul Note label in 1983. It features three lengthy tracks which, typical of Berne, are structured in suite-like sections. The music is performed by the Tim Berne Sextet which consisted of Berne, Herb Robertson, Ray Anderson, Mack Goldsbury, Ed Schuller, Paul Motian. Reception The Penguin Guide to Jazz said "''The Ancestors'' was a first sign that Berne was willing to slow down, look about him and take stock. ...it's a measured authoritative set, rhythmically coherent ". Track listing # "Sirius B" (Berne) - 10:46 # "Shirley's Song - Part 1" (Berne) - 12:46 # "Shirley's Song - Part 2 / San Antonio / The Ancestors" (Berne) - 21:05 Personnel * Tim Berne: Alto saxophone * Clarence Herb Robertson: Trumpet, pocket trumpet, cornet & flugelhorn * Ray Anderson: Trombone & tuba * Mack Goldsbury: Tenor & soprano saxophones * Ed Schuller: Bass * Paul Motian Stephen Paul Motian (March 25, 1931 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tim Berne
Tim Berne (born October 16, 1954) is an American avant-garde jazz saxophonist and record label owner. His primary instruments are the alto and baritone saxophones. Biography Berne was born in Syracuse, New York, United States. He has said that he had no interest in playing an instrument until he attended Lewis & Clark College in Oregon. Hearing the album ''Dogon A.D.'' (1972) by Julius Hemphill turned his attention toward jazz. He was a fan of rhythm and blues, and it seemed to him that Hemphill was playing jazz with the soulfulness of R&B. In 1974, he went to New York to find Hemphill, who gave him saxophone lessons and advice on how to manage his career. Berne started the record label Empire in 1979. For Empire, he recorded four albums with avant-garde jazz musicians such as John Carter, Alex Cline, Nels Cline, Olu Dara, Vinny Golia, Paul Motian, and Ed Schuller. His next two albums appeared on Soul Note in the early 1980s. In these sessions he worked with trumpeter Herb Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Jazz
Avant-garde jazz (also known as avant-jazz and experimental jazz) is a style of music and improvisation that combines avant-garde art music and composition with jazz. It originated in the early 1950s and developed through to the late 1960s. Originally synonymous with free jazz, much avant-garde jazz was distinct from that style. History 1950s Avant-garde jazz originated in the mid- to late 1950s among a group of improvisors who rejected the conventions of bebop and post bop in an effort to blur the division between the written and the spontaneous. Ornette Coleman and Cecil Taylor led the way, soon to be joined by John Coltrane. Some would come to apply it differently from free jazz, emphasizing structure and organization by the use of composed melodies, shifting but nevertheless predetermined meters and tonalities, and distinctions between soloists and accompaniment. 1960s In Chicago, the Association for the Advancement of Creative Musicians began pursuing their own variety of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Downtown Music
Downtown music is a subdivision of American music, closely related to experimental music, which developed in downtown Manhattan in the 1960s. History The scene the term describes began in 1960, when Yoko Ono, one of the early Fluxus artists, opened her loft at 112 Chambers Street, in a part of Lower Manhattan later named Tribeca, to be used as a performance space for a series curated by La Monte Young and Richard Maxfield. Prior to this, most classical music performances in New York City occurred "uptown" around the areas that the Juilliard School at Lincoln Center and Columbia University would soon occupy. Ono's gesture led to a new performance tradition of informal performances in nontraditional venues such as lofts and converted industrial spaces, involving music much more experimental than that of the more conventional modern classical series Uptown. Spaces in Manhattan that supported Downtown music from the 1960s on included the Judson Memorial Church, The Kitchen, Exper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Note
Black Saint and Soul Note are two affiliated Italian independent record labels. Since their conception in the 1970s, they have released albums from a variety of influential jazz musicians, particularly in the genre of free jazz. History Black Saint was established in 1975 by Giacomo Pelliciotti and devoted to recording avant-garde musicians who might not have an opportunity elsewhere. In 1979, a sister label, Soul Note, was established as a home for artists who, while being no less creative, might be considered slightly closer to the mainstream. The labels specialize in avant-garde jazz stemming from the free jazz tradition. Some of its roster of artists were members of the Chicago-based music association Association for the Advancement of Creative Musicians and the St. Louis-based multidisciplinary arts collectives Black Artists Group and the Human Arts Ensemble. The company was based in Tribiano, Italy. Many of the recordings were made in Milan, as the performers passed thr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs And Rituals In Real Time
''Songs and Rituals in Real Time'' is a double LP album by Tim Berne released by Empire Productions (USA) in 1982 and re-released on CD as a part of ''The Empire Box'' on Screwgun Records (USA) in 1998. The album was Recorded live at Inroads, New York City on July 1, 1981. It features the quartet of Mack Goldsbury, Ed Schuller, Paul Motian and Tim Berne. Tim Berne on inviting Paul Motian to play: :"I met Paul Motian when he was doing a gig with the bass player Saheb Sarbib. And I just went up to him and I asked him. And to this day I have no idea how I got the nerve. But he sort of said 'Yeah, man, send me something,' or whatever. I may have given him a record or sent him a tape. I called him up a couple of weeks later and asked him if he listened to it, and he said 'No.' But then he said, 'Yeah, whatever, I’ll do the gig.' And that was this gig that turned into this record. It was live at this place Inroads. We rehearsed a lot, we played two sets, recorded it, and thatâ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mutant Variations (album)
In biology, and especially in genetics, a mutant is an organism or a new genetic character arising or resulting from an instance of mutation, which is generally an alteration of the DNA sequence of the genome or chromosome of an organism. It is a characteristic that would not be observed naturally in a specimen. The term mutant is also applied to a virus with an alteration in its nucleotide sequence whose genome is in the nuclear genome. The natural occurrence of genetic mutations is integral to the process of evolution. The study of mutants is an integral part of biology; by understanding the effect that a mutation in a gene has, it is possible to establish the normal function of that gene. Mutants arise by mutation Mutants arise by mutations occurring in pre-existing genomes as a result of errors of DNA replication or errors of DNA repair. Errors of replication often involve translesion synthesis by a DNA polymerase when it encounters and bypasses a damaged base in the temp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herb Robertson
Clarence "Herb" Robertson (born February 21, 1951) is a jazz trumpeter and flugelhornist. He was born in New Jersey and attended the Berklee School of Music. He has recorded solo albums and has worked as a sideman for Tim Berne, Anthony Davis, Bill Frisell, George Gruntz, Paul Motian, Bobby Previte, and David Sanborn. Discography As leader * '' Transparency'' ( JMT, 1985) * '' X-Cerpts: Live at Willisau'' (JMT, 1987) * ''Shades of Bud Powell'' (JMT, 1988) * ''Certified'' (JMT, 1991) * ''Falling in Flat Space'' (Cadence Jazz, 1996) with Dominic Duval and Jay Rosen - * ''Sound Implosion'' with Dominic Duval and Jay Rosen (CIMP, 1997) * ''Rituals'' with Phil Haynes (CIMP, 2000) * ''Brooklyn-Berlin'' with Phil Hayens (CIMP, 2000) * ''Knudstock 2000'' (Cadence, 2000) * ''Music for Long Attention Spans'' ( Leo, 2001) * ''The Legend of the Missing Link (Septet & Quintet)'' (Splasc(h), 2001) * ''Elaboration'' ( Clean Feed, 2005) * ''Sketches from the Other Side, For ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Anderson (musician)
Ray Anderson (born October 16, 1952) is an American jazz trombonist. Trained by the Chicago Symphony trombonists, he is regarded as someone who pushes the limits of the instrument, including performing on alto trombone and slide trumpet. He is a colleague of trombonist George E. Lewis. Anderson also plays sousaphone and sings. He was frequently chosen in ''DownBeat'' magazine's Critics Poll as best trombonist throughout the late 1980s and early 1990s. Biography After studying in California, he moved to New York in 1972 and freelanced. In 1977, he joined Anthony Braxton's Quartet (replacing George E. Lewis) and started working with Barry Altschul's group. In addition to leading his own groups since the late 1970s (including the funk-oriented Slickaphonics), Anderson has worked with George Gruntz's Concert Jazz Band. In the 1990s, he began taking an occasional good-humored vocal, during which he shows the ability to sing two notes at the same time (a minor third apart). Anderson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mack Goldsbury
Mack may refer to: People *Mack (given name) *Mack (surname) *Reinhold Mack, German record producer and sound engineer, often credited as simply "Mack" *Richard Machowicz (1965–2017), host of ''FutureWeapons'' and ''Deadliest Warrior'', known as "Mack" Places United States *Mack, Colorado, an unincorporated town * Mack, Louisiana, an unincorporated community * Mack, Minnesota, an unincorporated town *Mack, Ohio, a census-designated place Bahamas *Mack Town Businesses *Mack Trucks, an American truck maker *Mack Group, an American corporation providing contract manufacturing * Mack Brewery, a Norwegian brewery * Mack Rides, a German ride manufacturer *Mack Air, a Botswana air charter line *Mack (publishing), an art and photography publishing house based in London Other uses * USS ''Mack'' (DE-358), a destroyer escort which served in World War II *Mack (naval architecture), in naval architecture, a structure combining a ship's radar masts and funnels *''The Mack'', a 1973 bla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ed Schuller
Edwin Gunther Schuller (January 11, 1955) is an American jazz bassist and composer. His father is Gunther Schuller, a composer, horn player, and music professor, and his younger brother is drummer George Schuller. Career A native of New York City, Schuller learned clarinet and guitar as a child. He switched to double bass at age 15, and the same year he had his first professional appearances with Ricky Ford. He studied at the New England Conservatory of Music. Schuller has played with Lee Konitz, Joe Lovano, Ted Curson, Dave Liebman, Abbey Rader, Jimmy Knepper, Clark Terry, Ran Blake, Paul McCandless, Billy Hart, Mat Maneri, Marty Ehrlich, and Roland Hanna, and has toured with Lovano, Paul Motian, Tim Berne, Jim Pepper, Pat Martino, Mal Waldron, Uli Lenz, Karl Berger, Gerry Hemingway, Marty Cook, Nicolas Simian, Perry Robinson, Barry Miles, Terry Silverlight, and Jaki Byard. He has played on over 60 recordings and been a member of numerous collective ensembles, including the en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Motian
Stephen Paul Motian (March 25, 1931 – November 22, 2011) was an American jazz drummer, percussionist, and composer. Motian played an important role in freeing jazz drummers from strict time-keeping duties. He first came to prominence in the late 1950s in the piano trio of Bill Evans, and later was a regular in pianist Keith Jarrett's band for about a decade (c. 1967–1976). Motian began his career as a bandleader in the early 1970s. Perhaps his two most notable groups were a longstanding trio of guitarist Bill Frisell and saxophonist Joe Lovano, and the Electric Bebop Band where he worked mostly with younger musicians on interpretations of bebop standards. Biography Motian was born in Philadelphia, Pennsylvania, and raised in Providence, Rhode Island. He was of Armenian descent. After playing guitar in his childhood, Motian began playing the drums at age 12, eventually touring New England in a swing band. During the Korean War he joined the Navy. Motian became a professiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
