The Amazing Pudding (other)
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The Amazing Pudding (other)
'' The Amazing Pudding'' was a British fan magazine devoted to Pink Floyd. The Amazing Pudding may also refer to: * An early title for the Pink Floyd work " Atom Heart Mother" * ''The Amazing Pudding'' (album), 1998 bootleg album {{disambiguation ...
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The Amazing Pudding
''The Amazing Pudding'' (1983–1993) was a British fan magazine devoted to Pink Floyd, Roger Waters, and the solo careers of other Pink Floyd band members, including Syd Barrett. It was seen as being the main fanzine of Pink Floyd during the time of its publication. Journalist Stuart Maconie wrote about ''The Amazing Pudding'' as part of a feature in the April 1993 issue of '' Q''.The April issue hit news-stands in March, and the feature commemorated the twentieth anniversary release of Dark Side of the Moon, in March 1973 History The title, ''The Amazing Pudding'', was originally a working title for Pink Floyd's 1970 " Atom Heart Mother" suite. The magazine was established by Ivor Trueman and was co-edited and published, variously, by Trueman (issues 1–17, 1983–), Andy Mabbett (issues 2–60, 1983–1993), Bruno MacDonald (issues 24–60, 1987–1993), and Dave Walker (issues 13–60, –1993), for ten years and 60 issues. MacDonald, who started writing for the maga ...
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Atom Heart Mother (suite)
"Atom Heart Mother" is a six-part suite by the progressive rock band Pink Floyd, composed by all members of the band and Ron Geesin. It appeared on the ''Atom Heart Mother'' album in 1970, taking up the first side of the original vinyl record. At 23:38, it is Pink Floyd's longest uncut studio piece. Pink Floyd performed it live between 1970 and 1972, occasionally with a brass section and choir in 1970–71. Recording and composition Recording began with the drum and bass parts, recorded in one take for the entire suite, resulting in an inconsistent tempo throughout the song. Roger Waters and Nick Mason had to play for twenty-three minutes straight. When Roger Waters heard David Gilmour playing the guitar parts for this track, he said that he thought it sounded like the theme song from the western film ''The Magnificent Seven''. The track was one of only two Pink Floyd compositions credited as being co-written by someone outside the band prior to 1987 (not counting Clare Torry's ...
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