The Acorn And The Pumpkin
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The Acorn And The Pumpkin
The Acorn and the Pumpkin, in French ''Le gland et la citrouille'', is one of La Fontaine's Fables, published in his second volume (IX.4) in 1679. In English especially, new versions of the story were written to support the teleological argument for creation favoured by English thinkers from the end of the 17th century onwards. Popular theology The fable is one of the few by La Fontaine without a certain origin, although it is generally acknowledged that it owes something to a piece of street farce by Tabarin earlier in the 17th century. Beginning with the statement that "God's creation is well made", it recounts how a country bumpkin questions intelligent design in the creation by supposing that it would be better if oaks bore pumpkins and feeble vines supported acorns. He falls asleep beneath the tree and is awakened by the fall of an acorn, taking the comparative lack of injury he suffers as sufficient evidence of divine providence. It has been surmised, however, that the ironica ...
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Lapage Acorn And Pumpkin
Lapage is a surname. Notable people with the surname include: *Joseph LaPage (1838–1878), Canadian serial killer *Michael Lapage (1923–2018), English rower See also *Lepage {{Short pages monitor ...
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Octosyllabic
The octosyllable or octosyllabic verse is a line of verse with eight syllables. It is equivalent to tetrameter verse in trochees in languages with a stress accent. Its first occurrence is in a 10th-century Old French saint's legend, the '' Vie de Saint Leger''; another early use is in the early 12th-century Anglo-Norman '' Voyage de saint Brendan''. It is often used in French, Italian, Spanish and Portuguese poetry. While commonly used in couplets, typical stanzas using octosyllables are: décima, some quatrains, redondilla. In Spanish verse, an octosyllable is a line that has its seventh syllable stressed, on the principle that this would normally be the penultimate syllable of a word (''Lengua Castellana y Literatura'', ed. Grazalema Santillana. El Verso y su Medida, p. 46). If the final word of a line does not fit this pattern, the line could have eight or seven or nine syllables (as normally counted), thus – :1 / 2 / 3 / 4 / 5 / Gra/NA/da :1 / 2 / 3 / 4 / 5 / Ma/DR ...
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Jules Bastien-Lepage
Jules Bastien-Lepage (1 November 1848 – 10 December 1884) was a French painter closely associated with the beginning of naturalism, an artistic style that emerged from the later phase of the Realist movement. His most famous work is his landscape-style portrait of Joan of Arc which currently resides at the Metropolitan Museum in New York City. Life and work Bastien-Lepage was born in the village of Damvillers, Meuse, and spent his childhood there. Bastien's father grew grapes in a vineyard to support the family. His grandfather also lived in the village; his garden had fruit trees of apple, pear, and peach up against the high walls. Bastien took an early liking to drawing, and his parents fostered his creativity by buying prints of paintings for him to copy. Education Jules Bastien-Lepage's first teacher was his father, himself an artist. His first formal training was at Verdun. Prompted by a love of art, he went to Paris in 1867, where he was admitted to the École des B ...
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Watercolour
Watercolor (American English) or watercolour (British English; see spelling differences), also ''aquarelle'' (; from Italian diminutive of Latin ''aqua'' "water"), is a painting method”Watercolor may be as old as art itself, going back to the Stone Age when early ancestors combined earth and charcoal with water to create the first wet-on-dry picture on a cave wall." London, Vladimir. The Book on Watercolor (p. 19). in which the paints are made of pigments suspended in a water-based solution. ''Watercolor'' refers to both the medium and the resulting artwork. Aquarelles painted with water-soluble colored ink instead of modern water colors are called ''aquarellum atramento'' (Latin for "aquarelle made with ink") by experts. However, this term has now tended to pass out of use. The conventional and most common ''support''—material to which the paint is applied—for watercolor paintings is watercolor paper. Other supports or substrates include stone, ivory, silk, reed, papyr ...
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Stephen Gooden
Stephen Frederick Gooden CBE, RA, RE (born Tulse Hill, London, 9 October 1892, died Chesham Bois, Buckinghamshire 21 September 1955) was an English artist, engraver, illustrator and designer of banknotes. He was elected a Fellow of the Royal Society of Painter-Etchers and Engravers in 1933Hopkinson, M. (1999). No day without a line. The History of the Royal Society of Painter-Printmakers 1880–1999. Oxford: Ashmolean Museum. and a Fellow of the Royal Academy in 1946. He was created a Commander of the British Empire in the 1942 Birthday Honours. Early life Gooden was the son of a picture dealer, Stephen Thomas Gooden (1856-1909), who joined Frederick W. Fox to create the company Gooden and Fox. S.F. Gooden was educated at Rugby School and studied at the Slade School of Fine Art from 1909 to 1913. He served in the Royal Engineers during World War I.Peppin, B. & Micklethwait, L. (1983). Dictionary of British Book Illustrators. The Twentieth Century. London: John Murray. Work G ...
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Monastery Of São Vicente De Fora
The Church and Monastery of São Vicente de Fora, meaning "Monastery of St. Vincent Outside the Walls", is a 17th-century church and monastery in the city of Lisbon, Portugal. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal. History and art The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. Built in Romanesque style outside the city walls, it was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century. The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built ...
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Jean-Baptiste Oudry
Jean-Baptiste Oudry (; 17 March 1686 – 30 April 1755) was a French Rococo painter, engraver, and tapestry designer. He is particularly well known for his naturalistic pictures of animals and his hunt pieces depicting game. His son, Jacques-Charles Oudry, was also a painter. Biography Jean-Baptiste Oudry was born in Paris, the son of Jacques Oudry, a painter and art dealer, and his wife Nicole Papillon,Bryan,1886-9 relative of the engraver Jean-Baptiste-Michel Papillon. His father was a director of the Académie de Saint-Luc art school, which Oudry joined. At first, Oudry concentrated on portraiture, and he became a pupil and perhaps a collaborator of Nicolas de Largillière from 1707 to 1712. He graduated at only 22 years of age, on 21 May 1708, at the same time as his two older brothers. The next year, he married Marie–Marguerite Froissé, the daughter of a ''miroitier'' (a mirror-maker) to whom he gave lessons in painting. Oudry became an assistant professor at Acad ...
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Marianne Moore
Marianne Craig Moore (November 15, 1887 – February 5, 1972) was an American modernist poet, critic, translator, and editor. Her poetry is noted for formal innovation, precise diction, irony, and wit. Early life Moore was born in Kirkwood, Missouri, in the manse of the Presbyterian church where her maternal grandfather, John Riddle Warner, served as pastor. Her father, John Milton Moore, a mechanical engineer and inventor, suffered a psychotic episode, as a consequence of which her parents separated before she was born; Moore never met him. She and her elder brother, John Warner Moore, were reared by their mother, Mary Warner Moore. The family wrote voluminous letters to one another throughout their lives, often addressing each other by playful nicknames based on characters from ''The Wind in the Willows'' and using a private language. Like her mother and her elder brother, Moore remained a devoted Presbyterian, strongly influenced by her grandfather, approaching her Christi ...
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Dactyl (poetry)
A dactyl (; el, δάκτυλος, ''dáktylos'', “finger”) is a foot in poetic meter. In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight. The best-known use of dactylic verse is in the epics attributed to the Greek poet Homer, the Iliad and the Odyssey. In accentual verse, often used in English, a dactyl is a stressed syllable followed by two unstressed syllables—the opposite is the anapaest (two unstressed followed by a stressed syllable). An example of dactylic meter is the first line of Henry Wadsworth Longfellow's epic poem ''Evangeline'' (1847), which is in dactylic hexameter: :''This is the / forest prim- / eval. The / murmuring / pines and the / hemlocks, The first five feet of the line are dactyls; the sixth a trochee. Stephen Fry quotes Robert Browning's poem " The Lost Leader" as an example of the use of dactylic metre to great effect, creating verse with "great rhy ...
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Couplets
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ...
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Bernard De Mandeville
Bernard Mandeville, or Bernard de Mandeville (; 15 November 1670 – 21 January 1733), was an Anglo-Dutch philosopher, political economist and satirist. Born in Rotterdam, Netherlands, he lived most of his life in England and used English for most of his published works. He became famous for ''The Fable of the Bees''. Life Mandeville was born on 15 November 1670, at Rotterdam in the Netherlands, where his father was a prominent physician of Huguenot origin. On leaving the Erasmus school at Rotterdam he showed his ability by an ''Oratio scholastica de medicina'' (1685), and at Leiden University in 1689 he produced the thesis ''De brutorum operationibus'', in which he advocated the Cartesian theory of automatism among animals. In 1691 he took his medical degree, pronouncing an inaugural disputation, ''De chylosi vitiata''. He moved to England to learn the language, and succeeded so remarkably that many refused to believe he was a foreigner. His father had been banished from Ro ...
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La Fontaine's Fables
Jean de La Fontaine collected fables from a wide variety of sources, both Western and Eastern, and adapted them into French free verse. They were issued under the general title of Fables in several volumes from 1668 to 1694 and are considered classics of French literature. Humorous, nuanced and ironical, they were originally aimed at adults but then entered the educational system and were required learning for school children. Composition history Divided into 12 books, there are 239 of the ''Fables'', varying in length from a few lines to some hundred, those written later being as a rule longer than those written earlier. The first collection of ''Fables Choisies'' had appeared March 31, 1668, dividing 124 fables into six books over its two volumes. They were dedicated to ''"Monseigneur"'' Louis, ''le Grand Dauphin'', the six-year-old son of Louis XIV of France and his queen consort Maria Theresa of Spain. By this time, La Fontaine was 47 and known to readers chiefly as the aut ...
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