The 47 Ronin (1941 Film)
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The 47 Ronin (1941 Film)
is a black-and-white two-part jidaigeki Cinema of Japan, Japanese film directed by Kenji Mizoguchi, adapted from a play by Seika Mayama. The first part was released on December 1, 1941 with the second part being released on February 11 of the following year. The film depicts the legendary forty-seven Ronin and their plot to avenge the death of their lord, Asano Naganori, by killing Kira Yoshinaka, a shogunate official responsible for Asano being forced to commit seppuku. Plot The plot revolves around the consequences of an attack by Lord Asano Naganori on Lord Kira Yoshinaka, an influential court official in the Tokugawa Shogunate. After overhearing Kira insult him in public, Asano strikes Kira with a sword in the corridors of Edo Castle, but succeeds only in wounding him. As attacking a Shogunate official is a grave offense, Shogun Tokugawa Tsunayoshi sentences Asano to commit seppuku and issues an edict stripping the Asano Clan of their lands and wealth. Kira, meanwhile, is ...
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Kenji Mizoguchi
was a Japanese film director and screenwriter, who directed about one hundred films during his career between 1923 and 1956. His most acclaimed works include ''The Story of the Last Chrysanthemums'' (1939), ''The Life of Oharu'' (1952), ''Ugetsu'' (1953), and '' Sansho the Bailiff'' (1954), with the latter three all being awarded at the Venice International Film Festival. A recurring theme of his films was the oppression of women in historical and contemporary Japan. Together with Akira Kurosawa and Yasujirō Ozu, Mizoguchi is seen as a representative of the "golden age" of Japanese cinema. Biography Early years Mizoguchi was born in Hongō, Tokyo, as the second of three children, to Zentaro Miguchi, a roofing carpenter, and his wife Masa. The family's background was relatively humble until the father's failed business venture of selling raincoats to the Japanese troops during the Russo-Japanese War. The family was forced to move to the downtown district of Asakusa and gave Mi ...
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Tokugawa Shogunate
The Tokugawa shogunate (, Japanese 徳川幕府 ''Tokugawa bakufu''), also known as the , was the military government of Japan during the Edo period from 1603 to 1868. Nussbaum, Louis-Frédéric. (2005)"''Tokugawa-jidai''"in ''Japan Encyclopedia'', p. 978.Nussbaum"''Edo-jidai''"at p. 167. The Tokugawa shogunate was established by Tokugawa Ieyasu after victory at the Battle of Sekigahara, ending the civil wars of the Sengoku period following the collapse of the Ashikaga shogunate. Ieyasu became the ''shōgun,'' and the Tokugawa clan governed Japan from Edo Castle in the eastern city of Edo (Tokyo) along with the ''daimyō'' lords of the ''samurai'' class.Nussbaum"Tokugawa"at p. 976. The Tokugawa shogunate organized Japanese society under the strict Tokugawa class system and banned most foreigners under the isolationist policies of ''Sakoku'' to promote political stability. The Tokugawa shoguns governed Japan in a feudal system, with each ''daimyō'' administering a ''han'' (f ...
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Akō Rōshi (1961 Film)
is a 1961 color Japanese film about the 47 Ronin directed by Sadatsugu Matsuda. It earned ¥435 million at the annual box office, making it the second highest-grossing film of 1961. Ako Roshi was produced by Toei, and Shigeru Okada. It is based on the novel written by Jiro Osaragi. Cast See also * Forty-seven Ronin Other films about Forty-seven ronin: * '' The 47 Ronin'' (元禄忠臣蔵, Genroku chushingura) - 1941 film by Kenji Mizoguchi * '' Akō Rōshi: Ten no Maki, Chi no Maki'' (赤穂浪士 天の巻 地の巻) - 1956 film by Sadatsugu Matsuda * ''The Loyal 47 Ronin'' (忠臣蔵 Chushingura) - 1958 film by Kunio Watanabe, Daiei star-studded cast * '' Chushingura: Hana no Maki, Yuki no Maki'' - 1962 film by Hiroshi Inagaki, Toho star-studded cast * '' Nagadosu chūshingura'', 1962 action film by Kunio Watanabe * ''Daichūshingura'' (大忠臣蔵, Daichūshingura) - 1971 television dramatization * ''The Fall of Ako Castle'' (赤穂城断絶, Akō-jō danzetsu) ( ...
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Daiei Film
Daiei Film Co. Ltd. ( Kyūjitai: Shinjitai: ''Daiei Eiga Kabushiki Kaisha'') was a Japanese film studio. Founded in 1942 as Dai Nippon Film Co., Ltd., it was one of the major studios during the postwar Golden Age of Japanese cinema, producing not only artistic masterpieces, such as Akira Kurosawa's '' Rashomon'' (1950) and Kenji Mizoguchi's ''Ugetsu'' (1953), but also launching several film series, such as ''Gamera'', ''Zatoichi'' and ''Yokai Monsters'', and making the three ''Daimajin'' films (1966). It declared bankruptcy in 1971 and was acquired by Kadokawa Pictures. History Origin Daiei Film was the product of government efforts to reorganize the film industry during World War II in order to rationalize use of resources and increase control over the medium. Against a government plan to combine all the film studios into two companies, Masaichi Nagata, an executive at Shinkō Kinema, pressed hard for an alternative plan to create three studios. His efforts won out and Sh ...
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The Loyal 47 Ronin (1958 Film)
is a 1958 color jidaigeki (period drama) Japanese film directed by Kunio Watanabe. With box office earnings of ¥410 million, it was the most successful film of 1958 in Japan. Furthermore, it was the second-highest-grossing film of the 1950s in Japan. Plot The Loyal 47 Ronin tells the true tale of a group of samurai who became rōnin (leaderless samurai) after their daimyō (feudal lord) Asano Naganori was compelled to commit seppuku (ritual suicide) for assaulting a court official, Kira Yoshinaka, who had insulted him. After carefully planning for over a year, they execute a daring assault on their sworn enemy's estate, and exact their revenge, knowing that they themselves would be forced to share their Lord's fate to atone for their crime. Cast * Kazuo Hasegawa as Ōishi Kuranosuke (Ōishi Yoshio) * Shintaro Katsu as Genzō Akagaki * Kōji Tsuruta as Kin'emon Okano * Raizō Ichikawa as Takuminokami Asano * Machiko Kyō as Orui * Fujiko Yamamoto as Yōsen'in * Michiyo ...
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Attack On Pearl Harbor
The attack on Pearl HarborAlso known as the Battle of Pearl Harbor was a surprise military strike by the Imperial Japanese Navy Air Service upon the United States against the naval base at Pearl Harbor in Honolulu, Territory of Hawaii, just before 8:00a.m. (local time) on Sunday, December 7, 1941. The United States was a neutral country at the time; the attack led to its formal entry into World War II the next day. The Japanese military leadership referred to the attack as the Hawaii Operation and Operation AI, and as Operation Z during its planning. Japan intended the attack as a preventive action. Its aim was to prevent the United States Pacific Fleet from interfering with its planned military actions in Southeast Asia against overseas territories of the United Kingdom, the Netherlands, and those of the United States. Over the course of seven hours there were coordinated Japanese attacks on the US-held Philippines, Guam, and Wake Island and on the British Empire ...
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Mieko Takamine
(2 December 1918 – 27 May 1990) was a Japanese actress and singer. Biography Mieko Takamine was born the eldest daughter of famous chikuzen biwa player and teacher Chikufu Takamine. She gave her acting debut in the 1936 film ''Kimi yo takarakani utae'', produced by the Shochiku studios, to which she would remain affiliated throughout her career, although she would also occasionally appear in productions of other companies after the war. Her first released record as a singer was the theme song for the film ''Hotaru no hikari'' (1938), and she soon established herself as a "singing movie star". Takamine starred in films of Japan's most notable directors, including Hiroshi Shimizu, Yasujirō Ozu, Mikio Naruse and Keisuke Kinoshita. Selected filmography Films *''The Lights of Asakusa'' (1937) Dir. Yasujirō Shimazu *''The Masseurs and a Woman'' (1938) Dir. Hiroshi Shimizu *''Warm Current'' (1939) Dir. Kōzaburō Yoshimura *''Nobuko'' (1940) Dir. Hiroshi Shimizu *''Brothers and S ...
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Mitsuko Miura
was a Japanese actress active from 1938 to 1964. She appeared in over 150 films under the direction of filmmakers like Mikio Naruse, Kenji Mizoguchi and Hiroshi Shimizu. Biography After graduating from Otsuma Girls' High School, Tokyo, Mitsuko Miura joined the Nichigeki dancing team before signing to the Shochiku film studio. She gave her film debut in 1938 with ''Hotaru no hikari'' and appeared in films of Hiroshi Shimizu, Kenji Mizoguchi and Noboru Nakamura. After 1950, she worked for numerous different film companies, starring, among others, in a number of films of Mikio Naruse. She retired from film business in 1964 and died in 1969. Selected filmography * 1938: ''Hotaru no hikari'' (螢の光) – dir. Yasushi Sasaki * 1938: ''The Masseurs and a Woman'' (按摩と女 ''Anma to onna'') – dir. Hiroshi Shimizu * 1940: ''Nobuko'' (信子 ''Nobuko'') – dir. Hiroshi Shimizu * 1940: ''Himetaru kokoro'' (秘めたる心) – dir. Hideo Ōba * 1941: '' The 47 Ronin'' a.k.a. ''T ...
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Masao Shimizu
was a Japanese actor. His wife was actress Yumi Takano. His first starring role in the film was in ''Momoiro no Yuwaku'' in 1931. In 1947, he formed the Mingei Theatre Company. Shimizu often work with Akira Kurosawa. He appeared in more than 250 films between 1931 and 1976. Selected filmography * '' The 47 Ronin'' (1941) * ''No Regrets for Our Youth'' (1946) as Professor Hakozaki * ''A Ball at the Anjo House'' (1947) * ''One Wonderful Sunday'' (1947) as the Dance Hall Manager * ''Drunken Angel'' (1948) as Boss * '' Stray Dog'' (1949) * '' Bōryoku no Machi'' (1950) * ''Scandal'' (1950) as Judge * ''Story of a Beloved Wife'' (1951) * ''The Life of Oharu'' (1952) * ''Children of Hiroshima'' (1952) * ''The Life of Oharu'' (1952) as kikuoji * ''Ikiru'' (1952) as Doctor * ''Epitome'' (1953) * '' Gate of Hell'' (1953) * ''Sansho the Bailiff'' (1954) as Masauji Taira * ''I Live in Fear'' (1955) as Yamazaki, Yoshi's husband * ''Season of the Sun'' (1956) * ''Rusty Knife'' (1958) as Shi ...
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Tokugawa Ienobu
(June 11, 1662 – November 12, 1712) was the sixth ''shōgun'' of the Tokugawa dynasty of Japan. He was the eldest son of Tokugawa Tsunashige, thus making him the nephew of Tokugawa Ietsuna and Tokugawa Tsunayoshi, the grandson of Tokugawa Iemitsu, the great-grandson of Tokugawa Hidetada, and the great-great-grandson of Tokugawa Ieyasu. All of Ienobu's children died young. Early life (1662–1694) Tokugawa Ienobu was born as the oldest son of Tokugawa Tsunashige, ''daimyō'' of Kōfu, in 1662. His mother was a concubine. Tsunashige was the middle brother of Tokugawa Ietsuna and Tokugawa Tsunayoshi and the second son of Tokugawa Iemitsu with his concubine, thus making Ienobu their nephew. In 1662, Ienobu's uncle, Ietsuna was ''shōgun'', and his father, Tsunashige, was ''daimyō'' of Kōfu, a very valuable piece of land to the Tokugawa. Before becoming ''shōgun'' his name was Tokugawa Tsunatoyo, the 4th ''daimyō'' of Kōfu Domain from the Tokugawa clan. His childhood name was ...
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Ōishi Kuranosuke
Oishi may refer to: * Ōishi (surname), a Japanese surname * Oishi (Philippine brand), a snack company from the Philippines * Oishi Group, a Thai food-and-drink company * Ōishi Station is a railway station on the Hanshin Electric Railway Main Line in Nada-ku, Kobe, Hyōgo Prefecture, Japan. Overview Layout This station is elevated and has two island platforms serving two tracks each, and crossovers are located on both ..., a train station in Nada-ku, Kobe, Hyōgo Prefecture, Japan * 3379 Oishi, a main-belt asteroid {{disambiguation ...
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Rōnin
A ''rōnin'' ( ; ja, 浪人, , meaning 'drifter' or 'wanderer') was a samurai without a lord or master during the feudal period of Japan (1185–1868). A samurai became masterless upon the death of his master or after the loss of his master's favor or privilege.Stephane Lun (2021). ''A Guide on Shinsengumi: the background and management.'' In modern Japanese usage, usually the term is used to describe a salaryman who is unemployed or a secondary school graduate who has not yet been admitted to university. Etymology The word ''rōnin'' literally means 'wanderer'. It is an idiomatic expression for 'vagrant' or 'wandering man', someone who finds the way without belonging to one place. The term originated in the Nara and Heian periods, when it referred to a serf who had fled or deserted his master's land. In medieval times, the Ronin were depicted as the shadows of samurai, master-less and less honorable. It then came to be used for a samurai who had no master (hence the term ...
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