Thamos, König In Ägypten
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Thamos, König In Ägypten
''Thamos, King of Egypt'' (or ''King Thamos''; in German, ''Thamos, König in Ägypten'') is a play by Tobias Philipp, baron von Gebler, for which, between 1773 and 1780, Wolfgang Amadeus Mozart wrote incidental music, K. 345/336a, of an operatic character. Early performances It is not known for certain whether the music that Mozart composed was performed with the play during his lifetime. The play's première took place at the Kärntnertortheater in Vienna, probably on 4 April 1774, by which time two choruses had been written. Performances in Salzburg in 1776 and 1779-80 may have incorporated the orchestral interludes and the three choruses in their final form, respectively. The music was re-used in 1783 in a different play (set in India, not Egypt), ''Lanassa'', by Karl Martin Plümicke. Roles The only named role in Mozart's music is Sethos, the high priest ( baritone). There are parts for four other soloists ( soprano, alto, tenor and bass) and for a chorus ...
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Theo Adam
Theo Adam (1 August 1926 – 10 January 2019) was a German operatic bass-baritone and bass singer who had an international career in opera, concert and recital from 1949. He was a member of the Staatsoper Dresden for his entire career, and sang at the Bayreuth Festival from 1952 to 1980. He particularly excelled in portraying roles by Richard Wagner, especially Wotan in ''Der Ring des Nibelungen'', which he also performed at the Metropolitan Opera, among others. In concert, he was a much admired Bach singer and also drew acclaim for his interpretation of the title character of Mendelssohn's ''Elijah''. He was a voice teacher at the Musikhochschule Dresden. Career Born in Dresden, Adam sang with the Dresdner Kreuzchor as a boy from 1936 to 1942. He served in the German Army in World War II. He studied singing privately with Rudolf Dietrich between 1946 and 1949. He made his professional debut at the Staatsoper Dresden as Czernikowski in Mussorgsky's '' Boris Godunov'' in 194 ...
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Incidental Music
Incidental music is music in a play, television program, radio program, video game, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack. Incidental music is often background music, and is intended to add atmosphere to the action. It may take the form of something as simple as a low, ominous tone suggesting an impending startling event or to enhance the depiction of a story-advancing sequence. It may also include pieces such as overtures, music played during scene changes, or at the end of an act, immediately preceding an interlude, as was customary with several nineteenth-century plays. It may also be required in plays that have musicians performing on-stage. History The use of incidental music dates back at least as far as Greek drama. A number of classical composers have written incidental music for various plays, with the more famous e ...
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1779 Operas
Events January–March * January 11 – British troops surrender to the Marathas in Wadgaon, India, and are forced to return all territories acquired since 1773. * January 11 – Ching-Thang Khomba is crowned King of Manipur. * January 22 – American Revolutionary War – Claudius Smith is hanged at Goshen, Orange County, New York for supposed acts of terrorism upon the people of the surrounding communities. * January 29 – After a second petition for partition from its residents, the North Carolina General Assembly abolishes Bute County, North Carolina (established 1764) by dividing it and naming the northern portion Warren County (for Revolutionary War hero Joseph Warren), the southern portion Franklin County (for Benjamin Franklin). The General Assembly also establishes Warrenton (also named for Joseph Warren) to be the seat of Warren County, and Louisburg (named for Louis XVI of France) to be the seat of Franklin County. * February 12 ...
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German-language Operas
German ( ) is a West Germanic language mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish language, Danish, Norwegian language, Norwegian ...
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Operas By Wolfgang Amadeus Mozart
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ...
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List Of Mozart's Operas
Wolfgang Amadeus Mozart's operas comprise 22 musical dramas in a variety of genres. They range from the small-scale, derivative works of his youth to the full-fledged operas of his maturity. Three of the works were abandoned before completion and were not performed until many years after the composer's death. His mature works are all considered classics and have never been out of the repertory of the world's opera houses. From a very young age Mozart had, according to opera analyst David Cairns, "an extraordinary capacity ... for seizing on and assimilating whatever in a newly encountered style (was) most useful to him". In a letter to his father, dated 7 February 1778, Mozart wrote, "As you know, I can more or less adopt or imitate any kind and style of composition". He used this gift to break new ground, becoming simultaneously "assimilator, perfector and innovator". Thus, his early works follow the traditional forms of the Italian opera seria and opera buffa as well as the Ger ...
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Diego Fasolis
Diego Fasolis (born 19 April 1958) is a Swiss classical organist and conductor, the leader of the ensemble I Barocchisti. He has conducted operas in historically informed performance at major European opera houses and festivals, and has made award-winning recordings. Career Born in Lugano, Fasolis studied in Zurich, at both the Zurich Conservatory and the Musikhochschule, organ with Erich Vollenwyder, piano with Jürg Wintschger, voice with Carol Smith, and conducting with Klaus Knall, achieving all four diplomas with distinction. He further studied organ and organ improvisation with Gaston Litaize in Paris, and historically informed performance (HIP) with Michael Radulescu. In 1985 and 1986, he performed the complete organ works by Johann Sebastian Bach, Felix Mendelssohn and Franz Liszt. He received several international awards such as the Stresa first prize, the first prize and scholarship of the Migros-Göhner Foundation, the Hegar Prize, the Traetta Prize 2020, and he was ...
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John Eliot Gardiner
Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gardiner's early musical experience came largely through singing with his family and in a local church choir. As a child he grew up with the celebrated Haussmann portrait of J. S. Bach, which had been lent to his parents for safe keeping during the Second World War. A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied history at King's College, Cambridge, where his tutor was the social anthropologist Edmund Leach."John Eliot Gardiner", in ''Contemporary Musicians'' (1999), Detroit: Gale While an undergraduate at Cambridge he launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in King's College Chapel on ...
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Monteverdi Choir
The Monteverdi Choir was founded in 1964 by Sir John Eliot Gardiner for a performance of the ''Vespro della Beata Vergine'' in King's College Chapel, Cambridge. A specialist Baroque ensemble, the Choir has become famous for its stylistic conviction and extensive repertoire, encompassing music from the Renaissance period to Classical music of the 20th century. They often appear with John Eliot Gardiner's orchestras, the English Baroque Soloists and Orchestre Révolutionnaire et Romantique. In 2000, the 250th anniversary of Johann Sebastian Bach's death, the choir undertook the Bach Cantata Pilgrimage, performing and recording most of his church cantatas in more than 60 historic churches throughout Europe, and some in the U.S. On 5 March 2014 the Choir celebrated its 50th anniversary with a repeat performance of the Monteverdi Vespers from King's College Chapel, in a live broadcast live by BBC Radio 3. Bach Cantata Pilgrimage In 2000 the Choir, with the English Baroque Sol ...
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English Baroque Soloists
The English Baroque Soloists is a chamber orchestra playing on period instruments, formed in 1978 by English conductor Sir John Eliot Gardiner. Its repertoire comprises music from the early Baroque to the Classical period. History The English Baroque Soloists developed from the Monteverdi Orchestra, which was formed by John Eliot Gardiner in 1968. The Monteverdi Orchestra played on modern instruments, and accompanied Gardiner's Monteverdi Choir. In the late 1970s the orchestra transitioned to period instruments and became the English Baroque Soloists. The first concert under the new name was in 1977 at the Innsbruck Festival of Early Music, although the orchestra was not officially formed until 1978. Relationship with other ensembles directed by Gardiner The English Baroque Soloists often appear with John Eliot Gardiner's choir, the Monteverdi Choir. In 1990 Gardiner formed the Orchestre Révolutionnaire et Romantique, another period instrument ensemble. The Orchestre Révol ...
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Alastair Miles
Alastair Miles (born 11 July 1961, Harrow, England) is a British operatic and concert bass who has had an international career since the late 1980s. Biography Education Alastair Miles was educated at The John Lyon School, Harrow, and subsequently at St Marylebone Grammar School. He began flute lessons at the age of fourteen with the composer Albert Alan Owen, a pupil of Nadia Boulanger, who inspired him to think about a career in music. Miles studied flute at the Guildhall School of Music under Trevor Wye, Peter Lloyd and Edward Beckett. He became an orchestral player and taught at Stowe School and Chetham's School of Music before embarking on his vocal career. From 1982 to 1985 he sang as a Lay Clerk in the choir of St. Albans Cathedral under the direction of Stephen Darlington. Having studied with bass-baritone Richard Standen whilst at the Guildhall, he was prompted by English National Opera baritone Geoffrey Chard, a near-neighbour of his parents, to have lessons with ...
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