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Tetsumi Takahashi
(23 February 1935 – 12 November 1990) was a Japanese avant-garde artist whose multidisciplinary practice included painting, performance, installation and sculpture. Associated with the Anti-Art (''Han-geijutsu'') movement in Japan in the late 1950s and early 1960s, Kudо̄'s provocative art was nourished by lifelong interests in science, sport and everyday objects. His work often presents a radically transformed and grotesque vision of the human body, calling into question its desires and its limits, as well as its future and origins. Never having officially identified with any one group or movement throughout his international career, the artist's body of work evades art historical classification. Biography Early life and education Kudо̄ was born in 1935 in Osaka, Japan to two artist parents, both art teachers. His father, painter Kudо̄ Masayoshi, passed away when Kudō was ten.Doryun Chung (ed.), ''Tetsumi Kudo: Garden of Metamorphosis'', exh. cat., Minneapolis, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyōgo Prefecture
is a prefecture of Japan located in the Kansai region of Honshu. Hyōgo Prefecture has a population of 5,469,762 () and has a geographic area of . Hyōgo Prefecture borders Kyoto Prefecture to the east, Osaka Prefecture to the southeast, and Okayama Prefecture and Tottori Prefecture to the west. Kōbe is the capital and largest city of Hyōgo Prefecture, and the seventh-largest city in Japan, with other major cities including Himeji, Nishinomiya, and Amagasaki. Hyōgo Prefecture's mainland stretches from the Sea of Japan to the Seto Inland Sea, where Awaji Island and a small archipelago of islands belonging to the prefecture are located. Hyōgo Prefecture is a major economic center, transportation hub, and tourist destination in western Japan, with 20% of the prefecture's land area designated as Natural Parks. Hyōgo Prefecture forms part of the Keihanshin metropolitan area, the second-most-populated urban region in Japan after the Greater Tokyo area and one of the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Action Painting
Action painting, sometimes called "gestural abstraction", is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. The resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of its artist. Background The style was widespread from the 1940s until the early 1960s, and is closely associated with abstract expressionism (some critics have used the terms "action painting" and "abstract expressionism" interchangeably). A comparison is often drawn between the American action painting and the French tachisme. The New York School of American Abstract Expressionism (1940s-50s) is also seen as closely linked to the movement. The term was coined by the American critic Harold Rosenberg in 1952, in his essay "The American Action Painters", and signaled a major shift in the aesthetic perspective of New York School painters and critics. Accordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atomic Bombings Of Hiroshima And Nagasaki
The United States detonated two atomic bombs over the Japanese cities of Hiroshima and Nagasaki on 6 and 9 August 1945, respectively. The two bombings killed between 129,000 and 226,000 people, most of whom were civilians, and remain the only use of nuclear weapons in armed conflict so far. In the final year of World War II, the Allies prepared for a costly invasion of the Japanese mainland. This undertaking was preceded by a conventional and firebombing campaign that devastated 64 Japanese cities. The war in the European theatre concluded when Germany surrendered on 8 May 1945, and the Allies turned their full attention to the Pacific War. By July 1945, the Allies' Manhattan Project had produced two types of atomic bombs: "Fat Man", a plutonium implosion-type nuclear weapon; and "Little Boy", an enriched uranium gun-type fission weapon. The 509th Composite Group of the United States Army Air Forces was trained and equipped with the specialized Silverplate version of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée D'Art Moderne De Paris
Musée d'Art Moderne de Paris (, Paris' Museum of Modern Art) or MAM Paris, is a major municipal museum dedicated to modern and contemporary art of the 20th and 21st centuries, including monumental murals by Raoul Dufy, Gaston Suisse, and Henri Matisse. It is located at 11, Avenue du Président Wilson in the 16th arrondissement of Paris. The museum is one of the 14 City of Paris' Museums that have been incorporated since 1 January 2013 in the public institution Paris Musées. History Located in the eastern wing of the Palais de Tokyo and constructed for the International Exhibition of Arts and Technology of 1937, the museum was inaugurated in 1961. The museum reopened in October 2019 after a €10 million redesign by h2o architectes. Programs The museum collections include more than 15,000 works from art movements of the 20th century. Exhibitions highlight the European and international art scenes of the 20th century, as well as displaying monographic and thematic exhibit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Restany
Pierre Restany (24 June 1930 – 29 May 2003), was an internationally known French art critic and cultural philosopher. Restany was born in Amélie-les-Bains-Palalda, Pyrénées-Orientales, and spent his childhood in Casablanca. On returning to France in 1949 he attended the Lycée Henri-IV before studying at universities in France, Italy and Ireland. From their first meeting in 1955, Restany maintained a strong tie with Yves Klein (to whom is attributed Klein-blue). Conceptions of New Realism / Nouveau Realisme In 1960 Pierre Restany created the idea and coined the term Nouveau Réalisme with Yves Klein during a group show in the Apollinaire gallery in Milan. It was an idea that united a group of French and Italian artists. Nouveau Realisme was the European answer to the American Neo-Dada of Fluxus and Pop Art. The group included Martial Raysse, Arman, Yves Klein, François Dufrene, Raymond Hains, Daniel Spoerri, Jean Tinguely, Jacques Villeglé - and was later joined by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Jacques Lebel
Jean-Jacques Lebel (born in Paris on June 30, 1936) is a French artist. His father was also a poet, translator, poetry publisher, political activist, art collector, and art historian. Besides his heterogeneous artworks and poetry, Lebel is also known for his very early work with Happenings, as an art theory writer with close ties to the American scene, and as an art curator. He is the son of Robert Lebel (art critic), Robert Lebel art critic and close friend of Marcel Duchamp. Life and work Lebel had his first exhibition in 1955 at Galleria Numero in Florence, Italy. After a brief period of time with Surrealists, Lebel exhibited in Milan and Paris, and then went on to exhibit at various museums and galleries around the world. He has regularly collaborated with artist and writer Arnaud Labelle-Rojoux. Beginning in 1955, Lebel published a poetry journal called ''Front Unique'' and organized various nomadic poetry festivals, such as ''La Libre Expression'' (''Free Expression'') in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allan Kaprow
Allan Kaprow (August 23, 1927 – April 5, 2006) was an American painter, assemblagist and a pioneer in establishing the concepts of performance art. He helped to develop the "Environment" and "Happening" in the late 1950s and 1960s, as well as their theory. His Happenings — some 200 of them — evolved over the years. Eventually Kaprow shifted his practice into what he called "Activities", intimately scaled pieces for one or several players, devoted to the study of normal human activity in a way congruent to ordinary life. Fluxus, performance art, and installation art were, in turn, influenced by his work. Academic career Studies Because of a chronic illness Kaprow was forced to move from New York to Tucson, Arizona. He began his early education in Tucson where he attended boarding school. Later he would attend the High School of Music and Art in New York where his fellow students were the artists Wolf Kahn, Rachel Rosenthal and the future New York gallerist Virginia Zabr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genpei Akasegawa
was a pseudonym of Japanese artist , born March 27, 1937 – October 26, 2014 in Yokohama. He used another pseudonym, , for literary works. A member of the influential artist groups Neo-Dada Organizers and Hi-Red Center, Akasegawa went on to maintain a multi-disciplinary practice throughout his career as an individual artist. He has had retrospective exhibitions at the Hiroshima City Museum of Contemporary Art, Chiba City Museum, and Oita City Museum. His work is in the permanent collection at Museum of Modern Art in New York. Artist Nam June Paik has described Akasegawa as “one of those unexportable geniuses of Japan.” Biography Early life Akasegawa was born in 1937 in Yokohama, and moved to Ashiya, Ōita and Nagoya during his childhood because of his father's job. The artist Shūsaku Arakawa was a high school classmate in Nagoya. In the 1950s Akasegawa moved to Tokyo where he attended Musashino Art University in 1955 to study oil painting. In 1956 and 1957, Akasegawa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Udon
Udon ( or ) is a thick noodle made from wheat flour, used in Japanese cuisine. It is a comfort food for many Japanese people. There are a variety of ways it is prepared and served. Its simplest form is in a hot soup as with a mild broth called made from dashi, soy sauce, and mirin. It is usually topped with thinly chopped scallions. Other common toppings include prawn tempura, (mixed tempura fritter), (sweet, deep-fried tofu pouches), (sliced fish cake), and spice added to taste. Standard broth differs by region. Dark soy sauce is added in eastern Japan, while light soy sauce is added in the west. Instant noodles are often sold in two (or more) versions accordingly. More unusual variants include stir-fried and curry udon made with Japanese curry. It is often used in or Japanese hot pot. Origin There are many stories explaining the origin of udon. One story says that in AD 1241, Enni, a Rinzai monk, introduced flour milling technology from Song China to Japan. Flou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokyo Metropolitan Art Museum
The is an art museum in Tokyo, Japan. It is one of Japan's many museums which are supported by a prefectural government. Nussbaum, Louis-Frédéric. (2005)"Museums"in ''Japan Encyclopedia'', pp. 671-673. The current structure, designed by Kunio Maekawa, was completed in 1975. The museum is located in Ueno Park. Access * Ueno Station (with JR East and Tokyo Metro) * Uguisudani Station (with JR East) * Keisei Ueno Station (with Keisei Electric Railway The (stylized as K'SEI since 2001) is a major private railway in Chiba Prefecture and Tokyo, Japan. The name ''Keisei'' is the combination of the kanji 京 from and 成 from , which the railway's main line connects. The combination uses diffe ...) See also * Tokyo Metropolitan Teien Art Museum References External links Tokyo Metropolitan Art Museum [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yomiuri Indépendant Exhibition
The , affectionately nicknamed "Yomiuri Anpan," was a famously permissive, unjuried, free-to-exhibit art exhibition held annually in Tokyo, Japan from 1949 to 1963. Sponsored by the ''Yomiuri Shimbun'' newspaper, the exhibition was held at the Tokyo Metropolitan Art Museum and played an important role in the emergence of postwar avant-garde and contemporary art in Japan. Historian Thomas Havens has called the Yomiuri Indépendant "the chief vehicle of postwar democracy for young visual artists in Japan who lacked connections with the clubby fine arts establishment" and "a bazaar of new ideas and materials." Among artists who exhibited artworks at the Yomiuri Indépendant included Genpei Akasegawa, Shūsaku Arakawa, Tetsumi Kudо̄, the Kyūshū-ha group, Natsuyuki Nakanishi, Tarō Okamoto, Ushio Shinohara, Mitsuko Tabe, Jirō Takamatsu, Katsuhiro Yamaguchi, and Jirō Yoshihara. Establishment The Yomiuri Indépendant Exhibition was established by the ''Yomiuri Shimbun'' new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetsumi Kudo Shinchosha 1962-2
(23 February 1935 – 12 November 1990) was a Japanese avant-garde artist whose multidisciplinary practice included painting, performance, installation and sculpture. Associated with the Anti-Art (''Han-geijutsu'') movement in Japan in the late 1950s and early 1960s, Kudо̄'s provocative art was nourished by lifelong interests in science, sport and everyday objects. His work often presents a radically transformed and grotesque vision of the human body, calling into question its desires and its limits, as well as its future and origins. Never having officially identified with any one group or movement throughout his international career, the artist's body of work evades art historical classification. Biography Early life and education Kudо̄ was born in 1935 in Osaka, Japan to two artist parents, both art teachers. His father, painter Kudо̄ Masayoshi, passed away when Kudō was ten.Doryun Chung (ed.), ''Tetsumi Kudo: Garden of Metamorphosis'', exh. cat., Minneapolis, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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