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Terminal 1 (album)
''Terminal 1'' is an album by saxophonist/composer Benny Golson that was recorded in 2004 and released by the Concord label. Reception The AllMusic review by Matt Collar said "Tying in with his cameo appearance in Steven Spielberg's film ''The Terminal'', saxophonist Benny Golson returns with ''Terminal 1''. Featuring more of his sophisticated and swinging tunes, the album finds Golson in top form on some of his best compositions in years ... Calling to mind the best Blue Note-era recordings, ''Terminal 1'' is one flight of fancy not to be missed". All About Jazz's Eric J. Iannelli stated "Benny Golson is indisputably a fine tenor saxophonist, but at the end of his already long career he will probably be best remembered for the quality and breadth of his songwriting ... ''Terminal 1'' is a solid, engaging album, full of some lively ensemble work and a showcase of new interpretations of familiar Golson songs next to at least one fresh chart and the two older standards ... It’s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Golson
Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982. In addition to " I Remember Clifford", many of Golson's compositions have become jazz standards including "Blues March", " Whisper Not", and "Killer Joe". Biography While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson's rhythm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenneth Casey
Kenneth Casey (January 10, 1899 – August 10, 1965) was an American composer, publisher, author, and child movie star in early silents. Biography Born in New York City, Casey worked as a child actor in over thirty films for Vitagraph Studios between the years 1909 and 1913. He appeared with a young Moe Howard in the 1909 picture '' We Must Do Our Best''. Howard later became famous as one of The Three Stooges. As a songwriter, Casey is best remembered for writing the lyrics to "Sweet Georgia Brown" in 1925. Filmography * '' We Must Do Our Best'', directed by Van Dyke Brooke (1909) * ''Mario's Swan Song'' (1910) * ''Over the Garden Wall'' (1910) * ''Chew Chew Land; or, The Adventures of Dolly and Jim'' (1910) * '' Two Waifs and a Stray'' (1910) * '' A Lunatic at Large'' (1910) * '' Ransomed; or, A Prisoner of War'' (1910) * '' The Children's Revolt'' (1910) * '' Jean Goes Fishing'' (1910) * '' Drumsticks'' (1910) * '' A Tin-Type Romance'' (1910) * '' The Misses Finch and Thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buster Williams
Charles Anthony "Buster" Williams (born April 17, 1942) is an American jazz bassist. Williams is known for his membership in pianist Herbie Hancock's early 1970s group, working with guitarist Larry Coryell from the 1980s to present, working in the Thelonious Monk repertory band Sphere and as the accompanist of choice for many singers, including Nancy Wilson. Biography Early life and career Williams' father, Charles Anthony Williams Sr., was a musician who played bass, drums, and piano, and had band rehearsals in the family home in Camden, New Jersey, exposing Williams to jazz at an early age. Williams was particularly inspired to focus on bass after hearing his father's record of '' Star Dust'', performed by Oscar Pettiford, and started playing in his early teens. He had his first professional gig while he was still a junior high school student, filling in for Charles Sr., who had double booked himself one evening. Williams later spent his days practicing with Sam Dockery, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike LeDonne
Michael Arthur LeDonne (born October 26, 1956) is a jazz pianist and organist known for post-bop and hard bop. He has worked with Benny Golson since 1996 and performs under his own name all over the world. Early life LeDonne was born in Bridgeport, Connecticut, on October 26, 1956. His parents ran a music store. His father was a jazz guitarist, and LeDonne started performing locally around the age of ten. He also had lessons with John Mehegan for four years. After graduating from the New England Conservatory of Music where he studied with Jaki Byard in 1978, he moved to New York City and joined the Widespread Depression Jazz Orchestra. Later life and career LeDonne left the Widespread Depression Jazz Orchestra in 1981 and toured the UK with Panama Francis and the Savoy Sultans Back in New York, LeDonne became the house pianist at Jimmy Ryan's, where he played with some big names in jazz during 1981–83. He was also part of Benny Goodman's Sextet in 1982–83. LeDonne joined Mil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Henderson (musician)
Eddie Henderson (born October 26, 1940) is an American jazz trumpet and flugelhorn player. He came to prominence in the early 1970s as a member of pianist Herbie Hancock's Mwandishi band, going on to lead his own electric/fusion groups through the decade. Henderson earned his medical degree and worked a parallel career as a psychiatrist and musician, turning back to acoustic jazz by the 1990s. Family influence and early music history Henderson was born in New York City on October 26, 1940. At the age of nine he was given an informal lesson by Louis Armstrong, and he continued to study the instrument as a teenager in San Francisco, where he grew up, after his family moved there in 1954, at the San Francisco Conservatory of Music. Henderson was influenced by the early fusion work of jazz musician Miles Davis, who was a friend of his parents. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Brubeck
David Warren Brubeck (; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer. Often regarded as a foremost exponent of cool jazz, Brubeck's work is characterized by unusual time signatures and superimposing contrasting rhythms, Metre (music), meters, and tonality, tonalities. Born in Concord, California, Brubeck was drafted into the US Army, but was spared from combat service when a International Red Cross and Red Crescent Movement, Red Cross show he had played at became a hit. Within the US Army, Brubeck formed one of the first racial integration, racially diverse bands. In 1951, Brubeck formed the Dave Brubeck Quartet, which kept its name despite shifting personnel. The most successful—and prolific—lineup of the quartet was the one between 1958 and 1968. This lineup, in addition to Brubeck, featured saxophonist Paul Desmond, bassist Eugene Wright and drummer Joe Morello. A U.S. Department of State-sponsored tour in 1958 featuring the band inspir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Your Own Sweet Way
"In Your Own Sweet Way" is a 1955 jazz standard, and one of the most famous compositions by Dave Brubeck. It was written around 1952, but its copyright notice was dated 1955. Brubeck's wife Iola, for whom the song was written, later wrote a lyric for the song, which led to singers such as Carmen McRae recording it. Although an earlier live recording is known, "In Your Own Sweet Way" was first released on Brubeck's 1956 studio album ''Brubeck Plays Brubeck''. Composition "In Your Own Sweet Way" is written in the key of B flat major, and is a jazz ballad in thirty-two-bar form with an eight-bar Bridge (music), interlude typically played between each chorus. Author of the 1996 biography ''It's About Time: The Dave Brubeck Story'', Fred Hall, said that this jazz standard, like other standards, such as "Take Five," has been performed by "various Brubeck combinations" and many other artists. ''All Music Guide to Jazz'' notes the "contrasting lines" of the piece, In the liner notes to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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