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Tenore Lirico
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at '' Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were norma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also applies to non-Western art music. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history. Rooted in the patronage of churches and royal courts in Western Europe, survivi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Donna Del Lago
''La donna del lago'' (English: ''The Lady of the Lake'') is an opera composed by Gioachino Rossini with a libretto by Andrea Leone Tottola (whose verses are described as "limpid" by one critic) based on the French translationOsborne, Charles 1994, p. 94 of '' The Lady of the Lake'', a narrative poem written in 1810 by Sir Walter Scott, whose work continued to popularize the image of the romantic Scottish Highlands. Scott's basic story has been noted as coming from "the hint of an incident stemming from the frequent custom of James V, the King of Scotland, of walking through the kingdom in disguise". It was the first of the Italian operas to be based on Scott's romantic works,Gossett and Brauner (2001), in Holden (Ed.), p. 785 and marked the beginning of romanticism in Rossini's work. Scott was "deeply influential in the development of Italian romantic opera"Commons 2007, pp. 9 - 12 to the extent that by 1840 (barely 20 years after this opera), there were 25 Italian operas bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Pitch
Concert pitch is the pitch reference to which a group of musical instruments are tuned for a performance. Concert pitch may vary from ensemble to ensemble, and has varied widely over music history. The most common modern tuning standard uses 440 Hz for A above middle C as a reference note, with other notes being set relative to it. In the literature this is also called ''international standard pitch''. The term "concert pitch" is also used to distinguish between the "written" (or "nominal"), and "sounding" (or "real") notes of a transposing instrument, i.e. ''concert pitch'' may refer to the sounding pitch on a non-transposing instrument. Music for transposing instruments is transposed into different keys from that of non-transposing instruments. For example, playing a written C on a B clarinet or trumpet produces a non-transposing instrument's B. This pitch is referred to as "concert B". Modern standard concert pitch The A above middle C is often set at 440 Hz. Historical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Puritani
' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto by Count Carlo Pepoli, an Italian émigré poet whom Bellini had met at a salon run by the exile Princess Belgiojoso, which became a meeting place for many Italian revolutionaries. The opera is based on ''Têtes Rondes et Cavaliers'' (''Roundheads and Cavaliers''), a historical play written by Jacques-François Ancelot and Joseph Xavier Saintine and set in the English Civil War, which some sources state was based on Walter Scott's 1816 novel '' Old Mortality,'' while others state that there is no connection. When Bellini arrived in Paris in mid-August 1833, he had intended to stay only about three weeks, the main aim being to continue the negotiations with the Paris Opéra which had begun on his way to London a few months earlier. Howev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'." A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian ''bel canto'' era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much adm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Juive
''La Juive'' () (''The Jewess'') is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on 23 February 1835. Composition history ''La Juive'' was one of the most popular and admired operas of the 19th century. Its libretto (text) was the work of Eugène Scribe, the prolific dramatic author. Scribe was writing to the tastes of the Opéra de Paris, where the work was first performed – a work in five acts presenting spectacular situations (here the Council of Constance of 1414), which would allow a flamboyant staging in a setting which brought out a dramatic situation which was also underlined by a powerful historical subject. In addition to this, there could be choral interludes, ballet and scenic effects which took advantage of the entire range of possibilities available at the Paris Opera. Because of the story of an impossible love between a Christian man and a Jewish woman, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Postillon De Lonjumeau
''Le postillon de Lonjumeau'' (''The Postillion of Lonjumeau'') is an opéra-comique in three acts by Adolphe Adam to a French libretto by Adolphe de Leuven and Léon Lévy Brunswick. The opera has become the most successful of Adam's works, and the one by which (apart from his ballet ''Giselle'' and his Christmas carol ''Cantique de Noël'') he is best known outside his native France. The opera is known for the difficult aria " Mes amis, écoutez l'histoire" which has been called a test for tenors because of the demanding high D, or D5, at the end of the aria. Performance history The opera was premiered by the Opéra-Comique at the Salle de la Bourse in Paris on 13 October 1836. Performances followed at the St James's Theatre, London on 13 March 1837, and in New Orleans at the Théâtre d'Orléans on 19 April 1838. Recent productions have been mounted in the Berlin Staatsoper Unter den Linden (from 4 August 2000) and at the Grand Théâtre, Dijon, (from 30 March 2004 u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Adam
Adolphe Charles Adam (; 24 July 1803 – 3 May 1856) was a French composer, teacher and music critic. A prolific composer for the theatre, he is best known today for his ballets ''Giselle'' (1841) and '' Le corsaire'' (1856), his operas '' Le postillon de Lonjumeau'' (1836) and ''Si j'étais roi'' (1852) and his Christmas carol "Minuit, chrétiens!" (Midnight, Christians, 1844, known in English as " O Holy Night"). Adam was the son of a well-known composer and pianist, but his father did not wish him to pursue a musical career. Adam defied his father, and his many operas and ballets earned him a good living until he lost all his money in 1848 in a disastrous bid to open a new opera house in Paris in competition with the Opéra and Opéra-Comique. He recovered, and extended his activities to journalism and teaching. He was appointed as a professor at the Paris Conservatoire, France's principal music academy. Together with his older contemporary Daniel Auber and his teacher Ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mes Amis, écoutez L'histoire
"Mes amis, écoutez l'histoire", is a tenor aria in Adolphe Adam's 1836 opera ''Le postillon de Lonjumeau''. The D5 in the final verse is the highest commonly sung note for tenors in opera. Donizetti wrote an E5 for Edgardo in the first act of his opera ''Lucia di Lammermoor'', though it is very seldom sung. Higher notes are occasionally sung in interpolations and ornaments in other bel canto operas, and exceptionally the written F5 at the end of "Credeasi, misera" in Bellini's ''I puritani''. Famous performers of this aria are Nicolai Gedda, Helge Rosvaenge and Joseph Schmidt Joseph Schmidt (4 March 1904 – 16 November 1942) was an Austro-Hungarian and Romanian Jewish tenor and actor. Life and career Schmidt was born in Davideny (Ukrainian: '' Davydivka'') village in the Storozhynets district of the Bukovina pr ..., often performing the German version, "Freunde, vernehmet die Geschichte". Lyrics References External links * * *, third verse * {{DEFAULTSORT:Mes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Trovatore
''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident." The premiere took place at the Teatro Apollo in Rome on 19 January 1853, where it "began a victorious march throughout the operatic world," a success due to Verdi's work over the previous three years. It began with his January 1850 approach to Cammarano with the idea of ''Il trovatore''. There followed, slowly and with interruptions, the preparation of the libretto, first by Cammarano until his death in mid-1852 and then with the young librettist Leone Emanuele Bardare, which gave the composer the opportunity to propose signifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Di Quella Pira
"Di quella pira" ("Of that pyre") is a short tenor aria (or more specifically, a cabaletta) sung by Manrico in act 3, scene 2, of Giuseppe Verdi's opera ''Il trovatore''. It is the last number of the act. Setting In a chamber adjoining the chapel at Castellor, Leonora and Manrico vow their love for each other. After Manrico's aria "" ("Ah, yes, my love, in being yours"), they are about to take their marriage vows. However, Ruiz, Manrico's comrade, suddenly returns to report that Manrico's mother Azucena is to be burned at the stake. Manrico calls together his soldiers and sings of how they will save Azucena from death: "" ("The horrible blaze of that pyre burned, enflamed all of my being!...") Music The vocal range is from E3 to A4 with a tessitura from G3 to G4, with three optional high C5's. The key signature is C major and the time signature is a triple metre; it is 39 bars long. Libretto Manrico Di quella pira l'orrendo foco Tutte le fibre m'arse, avvampò!... Empi, spegne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions '' quadri'', '' tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
