Tennessee Waltz (album)
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Tennessee Waltz (album)
''Tennessee Waltz'' is a Patti Page album, issued by Mercury Records as a 10" long-playing record The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of  rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a ..., as catalog number MG-25154. Track listing References 1952 albums Patti Page albums Mercury Records albums {{1950s-pop-album-stub ...
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Patti Page
Clara Ann Fowler (November 8, 1927 – January 1, 2013), known professionally as Patti Page, was an American singer and actress. Primarily known for pop and country music, she was the top-charting female vocalist and best-selling female artist of the 1950s, selling over 100 million records during a six-decade-long career. She was often introduced as "the Singin' Rage, Miss Patti Page". New York WBBR, WNEW disc-jockey William B. Williams (DJ), William B. Williams introduced her as "A Page in my life called Patti". Page signed with Mercury Records in 1947, and became their first successful female artist, starting with 1948's "Confess (song), Confess". In 1950, she had her first million-selling single "With My Eyes Wide Open, I'm Dreaming", and eventually had 14 additional million-selling singles between 1950 and 1965. Page's signature song, "Tennessee Waltz", was one of the biggest-selling singles of the 20th century, and is recognized today as one of the official songs of t ...
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Mister And Mississippi
"Mister and Mississippi" is a popular song, written by Irving Gordon. It was published in 1951 and first recorded by Tennessee Ernie Ford the same year. Background The popularity of this song apparently led Gordon, a number of years later, to create another song with even more puns on state names: "Delaware." Other 1951 recordings The song was popularized by Patti Page. The Page recording was issued by Mercury Records as catalog number 5645, and first reached the ''Billboard'' chart on May 19, 1951, lasting 15 weeks and peaking at number 8. The recording by Dennis Day was released by RCA Victor Records as catalog number 47-4140. It first reached the ''Billboard'' Best Seller chart on June 1, 1951 and lasted 11 weeks on the chart, peaking at number 15. On ''Cash Boxs charts, where all versions were combined, the song peaked at number 6 on the chart. Other recordings It has been recorded by many others, including: *Rex Allen *Eddy Arnold *Johnny Bond & the Cass County Boys *Joh ...
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1952 Albums
Year 195 ( CXCV) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Scrapula and Clemens (or, less frequently, year 948 '' Ab urbe condita''). The denomination 195 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus has the Roman Senate deify the previous emperor Commodus, in an attempt to gain favor with the family of Marcus Aurelius. * King Vologases V and other eastern princes support the claims of Pescennius Niger. The Roman province of Mesopotamia rises in revolt with Parthian support. Severus marches to Mesopotamia to battle the Parthians. * The Roman province of Syria is divided and the role of Antioch is diminished. The Romans annexed the Syrian cities of Edessa and Nisibis. Severus re-establish his ...
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Jimmy Kennedy
James Kennedy (20 July 1902 – 6 April 1984) was a Northern Irish songwriter. He was predominantly a lyricist, putting words to existing music such as "Teddy Bears' Picnic" and "My Prayer" or co-writing with composers like Michael Carr, Wilhelm Grosz and Nat Simon. In a career spanning more than fifty years, he wrote some 2000 songs, of which over 200 became worldwide hits and about 50 are popular music classics. Early life Kennedy was born in Omagh, County Tyrone, Northern Ireland. His father, Joseph Hamilton Kennedy, was a policeman in the Royal Irish Constabulary (RIC). While growing up in the village of Coagh, Kennedy wrote several songs and poems. He was inspired by local surroundings—the view of the Ballinderry River, the local Springhill House and the plentiful chestnut trees on his family's property, as evidenced in his poem ''Chestnut Trees''. Kennedy later moved to Portstewart, a seaside resort in County Londonderry. Kennedy graduated from Trinity College, ...
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Nat Simon
Nat Simon (6 August 1900, in Newburgh, New York – 1979) was an American composer, pianist, bandleader and songwriter. From the 1930s to 1950s his songs were used in over 20 films. Between 1931 and 1940 he also took part in the musical Vaudeville revue '' Songwriters on Parade'', which featured hit songwriters of the day. It was considered one of the last Vaudevillian forays of this type. Nat's daughter, Sally Simon Meisel, who sang vocals was an integral part of his live performances as heard on this 1945 session from New York Public Radio. https://www.wnyc.org/story/the-music-of-tin-pan-alley/ Songs * Poinciana, 1936 * "The Old Lamp-Lighter", 1946 * "The Mama Doll Song", 1954? * "Sandy's Tune" (from ''That Bad Eartha''), 1954 * "Istanbul (Not Constantinople)", 1930s? 1953?Composer-Song-Little Curley Hair in the High Chair-1950 * "No Can Do" from the Copacabana Revue with Charlie Tobias 1945, recorded by Guy Lombardo, Erwin Halletz Erwin Halletz (Vienna, 12 July 1923 – 27 ...
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George David Weiss
George David Weiss (April 9, 1921 – August 23, 2010) was an American songwriter and arranger, who was a president of the Songwriters Guild of America. He is an inductee in the Songwriters Hall of Fame. Biography Weiss was born in a Jewish family, and originally planned a career as a lawyer or accountant, but out of a love for music he was led to attend the Juilliard School of Music, developing his skills in writing and arranging. After leaving school, he became an arranger for such big bands as those of Stan Kenton, Vincent Lopez, and Johnny Richards. He was a prolific songwriter during the 1940s, 1950s, and 1960s, with many of his songs attaining high rankings on the charts. Although he worked with many collaborators, the largest proportion of his well-known songs were written with Bennie Benjamin. Weiss contributed to a number of film scores: ''Murder, Inc.'' (1960), ''Gidget Goes to Rome'' (1963), ''Mediterranean Holiday'' (1964), and '' Mademoiselle'' (1966). Collabora ...
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Bennie Benjamin
Claude August "Bennie" Benjamin (November 4, 1907 – May 2, 1989) was a Virgin Islands-born American songwriter. He had particularly successful songwriting partnerships with Sol Marcus, with whom he wrote "I Don't Want To Set The World On Fire", "When the Lights Go On Again (All Over the World)", and "Don't Let Me Be Misunderstood"; and with George David Weiss, with whom he wrote " Oh! What It Seemed to Be" and "Wheel of Fortune". Most of his songs were in the traditional pop idiom. Early life Benjamin was born in Christiansted on the island of St. Croix, then part of the Danish West Indies, and later within the United States Virgin Islands. As his family did not have sufficient funds to allow him to train as a minister, he trained as a tailor and cabinetmaker before moving to New York City in 1927. Music career He studied banjo and guitar at Hy Smith's School of Music, developing a distinctive playing style, and began performing in dance bands. He played guitar and ba ...
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Come What May (1952 Song)
"Come What May" (aka "The Gipsy Song") is a popular song, written by Vaughn Horton in 1951. It was popularized by Patti Page in 1952. The Page recording, in an arrangement by Joe Reisman, was issued by Mercury Records as catalog number 5772 (backed with " Retreat"), and first reached the ''Billboard'' chart on February 9, 1952, lasting 13 weeks and peaking at number 9. Cover versions *Helen O'Connell - a recording for Capitol Records (catalog No. 1944). *Tommy Dorsey & His Orchestra (vocal by Buddy Stark) - a single release for Decca Records in 1952. *Jimmy Scott - recorded for Coral Records (catalog No. 60650). *Lita Roza Lilian Patricia Lita Roza (14 March 1926 – 14 August 2008) was an English singer best known for her 1953 recording "(How Much Is) That Doggie in the Window?", which reached No. 1 on the UK Singles Chart. She was the first British woman to have ... - covered the song in the UK. References 1952 singles 1952 songs Patti Page songs {{1950s-pop-son ...
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And So To Sleep Again
"And So to Sleep Again" is a popular song, written in 1951 by Joe Marsala and Sunny Skylar. It was popularized by Patti Page in 1951. The Page recording was issued by Mercury Records as catalog number 5706, and first reached the ''Billboard'' chart on September 22, 1951, lasting 16 weeks and peaking at number 4. Other recordings It was also recorded in America by Dick Haymes, April Stevens and Margaret Whiting, and British covers were recorded by Jimmy Young and Dorothy Squires. It peaked at number 21 in the British sheet music charts. Coleman Hawkins Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first p ... also recorded it in October 1951 References 1951 songs Songs written by Sunny Skylar Songs written by Joe Marsala Patti Page songs Dorothy Squires songs {{1950s-p ...
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Traditional Pop
Traditional pop (also known as classic pop and pre-rock and roll pop) is Western culture, Western pop music that generally pre-dates the advent of rock and roll in the mid-1950s. The most popular and enduring songs from this era of music are known as pop standards or American standards. The works of these songwriters and composers are usually considered part of the canon known as the "Great American Songbook". More generally, the term "Standard (music), standard" can be applied to any popular song that has become very widely known within mainstream culture. AllMusic defines traditional pop as "post-big band and pre-rock & roll pop music". Origins Classic pop includes the song output of the Broadway theatre, Broadway, Tin Pan Alley, and Hollywood show tune writers from approximately World War I to the 1950s, such as Irving Berlin, Frederick Loewe, Victor Herbert, Harry Warren, Harold Arlen, Jerome Kern, George Gershwin and Ira Gershwin, Richard Rodgers and Lorenz Hart, Oscar Hammer ...
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Mockin' Bird Hill
"Mockin' Bird Hill" is a song written in 3/4 time by Calle Jularbo, with lyrics by George Vaughn Horton. It is perhaps best known through recordings by Patti Page, Horton's own Pinetoppers, and the duo of Les Paul and Mary Ford in 1951, or by Donna Fargo's 1977 version, but many other artists have also recorded the song. Background The music of "Mockin' Bird Hill" is based closely on a Swedish waltz called "Livet i Finnskogarna" ("Life in the Finn Woods"), recorded by Calle Jularbo in 1915, which enjoyed some popularity in the U.S. It also has close roots to another old Scandinavian waltz - a gammaldans called "Norska bondvals," or "Norwegian farmer's waltz." The first recording of the song was made by the Pinetoppers a group consisting of George Vaughn Horton and his brother Roy Horton plus three other men: this recording, which featured a female duo billed as the Beaver Valley Sweethearts, was issued on Coral Records in October 1950. The first recording of "Mockin' Bird Hill" b ...
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Would I Love You (Love You, Love You)
"Would I Love You (Love You, Love You)" is a pop song composed by Harold Spina with lyrics by Bob Russell (songwriter), Bob Russell. It was published in 1950 and covered by many different musicians. Hit recordings The song was popularized by Patti Page in a recording made on January 2, 1951. The recording was issued by Mercury Records as catalog number 5571 and first reached the Billboard charts on February 10, 1951, where it lasted for 19 weeks and peaked at No. 4. Another recording was made jointly by Doris Day and Harry James. It was issued by Columbia Records as catalog number 39159 with the flip side "Lullaby of Broadway (song), Lullaby of Broadway." It reached the Billboard charts at No. 19 on March 2, 1951, where it lasted for 10 weeks. A cover by Tony Martin (entertainer), Tony Martin also charted. This recording was released by RCA Victor Records as catalog number 20-4056. It first reached the Billboard charts on February 23, 1951, where it lasted for 4 weeks and peaked ...
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