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Tennessee 2004
''Tennessee 2004'' is a live album by the experimental rock band Praxis, released in 2007 but recorded at the Bonnaroo Music and Arts Festival near Manchester, Tennessee during the early morning hours of June 12, 2004. This album features core Praxis members Bill Laswell, Buckethead and Brain, in addition to keyboardist Bernie Worrell. An extended recording of that show, including tracks that are missing from the 2007 CD release, is available as a paid download from the Bonnaroo website. Track listing Notes * "Vertebrae" is an early version of Buckethead's song "Jordan", which was released as a single two years later. * "Night Of The Slunk" originally featured on Buckethead's 1999 album ''Monsters and Robots''. * "Guitar Virus" incorporates Buckethead's song " Big Sur Moon" from the 1998 album '' Colma''. * "Bent Light" is an alternate version of "The Interworld And The New Innocence" from the band's 1992 album ''Transmutation (Mutatis Mutandis)''. * "Magus" includes th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Praxis (band)
Praxis is the name of an experimental rock project, led by producer/bassist Bill Laswell and featuring guitarist Buckethead and drummer Brain in nearly every incarnation of the band. The group worked with many other artists such as Serj Tankian from System of a Down, Iggy Pop, DXT and DJ Disk. Biography Early days Bill Laswell initially used the name Praxis for an experimental solo EP recorded for Celluloid Records in 1984, simply named "1984". 1992–1996 The band's debut album, '' Transmutation (Mutatis Mutandis),'' released in 1992, was well received by critics. Praxis was composed of guitarist Buckethead, keyboardist Bernie Worrell, drummer Brain, bassist Bootsy Collins and Afrika Baby Bam as "AF Next Man Flip" on turntables. Bill Laswell masterminded the project and served as producer and co-writer of much of the album's material. Praxis combined elements of different musical genres such as funk, jazz, hip-hop and heavy metal into highly improvised music. The P- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Machine Gun (Jimi Hendrix Song)
"Machine Gun" is a song written by American musician Jimi Hendrix, and originally recorded for the 1970 ''Band of Gypsys'' album, with Billy Cox and Buddy Miles. It is a lengthy, loosely defined (jam-based) protest of the Vietnam War, and perhaps a broader comment on conflict of any kind. At a performance in Berkeley, California, Hendrix introduced the song: Hendrix's 12-minute performance of "Machine Gun" for the ''Band of Gypsys'' is often lauded as his greatest, and is considered a stunning display of guitar virtuosity. Hendrix's long guitar solos and percussive riffs combine with controlled feedback to simulate the sounds of a battlefield, such as helicopters, dropping bombs, explosions, machine guns, and the screams and cries of those wounded or grieving. Although a proper studio recording was never realized, several other live recordings exist. Origins Hendrix debuted "Machine Gun" in September 1969 in a performance on ''The Dick Cavett Show''. He was backed by drummer M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2007 Live Albums
7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube (algebra), cube. As an early prime number in the series of positive integers, the number seven has greatly symbolic associations in religion, mythology, superstition and philosophy. The seven Classical planets resulted in seven being the number of days in a week. It is often considered lucky in Western culture and is often seen as Symbolism of the Number 7, highly symbolic. Unlike Western culture, in Vietnamese culture, the number seven is sometimes considered unlucky. It is the first natural number whose pronunciation contains more than one syllable. Evolution of the Arabic digit In the Brahmi numerals, beginning, Indians wrote 7 more or less in one stroke as a curve that looks like an uppercase vertically inverted. The western Ghubar Arabs' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dark Magus
''Dark Magus'' is a live double album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on March 30, 1974, at Carnegie Hall in New York City, during the electric period in the musician's career. Davis' group at the time of the concert included bassist Michael Henderson, drummer Al Foster, percussionist Mtume, saxophonist Dave Liebman, and guitarists Pete Cosey and Reggie Lucas. He also used the show to audition saxophonist Azar Lawrence and guitarist Dominique Gaumont. ''Dark Magus'' was produced by Teo Macero and featured four two-part recordings with titles from the Swahili words for the numbers one through four. ''Dark Magus'' was released after Davis' 1975 retirement, upon which his label, Columbia Records, issued several albums of various outtakes. After releasing the live recordings '' Agharta'' (1975) and ''Pangaea'' (1976), Columbia decided that they did not approve of the albums, and ''Dark Magus'' was released only in Japan, in 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transmutation (Mutatis Mutandis)
''Transmutation (Mutatis Mutandis)'' is the first album by Bill Laswell's ever-changing "supergroup" Praxis. The album was released in 1992 and features Buckethead on guitar, Bootsy Collins on bass and vocals, Brain on drums, Bernie Worrell on keyboards and DJ AF Next Man Flip on turntables. ''Transmutation'' features a wide range of genres such as heavy metal, funk, hip hop, ambient, jazz and blues, creating a unique style of avant-garde music, with extended guitar and keyboard solos, and highly improvised passages. Track listing Note: Track 8 contains an interpolation of the title theme from the Japanese TV series '' Giant Robot'', a rendition of which also featured on Buckethead's '' Bucketheadland'' album. The track also features one of the many themes ''Akira Ifukube'' wrote for Toho production's ''Godzilla'' films. Personnel Personnel as per Discogs. *Praxis: **Bootsy Collins – space bass, vocals **Buckethead – guitar, toys **Brain – drums **Bernie Worrell †... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colma (album)
''Colma'' is the fourth studio album by guitarist Buckethead. It was released on March 24, 1998, on CyberOctave records. The album was recorded for Buckethead's mother, who at the time was sick with colon cancer, and he wanted to make an album which she would enjoy listening to while recovering. Berklee College of Music alumna Teri Untalan appeared as a guest musician on two tracks of the album. In a 2009 interview, she recalled Buckethead as being "an odd one, an elusive character." Composition In contrast to Buckethead's other albums, ''Colma'' is an acoustic album. Most of the tracks are composed on acoustic guitar. Additionally, ''Colma'' mostly contains simple bass guitar, lead guitar, and drum playing parts. James Lien of ''CMJ New Music Monthly'' writes that ''Colmas melodies are "geometric and mathematical-sounding, almost like Bach or modern classical music." Andy Gill of ''The Independent'' describes the mood of the album as "reflective" saying, " uckethead usesthe dry, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Sur Moon
''Colma'' is the fourth studio album by guitarist Buckethead. It was released on March 24, 1998, on CyberOctave records. The album was recorded for Buckethead's mother, who at the time was sick with colon cancer, and he wanted to make an album which she would enjoy listening to while recovering. Berklee College of Music alumna Teri Untalan appeared as a guest musician on two tracks of the album. In a 2009 interview, she recalled Buckethead as being "an odd one, an elusive character." Composition In contrast to Buckethead's other albums, ''Colma'' is an acoustic album. Most of the tracks are composed on acoustic guitar. Additionally, ''Colma'' mostly contains simple bass guitar, lead guitar, and drum playing parts. James Lien of '' CMJ New Music Monthly'' writes that ''Colmas melodies are "geometric and mathematical-sounding, almost like Bach or modern classical music." Andy Gill of ''The Independent'' describes the mood of the album as "reflective" saying, " uckethead usesthe dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
