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Tempo Rubato
Tempo rubato (, , ; 'free in the presentation', literally ) is a musical term referring to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor. Rubato is an expressive shaping of music that is a part of phrasing. While rubato is often loosely taken to mean playing with expressive and rhythmic freedom, it was traditionally used specifically in the context of expression as speeding up and then slowing down the tempo. In the past, expressive and free playing (beyond only rubato) was often associated with the terms "ad libitum". Rubato, even when not notated, is often used liberally by musicians, e.g. singers frequently use it intuitively to let the tempo of the melody expressively shift slightly and freely above that of the accompaniment. This intuitive shifting leads to rubato's main effect: making music sound expressive and natural. Nineteenth century composer-pianist Frédéric Cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lexico
Lexico was a dictionary website that provided a collection of English and Spanish dictionaries produced by Oxford University Press (OUP), the publishing house of the University of Oxford. While the dictionary content on Lexico came from OUP, this website was operated by Dictionary.com, whose eponymous website hosts dictionaries by other publishers such as Random House. The website was closed and redirected to Dictionary.com on 26 August 2022. Before the Lexico site was launched, the '' Oxford Dictionary of English'' and ''New Oxford American Dictionary'' were hosted by OUP's own website Oxford Dictionaries Online (ODO), later known as Oxford Living Dictionaries. The dictionaries' definitions have also appeared in Google definition search and the Dictionary application on macOS, among others, licensed through the Oxford Dictionaries API. History In the 2000s, OUP allowed access to content of the ''Compact Oxford English Dictionary of Current English'' on a website called AskOx ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sempre
A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; ′ : Tierce organ stop ; 2′ : two feet – pipe o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maury Yeston
Maury Yeston (born October 23, 1945) is an American composer, lyricist and music theorist. He is known as the initiator of new Broadway musicals and writing their music and lyrics, as well as a classical orchestral and ballet composer, Yale University professor, and prominent Music Theorist authoring landmark works in that field. Among his musicals are ''Nine'' in 1982, and ''Titanic'' in 1997, both of which won him Tony Awards for Best Musical and Best Score and each brought him nominations for a Grammy in addition to his third Grammy nomination and another Tony Award for Best Revival for the revival of ''Nine'' in 2004. He also won two Drama Desk Awards for ''Nine'', and was nominated for both an Academy Award and a Golden Globe for two of his new songs in the film version of ''Nine''. Yeston also wrote over a third of the score and most of the lyrics to Broadway's ''Grand Hotel'' in 1989, which was Tony-nominated for best musical along with Yeston for best score, and anothe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Theophilus Finck
Henry Theophilus Finck (22 September 1854 – 1 October 1926) was an American music critic and author. Among "the most prolific and influential critics of his day", he was List of chief music critics, chief classical music critic of both the ''New York Evening Post'' and ''The Nation'' from 1881 to 1924. He championed Romantic music, promoting composers such as Liszt, Wagner, Grieg and Edward MacDowell, MacDowell. Along with his contemporaries Richard Aldrich (music critic), Richard Aldrich, William James Henderson, W.J. Henderson, James Huneker and Henry Edward Krehbiel, Finck is considered part of the 'Old Guard', a group of leading New York-based music critics who first established a uniquely American school of criticism. Biography Finck was born at Bethel, Missouri, and raised in Portland, Oregon, where he was taught piano and Cello, violoncello. He taught himself Latin and Greek so thoroughly that he was able to enter Harvard University, Harvard as a sophomore in 1872. At ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Hudson (musician)
Richard William Stafford Hudson (born 9 May 1948) is an English musician who played drums and sitar for the Strawbs. He later joined forces with bassist John Ford to form a duo, Hudson and Ford, in which he played guitar and sang. Career Richard Hudson was a member of Elmer Gantry's Velvet Opera, in which he played drums and sitar and sang. In 1970, he and band-mate John Ford joined Strawbs. Hudson and Ford began to co-write material which appeared to be aiming in a slightly different direction to the compositions of Strawbs' main writer, Dave Cousins. In 1973 after a 52-date tour to promote the album Bursting at the Seams, there were acrimonious exchanges (which both parties now regret). Hudson and Ford left to form Hudson Ford. Hudson at this point switched from playing drums to guitar and sang more lead vocals. The punk era sounded the death knell of many progressive rock acts, including Hudson Ford. Hudson, Ford and Terry Cassidy founded the mock punk group The Monks an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rachmaninoff Symphony3 Mov1
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Dances (Rachmaninoff)
''Symphonic Dances'', Op. 45, is an orchestral suite in three movements completed in October 1940 by Russian composer Sergei Rachmaninoff. It is his final major composition, and his only piece written in its entirety while living in the United States. The work allowed him to indulge in a nostalgia for the Russia he had known, much as he had done in the Symphony No. 3, as well as to effectively sum up his lifelong fascination with ecclesiastical chants. In the first dance, he quotes the opening theme of his Symphony No. 1, itself derived from motifs characteristic of Russian church music. In the finale he quotes both the '' Dies Irae'' and the chant "Blessed art thou, Lord" (''Blagosloven yesi, Gospodi'') from his ''All-Night Vigil''. Background Rachmaninoff composed the ''Symphonic Dances'' four years after his Third Symphony, mostly at the Honeyman estate, "Orchard Point", in Centerport, New York, overlooking Long Island Sound. Its original name was ''Fantastic Dances'', w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Rachmaninoff
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rachmaninoff SymphonicDances Mov2
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metronome
A metronome, from ancient Greek μέτρον (''métron'', "measure") and νομός (nomós, "custom", "melody") is a device that produces an audible click or other sound at a regular interval that can be set by the user, typically in beats per minute (BPM). Metronomes may include synchronized visual motion. Musicians use the device to practise playing to a regular pulse. A kind of metronome was among the inventions of Andalusian polymath Abbas ibn Firnas (810–887). In 1815, German inventor Johann Maelzel patented his mechanical, wind-up metronome as a tool for musicians, under the title "Instrument/Machine for the Improvement of all Musical Performance, called Metronome". In the 20th century, electronic metronomes and software metronomes were invented. Musicians practise with metronomes to improve their timing, especially the ability to stick to a regular tempo. Metronome practice helps internalize a clear sense of timing and tempo. Composers and conductors often use a me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Niecks
Frederick Niecks (3 February 184524 June 1924) was a German musical scholar and author who resided in Scotland for most of his life. He is best remembered for his biographies of Frédéric Chopin and Robert Schumann. Biography Friedrich Maternus Niecks was born in Düsseldorf, son of a conductor and teacher; his grandfather was a professional musician. He studied music under his father; he later studied violin under Leopold Auer and others, and studied piano and composition under Julius Tausch. At age 13 he made his debut playing Charles Auguste de Bériot's Violin Concerto No. 2, then joined the Musikverein orchestra, with whom he remained until age 21. In 1868 he expressed a desire to move to Great Britain, and Alexander Mackenzie invited him to settle in Scotland, where he became viola player in Mackenzie's string quartet in Edinburgh and an organist and teacher in Dumfries. In 1879 he became a regular contributor to ''The Musical Times''. In 1884 he published a ''C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
