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Temple Of Beit El-Wali
The Temple of Beit el-Wali is a rock-cut ancient Egyptian temple in Nubia which was built by Pharaoh Ramesses II and dedicated to the deities of Amun-Re, Re-Horakhti, Khnum and Anuket.Arnold & Strudwick (2003), p.29 It was the first in a series of temples built by Ramesses II in this region; its name Beit el-Wali means 'House of the Holy Man' and may indicate its previous use by a Christian hermit at some point in time.Oakes (2003), p.200 The temple was relocated during the 1960s as part of the International Campaign to Save the Monuments of Nubia as a result of the Aswan High Dam project and moved towards higher ground along with the Temple of Kalabsha. This move was coordinated with a team of Polish archaeologists financed jointly by a Swiss and Chicago Institute respectively. The temple was located 50 kilometres south of Aswan. History The Nubian temples of Ramesses II (i.e. Wadi es-Sebua, Beit el-Wali and Abu Simbel), were part of a state sponsored policy designed to maintai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Beasly Greene (American, Born France - (Bet-Oualli, Sculptures Historiques De La Paroi De Gauche) - Google Art Project
John Beasley Greene (1832 – November 1856) was a French-born American Egyptologist and one of the earliest archaeological documentary photographers. He died at the age of 24. Because of his early demise, his pioneering work was quickly forgotten. The first important study of Greene was published in 1981. Biography The son of an American banker, Greene was born in Le Havre and later lived in at 10 rue de la Grange Bateliere in the 9th arrondissement of Paris. His work combined two passions: the new technology of photography and the discovery of Ancient Egypt. He employed a waxed paper negative process learned from Gustave Le Gray.James Hyman GalleryBiography of John Beasley Greene/ref> After his father's death in 1850, Greene was able to finance his first trip to Egypt in 1854. He was a founding member of the Société française de photographie, founded on 15 November 1854. That same year, he published photographs from his expedition under the title, ''Le Nil : monuments, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Ancient Egyptian Sites
This is a list of ancient Egyptian sites, throughout all of Egypt and Nubia. Sites are listed by their classical name whenever possible, if not by their modern name, and lastly with their ancient name if no other is available. Nomes A nome is a subnational administrative division of Ancient Egypt. Lower Egypt * Nome 1: White Walls *Nome 2: Cow's thigh *Nome 3: West *Nome 4: Southern Shield *Nome 5: Northern Shield * Nome 6: Mountain bull *Nome 7: West harpoon *Nome 8: East harpoon *Nome 9: Andjety *Nome 10: Black bull *Nome 11: Heseb bull *Nome 12: Calf and Cow * Nome 13: Prospering Scepter *Nome 14: Eastmost *Nome 15: Fish *Nome 16: Djehuti *Nome 17: The Throne *Nome 18: Prince of the South *Nome 19: Prince of the North *Nome 20: Plumed Falcon Upper Egypt * Nome 1: Land of the bow * Nome 2: Throne of Horus * Nome 3: The Shrine *Nome 4: The sceptre * Nome 5: The two falcons * Nome 6: The crocodile *Nome 7: Sistrum * Nome 8: Great lands *Nome 9: Minu (Min) * Nome 10: Cob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pylon (architecture)
A pylon is a monumental gate of an Egyptian temple (Egyptian: ''bxn.t'' in the Manuel de Codage transliterationErmann & Grapow, ''Wörterbuch der ägyptischen Sprache'', vol.1, 471.9–11). The word comes from the Greek language, Greek term 'gate'. It consists of two pyramidal towers, each tapered and surmounted by a cornice, joined by a less elevated section enclosing the entrance between them.Toby Wilkinson, ''The Thames and Hudson Dictionary of Ancient Egypt'', Thames & Hudson, 2005. p.195 The gate was generally about half the height of the towers. Contemporary paintings of pylons show them with long poles flying banners. Egyptian architecture In ancient Egyptian religion, the pylon mirrored the Egyptian hieroglyphs, hieroglyph akhet (hieroglyph and season), ''akhet'' 'horizon', which was a depiction of two hills "between which the sun rose and set". Consequently, it played a critical role in the symbolic architecture of a building associated with the place of re-creation an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief Of Ramesses II From Beit El-Wali Temple By John Campana
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beit El-Wali Relief Of Ramesses II Smiting An Enemy By John Campana
A Beit (also spelled bait, ar, بيت , literally "a house") is a metrical unit of Arabic, Iranian, Urdu and Sindhi poetry. It corresponds to a line, though sometimes improperly renderered as " couplet" since each ''beit'' is divided into two hemistichs of equal length, each containing two, three or four feet, or from 16 to 32 syllables."Arabian Poetry for English Readers," by William Alexander Clouston (1881)p. 379in Google Books William Alexander Clouston concluded that this fundamental part of Arabic prosody originated with the Bedouins or Arabs of the desert, as, in the nomenclature of the different parts of the line, one foot is called "a tent-pole", another "tent-peg" and the two hemistichs of the verse are called after the folds or leaves of the double-door of the tent or "house". Through Ottoman Turkish, it got into Albanian and the bards of Muslim tradition in the Albanian literature took their name after this metrical unit, the poets known as bejtexhi Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beit El-Wali Temple Relief In Nubia
A Beit (also spelled bait, ar, بيت , literally "a house") is a metrical unit of Arabic, Iranian, Urdu and Sindhi poetry. It corresponds to a line, though sometimes improperly renderered as " couplet" since each ''beit'' is divided into two hemistichs of equal length, each containing two, three or four feet, or from 16 to 32 syllables."Arabian Poetry for English Readers," by William Alexander Clouston (1881)p. 379in Google Books William Alexander Clouston concluded that this fundamental part of Arabic prosody originated with the Bedouins or Arabs of the desert, as, in the nomenclature of the different parts of the line, one foot is called "a tent-pole", another "tent-peg" and the two hemistichs of the verse are called after the folds or leaves of the double-door of the tent or "house". Through Ottoman Turkish, it got into Albanian and the bards of Muslim tradition in the Albanian literature took their name after this metrical unit, the poets known as bejtexhi Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abu Simbel
Abu Simbel is a historic site comprising two massive rock-cut temples in the village of Abu Simbel ( ar, أبو سمبل), Aswan Governorate, Upper Egypt, near the border with Sudan. It is situated on the western bank of Lake Nasser, about southwest of Aswan (about by road). The twin temples were originally carved out of the mountainside in the 13th century BC, during the 19th Dynasty reign of the Pharaoh Ramesses II. They serve as a lasting monument to the king Ramesses II. His wife Nefertari and children can be seen in smaller figures by his feet, considered to be of lesser importance and were not given the same position of scale. This commemorates his victory at the Battle of Kadesh. Their huge external rock relief figures have become iconic. The complex was relocated in its entirety in 1968 as part of the International Campaign to Save the Monuments of Nubia, under the supervision of a Polish archaeologist, Kazimierz Michałowski, from the Polish Centre of Mediter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wadi Es-Sebua
The temples of Wadi es-Sebua ( ar, وادى السبوع , translate=Valley of the Lions, so-called because of the sphinx-lined approach to the temple forecourts), is a pair of New Kingdom Egyptian temples, including one speos temple constructed by the 19th Dynasty Pharaoh Ramesses II, in Lower Nubia. As part of the International Campaign to Save the Monuments of Nubia, along with Abu Simbel, Philae, Amada, and other Nubian archaeological sites, the temples at Wadi es-Sebua were relocated in the 1960s and inscribed on the UNESCO World Heritage List in 1979. First Temple of Amenhotep III The first temple was built by the 18th Dynasty Pharaoh Amenhotep III and subsequently restored by Ramesses II. In its first stage, this temple "consisted of a rock-cut sanctuary (about 3 m by 2 m) fronted by a brick-built pylon, a court and a hall, partly painted with wall paintings." The temple was perhaps dedicated to one of the local Nubian forms of Horus, but his representations were alte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Temple Of Kalabsha
The Temple of Kalabsha (also Temple of Mandulis) is an ancient Egyptian temple that was originally located at Bab al-Kalabsha (Gate of Kalabsha), approximately 50 km south of Aswan. In the 1960s the temple was relocated under the International Campaign to Save the Monuments of Nubia, and inscribed on the UNESCO World Heritage List in 1979, along with other outstanding examples of Nubian architecture including Abu Simbel and Amada. History The temple was situated on the west bank of the Nile River, in Nubia, and was originally built around 30 BC during the early Roman era. While the temple was constructed in Augustus's reign, it was never finished. The temple was a tribute to Mandulis (Merul), a Lower Nubian sun god. It was constructed over an earlier sanctuary of Amenhotep II. The temple is 76 m long and 22 m wide in dimension. While the structure dates to the Roman period, it features many fine reliefs such as "a fine carving of Horus emerging from reeds on the inner curt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Kalabsha
New Kalabsha is a promontory located near Aswan in Egypt. Created during the International Campaign to Save the Monuments of Nubia, it houses several important temples, structures, and other remains that have been relocated here from the site of Old Kalabsha ( ar, باب الكلابشة , "Gate of Kalabsha", grc, Ταλμις ) and other sites in Lower Nubia, to avoid the rising waters of Lake Nasser caused by the construction of the Aswan High Dam. The major remains are described below: Kalabsha Temple The Temple of Kalabsha (or Temple of Mandulis) is the major structure in New Kalabsha. The entire Roman Period temple to the sun god Mandulis was relocated here in 1970. It was built by Emperor Augustus and was the largest free-standing temple of Egyptian Nubia. During relocation, the temple was cut into 13,000 blocks. Gerf Hussein The temple of Gerf Hussein (originally known as ''Per Ptah'', the "House of Ptah") is dedicated to Ramesses II and was built by the Viceroy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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