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Temple Of Athena Lindia
The Temple of Athena Lindia was a sanctuary in Lindos in Rhodes, dedicated to the goddess Athena. It was a significant Pan-Hellenic shrine of Athena and arguably the regional center of her cult. History The sanctuary was situated at the acropolis in the city of Lindos in Rhodes, which was at that time the capital of the island. Prior to the foundation of the temple, the site appears to have been the place of the cult of a local goddess. It was built above a natural cave in the cliff, which may have been a previous cult place. The first temple is dated to the 6th-century BC. It was likely built by Cleobulus. The cult statue of Athena Lindia has been reconstructed from the votive statuettes as having been a seated figure of Athena with a polos crown. The temple was burned in 342 BC, and replaced by a new temple in the late 4th-century BC. It was built in the Doric style. It was 7.75 x 21.65 m. The new cult statue was a standing figure of Athena carrying a shield, but wearing a polo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athena Lindos Temple
Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from ''polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous other temples and monuments. As the patron of craft and weaving, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudo-Apollodorus
The ''Bibliotheca'' (Ancient Greek: grc, Βιβλιοθήκη, lit=Library, translit=Bibliothēkē, label=none), also known as the ''Bibliotheca'' of Pseudo-Apollodorus, is a compendium of Greek myths and heroic legends, arranged in three books, generally dated to the first or second century AD. The author was traditionally thought to be Apollodorus of Athens, but that attribution is now regarded as false, and so "Pseudo-" was added to Apollodorus. The ''Bibliotheca'' has been called "the most valuable mythographical work that has come down from ancient times." An epigram recorded by the important intellectual Patriarch Photius I of Constantinople expressed its purpose:Victim of its own suggestions, the epigraph, ironically, does not survive in the manuscripts. For the classic examples of epitomes and encyclopedias substituting in Christian hands for the literature of Classical Antiquity itself, see Isidore of Seville's ''Etymologiae'' and Martianus Capella. It has the follo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ploutos
In ancient Greek religion and Greek mythology, mythology, Plutus (; grc-gre, Πλοῦτος, Ploûtos, wealth) is the god and the personification of wealth, and the son of the goddess of agriculture Demeter and the mortal Iasion. Family Plutus is most commonly the son of Demeter and Iasion, with whom she lay in a thrice-ploughed field. He is alternatively the son of the fortune goddess Tyche.Aesop, ''Aesop's fables, Fables'413 [=Phaedrus (fabulist), Phaedrus 4.12]. Two ancient depictions of Plutus, one of him as a little boy standing with a cornucopia before Demeter, and another inside the cornucopia being handed to Demeter by a goddess rising out of the earth, perhaps implying that he had been born in the Underworld, were interpreted by Karl Kerenyi to mean that Plutus was supposed to be the son of Hades and Persephone, the king and the queen of the Greek Underworld, Underworld, though no such version is attested in any primary source. In the arts In the philosophized myth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
3rd Century
The 3rd century was the period from 201 ( CCI) to 300 (CCC) Anno Domini (AD) or Common Era (CE) in the Julian calendar.. In this century, the Roman Empire saw a crisis, starting with the assassination of the Roman Emperor Severus Alexander in 235, plunging the empire into a period of economic troubles, barbarian incursions, political upheavals, civil wars, and the split of the Roman Empire through the Gallic Empire in the west and the Palmyrene Empire in the east, which all together threatened to destroy the Roman Empire in its entirety, but the reconquests of the seceded territories by Emperor Aurelian and the stabilization period under Emperor Diocletian due to the administrative strengthening of the empire caused an end to the crisis by 284. This crisis would also mark the beginning of Late Antiquity. In Persia, the Parthian Empire was succeeded by the Sassanid Empire in 224 after Ardashir I defeated and killed Artabanus V during the Battle of Hormozdgan. The Sassan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philostratus The Elder
Philostratus of Lemnos ( grc-gre, Φιλόστρατος ὁ Λήμνιος; c. 190 – c. 230 AD), also known as Philostratus the Elder to distinguish him from Philostratus the Younger who was also from Lemnos, was a Greek sophist of the Roman Empire, Roman imperial period. He was probably a nephew of the sophist Philostratus of Athens, and is credited with two books formerly attributed to his uncle. Works ''Imagines (work by Philostratus), Eikones'' (, ''Images'' or ''Imagines'') is ostensibly a description of 64 pictures in a Naples, Neapolitan gallery. Johann Wolfgang von Goethe, Goethe, Friedrich Gottlieb Welcker, Welcker, Heinrich Brunn, Brunn, E. Bertrand and Wolfgang Helbig, Helbig, among others, have held that the descriptions are of actually existing works of art, while Christian Gottlob Heyne, Heyne and Friederichs deny this. In any case they are interesting as showing the way in which ancient artists treated mythological and other subjects, and are written with artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heliadai
In Greek mythology, the Heliadae or Heliadai (; grc, Ἡλιάδαι) were the seven sons of Helios and Rhodos and grandsons of Poseidon. They were brothers to Electryone. Biography They were Ochimus, Cercaphus, Macareus (or Macar), Actis, Tenages, Triopas, and Candalus (Nonnus Nonnus, ''Dionysiaca'' 14.44 adds Auges and Thrinax). They were expert astrologers and seafarers, and were the first to introduce sacrifices to Athena at Rhodes. They also drove the Telchines out of Rhodes. Mythology Tenages was the most highly endowed of the Heliadae, and was eventually killed by Macareus, Candalus, Triopas and Actis. This is attributed to their jealousy of his skills at science. As soon as their crime was discovered, the four had to escape from Rhodes: Macareus fled to Lesbos, Candalus to Cos, Triopas to Caria, and Actis to Egypt. Ochimus and Cercaphus, who stayed aside from the crime, remained at the island and founded the city of Achaea (in the territory of modern Ialysos). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helios
In ancient Greek religion and Greek mythology, mythology, Helios (; grc, , , Sun; Homeric Greek: ) is the deity, god and personification of the Sun (Solar deity). His name is also Latinized as Helius, and he is often given the epithets Hyperion ("the one above") and Phaethon ("the shining"). Helios is often depicted in art with a radiant crown and driving a horse-drawn chariot through the sky. He was a guardian of oaths and also the god of sight. Though Helios was a relatively minor deity in Classical Greece, his worship grew more prominent in late antiquity thanks to his identification with several major solar divinities of the Roman period, particularly Apollo and Sol (Roman mythology), Sol. The Roman Emperor Julian (emperor), Julian made Helios the central divinity of his short-lived revival of Religion in ancient Rome, traditional Roman religious practices in the 4th century AD. Helios figures prominently in several works of Greek mythology, poetry, and literature, in whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaia
In Greek mythology, Gaia (; from Ancient Greek , a poetical form of , 'land' or 'earth'),, , . also spelled Gaea , is the personification of the Earth and one of the Greek primordial deities. Gaia is the ancestral mother—sometimes parthenogenesis, parthenogenic—of all life. She is the mother of Uranus (mythology), Uranus (the sky), from whose sexual union she bore the Titan (mythology), Titans (themselves parents of many of the Greek pantheon, Olympian gods), the Cyclops, Cyclopes, and the Giants (Greek mythology), Giants; as well as of Pontus (mythology), Pontus (the sea), from whose union she bore the Greek sea gods, primordial sea gods. Her equivalent in the Roman pantheon was Terra (mythology), Terra.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Etymology The Greek language, Greek name Γαῖα (''Gaia'' or ) is a mostly epic, collateral form of Attic (''Gē'' ), and Doric Greek, Doric (''Ga'' ), perhaps identical to (''Da'' ), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ouranos
In Greek mythology, Uranus ( ), sometimes written Ouranos ( grc, Οὐρανός, , sky, ), is the personification of the sky and one of the Greek primordial deities. According to Hesiod, Uranus was the son and husband of Gaia (Earth), with whom he fathered the first generation of Titans. However, no cult addressed directly to Uranus survived into Classical times, and Uranus does not appear among the usual themes of Greek painted pottery. Elemental Earth, Sky, and Styx might be joined, however, in solemn invocation in Homeric epic. Uranus is associated with the Roman god Caelus and the Jewish god Yahweh. Etymology Most linguists trace the etymology of the name to a Proto-Greek form ''*Worsanós'' (), enlarged from *''ṷorsó-'' (also found in Greek ''()'' 'to urinate', Sanskrit ''varṣá'' 'rain', Hittite ''ṷarša-'' 'fog, mist').Robert S. P. Beekes, ''Etymological Dictionary of Greek'', vol. 2 (Leiden: Brill, 2009), 1128–1129. The basic Indo-European root is ''* ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hephaistos
Hephaestus (; eight spellings; grc-gre, Ἥφαιστος, Hḗphaistos) is the Greek god of blacksmiths, metalworking, carpenters, craftsmen, artisans, sculptors, metallurgy, fire (compare, however, with Hestia), and volcanoes.Walter Burkert, ''Greek Religion'' 1985: III.2.ii; see coverage of Lemnos-based traditions and legends at Mythic Lemnos Hephaestus's Roman counterpart is Vulcan. In Greek mythology, Hephaestus was either the son of Zeus and Hera or he was Hera's parthenogenous child. He was cast off Mount Olympus by his mother Hera because of his lameness, the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances (in which case his lameness would have been the result of his fall rather than the reason for it). As a smithing god, Hephaestus made all the weapons of the gods in Olympus. He served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centres of Greece, particularly Athens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pindar
Pindar (; grc-gre, Πίνδαρος , ; la, Pindarus; ) was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet himself. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xoanon
A xoanon (, el, ξόανον; plural: el, ξόανα , from the verb el, ξέειν, , to carve or scrape ood was an Archaic wooden cult image of Ancient Greece. Classical Greeks associated such cult objects, whether aniconic or effigy, with the legendary Daedalus. Many such cult images were preserved into historical times, though none are known to have survived to the modern day, except as copies in stone or marble. In the 2nd century CE, Pausanias described numerous xoana in his ''Description of Greece'', notably the image of Hera in her temple at Samos. "The statue of the Samian Hera, as Aethilos sic">/nowiki>sicThe_name_''Aethilos''_in_the_available_text_is_thought_to_be_a_mis-spelling_of_''Aethlios''..html" ;"title="sic.html" ;"title="/nowiki>sic">/nowiki>sicThe name ''Aethilos'' in the available text is thought to be a mis-spelling of ''Aethlios''.">sic.html" ;"title="/nowiki>sic">/nowiki>sicThe name ''Aethilos'' in the available text is thought to be a mis-spelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
