Teenage Jesus And The Jerks (album)
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Teenage Jesus And The Jerks (album)
''Teenage Jesus and the Jerks'' is a compilation album by Teenage Jesus and the Jerks, released in 1979 by Migraine Records. Track listing Personnel Adapted from the ''Teenage Jesus and the Jerks'' liner notes. ;Teenage Jesus and the Jerks * Bradley Field – drums, percussion * Lydia Lunch – vocals, electric guitar * Jim Sclavunos – bass guitar (A1–A5) * Gordon Stevenson – bass guitar (B1, B2) ;Production and additional personnel * Woody Payne – production (A4, A5) * Robert Quine Robert Wolfe Quine (December 30, 1942 – May 31, 2004) was an American guitarist. A native of Akron, Ohio, Quine worked with a wide range of musicians, though he himself remained relatively unknown. Critic Mark Deming wrote that "Quine's eclect ... – production (A1–A3, B1, B2) Release history References External links * {{Teenage Jesus and the Jerks 1979 compilation albums Teenage Jesus and the Jerks albums ...
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Teenage Jesus And The Jerks
Teenage Jesus and the Jerks were an influential American no wave band, based in New York City, who formed part of the city's no wave movement. Background Lydia Lunch met saxophonist James Chance at CBGB and moved into his two-room apartment. She started to combine her poetry with acoustic guitar and was spurred to start a band after seeing one of Mars' earlier performances. Lunch found guitarist Reck at CBGB and recruited him as a drummer, later moving him to bass. They formed a band called the Scabs and briefly added Jody Harris to their line-up. Lunch knew Bradley Field through Miriam Linna and convinced him to join in early 1977. The band put together a ten-minute set of very short songs. It released only a handful of singles. Featured on the seminal ''No New York'' LP, a showcase of the early no wave scene, compiled and produced by Brian Eno, the group left behind little more than a dozen complete recorded songs. Most of the surviving titles were collected on the eighte ...
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Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ...
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Vinyl Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records co ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Gordon Stevenson
Gordon Stevenson was an artist, actor, musician and filmmaker who died of AIDS in 1982, one of the East Village art community’s first casualties of the AIDS epidemic. Personal life Born in Dublin, Georgia, he attended Eckerd College in St. Petersburg, Florida, where he met Arto Lindsay in the 1970s. Following a move to New York City, he married Mirielle Cervenka, (also known as Spike) who was older sister of Exene Cervenka of the band X). A well-known figure of the East Village underground, Stevenson was close to such Lower East Side figures as Fun Gallery director Patti Astor. Stevenson's brother, Davey Stevenson, bass player in the early 1980s Athens, Georgia band Limbo District, also died of AIDS in the early 1990s. Both Gordon and Davey are buried in Dublin, Georgia. Music Stevenson became the bass player for Lydia Lunch's band Pre Teenage Jesus and the Jerks and Teenage Jesus and the Jerks between November 1977 to June 1978, one of several No Wave bands featured on ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ...
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Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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No New York
''No New York'' is a compilation album released in 1978 by record label Antilles under the curation of producer Brian Eno. Although it only contained songs by four different artists, some consider it to be a definitive single album documenting New York City's late-1970s no wave movement. Background and production Early in 1978, New York's Artists Space hosted an underground punk rock music festival with several local bands. The final two days of the show featured DNA and the Contortions on Friday, followed by Mars and Teenage Jesus and the Jerks on Saturday. English musician and producer Brian Eno, who had originally come to New York to produce the second Talking Heads album '' More Songs About Buildings and Food'', was in the audience. Impressed by what he saw and heard, and advised by Diego Cortez to do so, Eno was convinced that this movement should be documented and proposed the idea of a compilation album with himself as a producer. When Eno recorded ''No New York'', ...
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Jim Sclavunos
James Sclavunos is an American drummer, multi-instrumentalist musician, record producer, and writer. He is best known as a drummer, having been a member of two seminal no wave groups in the late 1970s ( Teenage Jesus & the Jerks and 8 Eyed Spy, both alongside Lydia Lunch). He is also noted for stints in Sonic Youth and the Cramps, and has been a member of Nick Cave and the Bad Seeds since 1994. Sclavunos has led his own group the Vanity Set since 2000. Biography Sclavunos, a half-Greek and half-Italian from Brooklyn, New York (known for his exceptional height at 6'7"), was memorably described in the pages of ''The Wire'' as an "infamous elegant degenerate". He has long been a prime mover in New York City's vibrant underground music scene, helping to kick-start the vital no wave movement in the late 1970s with Teenage Jesus & the Jerks and 8 Eyed Spy (both with Lydia Lunch), before playing with Sonic Youth and the Cramps. He has also recorded albums with Grinderman, Sonic Youth, T ...
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