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Teenage Jesus And The Jerks
Teenage Jesus and the Jerks were an influential American no wave band, based in New York City, who formed part of the city's no wave movement. Background Lydia Lunch met saxophonist James Chance at CBGB and moved into his two-room apartment. She started to combine her poetry with acoustic guitar and was spurred to start a band after seeing one of Mars' earlier performances. Lunch found guitarist Reck at CBGB and recruited him as a drummer, later moving him to bass. They formed a band called the Scabs and briefly added Jody Harris to their line-up. Lunch knew Bradley Field through Miriam Linna and convinced him to join in early 1977. The band put together a ten-minute set of very short songs. It released only a handful of singles. Featured on the seminal ''No New York'' LP, a showcase of the early no wave scene, compiled and produced by Brian Eno, the group left behind little more than a dozen complete recorded songs. Most of the surviving titles were collected on the eighte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Sclavunos
James Sclavunos is an American drummer, multi-instrumentalist musician, record producer, and writer. He is best known as a drummer, having been a member of two seminal no wave groups in the late 1970s ( Teenage Jesus & the Jerks and 8 Eyed Spy, both alongside Lydia Lunch). He is also noted for stints in Sonic Youth and the Cramps, and has been a member of Nick Cave and the Bad Seeds since 1994. Sclavunos has led his own group the Vanity Set since 2000. Biography Sclavunos, a half-Greek and half-Italian from Brooklyn, New York (known for his exceptional height at 6'7"), was memorably described in the pages of ''The Wire'' as an "infamous elegant degenerate". He has long been a prime mover in New York City's vibrant underground music scene, helping to kick-start the vital no wave movement in the late 1970s with Teenage Jesus & the Jerks and 8 Eyed Spy (both with Lydia Lunch), before playing with Sonic Youth and the Cramps. He has also recorded albums with Grinderman, Sonic Youth, T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Eno
Brian Peter George St John le Baptiste de la Salle Eno (; born Brian Peter George Eno, 15 May 1948) is a British musician, composer, record producer and visual artist best known for his contributions to ambient music and work in rock, pop and electronica. A self-described "non-musician", Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of popular music's most influential and innovative figures. Born in Suffolk, Eno studied painting and experimental music at the art school of Ipswich Civic College in the mid 1960s, and then at Winchester School of Art. He joined glam rock group Roxy Music as its synthesiser player in 1971, recording two albums with the group before departing in 1973. Eno then released a number of solo pop albums beginning with ''Here Come the Warm Jets'' (1974) and, also in the mid-1970s, began exploring a minimalist direction on influential recordings such as '' Discreet Music'' (1975) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atavistic Records
Atavistic Records is an American record label based in Chicago, Illinois, known for its no wave and free jazz recordings. Atavistic has released albums by Glenn Branca, Nels Cline, Lydia Lunch, Peter Brötzmann, Ken Vandermark, Pinetop Seven, Swans, Elliott Sharp, Larry Ochs, Mars, Davey Williams, Brian Harnetty, Zeena Parkins, and Poem Rocket, among others. The label was founded in Columbus, Ohio in 1985 by Kurt Kellison as a video label producing live VHS recordings by bands such as Live Skull and The Flaming Lips. The label was relocated when Kellison moved to Chicago in 1988. Atavistic's Unheard Music Series imprint focuses on the reissuing of out-of-print free improvisation/ avant-garde jazz recordings. See also *List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hysterie
''Hysterie'' is a compilation album by American singer-songwriter Lydia Lunch, released in 1986 by record label Widowspeak. Track listing Personnel *Birrer – photography *Gary Hobish – mastering *Lydia Lunch Lydia Lunch (born Lydia Anne Koch; June 2, 1959)Martin Charles Strong. ''The Great Indie Discography''. 2003, page 85 is an American singer, poet, writer, actress and self-empowerment speaker. Her career began during the 1970s New York City no ... – vocals Charts References External links * {{Authority control 1986 compilation albums Lydia Lunch albums Teenage Jesus and the Jerks albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre Teenage Jesus And The Jerks
''Pre Teenage Jesus and the Jerks'' is a single by Teenage Jesus and the Jerks, released in November 1979 by ZE Records. The release presents 1977 recordings, a prehistory of the band. Teenage Jesus and the Jerks (Lydia Lunch with Gordon Stevenson and Bradley Field) would rerecord "The Closet" for the 1978 ''No New York'' compilation. Track listing Personnel Adapted from the ''Pre Teenage Jesus and the Jerks'' liner notes. ;Teenage Jesus and the Jerks * Kawashima Akiyoshi (Reck) – bass guitar * James Chance – alto saxophone, mixing * Bradley Field – drums, percussion * Lydia Lunch – vocals, electric guitar, mixing ;Production and additional personnel * Julia Gorton – cover art Cover art is a type of artwork presented as an illustration or photograph on the outside of a published product such as a book (often on a dust jacket), magazine, newspaper ( tabloid), comic book, video game (box art), music album (album art), ... Release his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teenage Jesus And The Jerks (album)
''Teenage Jesus and the Jerks'' is a compilation album by Teenage Jesus and the Jerks, released in 1979 by Migraine Records. Track listing Personnel Adapted from the ''Teenage Jesus and the Jerks'' liner notes. ;Teenage Jesus and the Jerks * Bradley Field – drums, percussion * Lydia Lunch – vocals, electric guitar * Jim Sclavunos – bass guitar (A1–A5) * Gordon Stevenson – bass guitar (B1, B2) ;Production and additional personnel * Woody Payne – production (A4, A5) * Robert Quine Robert Wolfe Quine (December 30, 1942 – May 31, 2004) was an American guitarist. A native of Akron, Ohio, Quine worked with a wide range of musicians, though he himself remained relatively unknown. Critic Mark Deming wrote that "Quine's eclect ... – production (A1–A3, B1, B2) Release history References External links * {{Teenage Jesus and the Jerks 1979 compilation albums Teenage Jesus and the Jerks albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slide Guitar
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object (a slide) against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position (flat against the body) with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle. The term bottleneck was historically used to describe this type of playing. The strings are typically plucked (not strummed) while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar (lap steel guitar). Creating music with a slide of some type has been traced back to African stringed instruments and also to the origin of the steel guitar in Hawaii. Near the beginning of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Chord
In music, a guitar chord is a set of notes played on a guitar. A chord's notes are often played simultaneously, but they can be played sequentially in an arpeggio. The implementation of guitar chords depends on the guitar tuning. Most guitars used in popular music have six strings with the "standard" tuning of the Spanish classical guitar, namely E–A–D–G–B–E' (from the lowest pitched string to the highest); in standard tuning, the intervals present among adjacent strings are perfect fourths except for the major third (G,B). Standard tuning requires four chord-shapes for the major triads. There are separate chord-forms for chords having their root note on the third, fourth, fifth, and sixth strings. For a six-string guitar in standard tuning, it may be necessary to drop or omit one or more tones from the chord; this is typically the root or fifth. The layout of notes on the fretboard in standard tuning often forces guitarists to permute the tonal order of notes in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album '' Hex''. It later solidified into a recognizable trend with the release of Tortoise's 1996 album ''Millions Now Living Will Never Die''. The term has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DNA (American Band)
Deoxyribonucleic acid (; DNA) is a polymer composed of two polynucleotide chains that coil around each other to form a double helix. The polymer carries genetic instructions for the development, functioning, growth and reproduction of all known organisms and many viruses. DNA and ribonucleic acid (RNA) are nucleic acids. Alongside proteins, lipids and complex carbohydrates (polysaccharides), nucleic acids are one of the four major types of macromolecules that are essential for all known forms of life. The two DNA strands are known as polynucleotides as they are composed of simpler monomeric units called nucleotides. Each nucleotide is composed of one of four nitrogen-containing nucleobases (cytosine guanine adenine or thymine , a sugar called deoxyribose, and a phosphate group. The nucleotides are joined to one another in a chain by covalent bonds (known as the phosphodiester linkage) between the sugar of one nucleotide and the phosphate of the next, resulting in an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Reynolds
Simon Reynolds (born 19 June 1963) is an English music journalist and author who began his professional career on the staff of ''Melody Maker'' in the mid-1980s. He has since gone on to freelance and publish a number of full-length books on music and popular culture, ranging from historical tomes on rave music, glam rock, and the post-punk era to critical works such as ''Retromania: Pop Culture's Addiction to Its Own Past'' (2011). He has contributed to '' Spin'', ''Rolling Stone'', ''The New York Times'', ''The Village Voice'', ''The Guardian'', ''The Wire'', ''Pitchfork'', and others. Biography Early life and ''Blissed Out'' (1990) Reynolds was born in London in 1963 and grew up in Berkhamsted. Inspired by his younger brother Tim, he became interested in rock and specifically punk in 1978. In the early 1980s, he attended Brasenose College, Oxford University, which dates back to the 1200s. After graduating, in 1984 he co-founded the Oxford-based pop culture journal ''Monitor'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
