Technirama 8 Perf 35 Mm Film
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Technirama 8 Perf 35 Mm Film
__NOTOC__ Technirama is a screen process that has been used by some film production houses as an alternative to CinemaScope. It was first used in 1957 but fell into disuse in the mid-1960s. The process was invented by Technicolor and is an anamorphic process with a screen ratio the same as revised CinemaScope (2.35:1) (which became the standard), but it is actually 2.25:1 on the negative.https://www.widescreen.org/aspect_ratios.shtml Technical The Technirama process used a film frame area twice as large as CinemaScope. This gave the former a sharper image with less photographic grain. Cameras used 35-mm film running horizontally with an 8-perforation frame, double the normal size, exactly the same as VistaVision. VistaVision cameras were sometimes adapted. Technirama used 1.5:1 anamorphic curved mirror optics in front of the camera lens (unlike CinemaScope's cylindrical lenses which squeezed the image in a 1:2 ratio). In the laboratory, the 8-perforation horizontal negative woul ...
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Technirama 8 Perf 35 Mm Film
__NOTOC__ Technirama is a screen process that has been used by some film production houses as an alternative to CinemaScope. It was first used in 1957 but fell into disuse in the mid-1960s. The process was invented by Technicolor and is an anamorphic process with a screen ratio the same as revised CinemaScope (2.35:1) (which became the standard), but it is actually 2.25:1 on the negative.https://www.widescreen.org/aspect_ratios.shtml Technical The Technirama process used a film frame area twice as large as CinemaScope. This gave the former a sharper image with less photographic grain. Cameras used 35-mm film running horizontally with an 8-perforation frame, double the normal size, exactly the same as VistaVision. VistaVision cameras were sometimes adapted. Technirama used 1.5:1 anamorphic curved mirror optics in front of the camera lens (unlike CinemaScope's cylindrical lenses which squeezed the image in a 1:2 ratio). In the laboratory, the 8-perforation horizontal negative woul ...
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The Vikings (1958 Film)
''The Vikings'' is a 1958 American epic historical fiction swashbuckling film directed by Richard Fleischer and filmed in Technicolor. It was produced by Jerry Bresler and stars Kirk Douglas. It is based on the 1951 novel ''The Viking'' by Edison Marshall, which in turn is based on material from the sagas of Ragnar Lodbrok and his sons. Other starring roles were taken by then husband-and-wife Tony Curtis and Janet Leigh as well as Ernest Borgnine. The film made notable use of natural locations in Norway. It was mostly filmed in Maurangerfjorden and Maurangsnes, captured on film by cinematographer Jack Cardiff, although Aella's castle was the real Fort-la-Latte in north-east Brittany in France. Despite being derisively called a "Norse Opera" by ''New York Times'' critic Bosley Crowther, the film proved a major box office success and spawned the television series '' Tales of the Vikings'', directed by the film's editor, Elmo Williams, which included none of the original ca ...
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List Of Technirama Films
Films made using the Technirama or Super Technirama process are listed below. Note that the only difference between the two is the choice of gauge (35 mm or 70 mm) for the projection print: all Technirama and Super Technirama films are shot using the identical horizontal 35 mm anamorphic process. All Super Technirama films were also released on 35 mm prints and thus can also be considered Technirama films. Films Films exhibited in Super Technirama are shown in bold. *''The Monte Carlo Story'' (1956) *''Davy'' (1957) *''Escapade in Japan'' (1957) *'' It Happened in Rome'' (1957) *''Legend of the Lost'' (1957) *'' Night Passage'' (1957) *''Sayonara'' (1957) *''Anna of Brooklyn'' (1958) *''Auntie Mame'' (1958) *''The Big Country'' (1958) *''Les Misérables'' (1958) *''The Love Specialist'' (1958) *''The Naked Maja'' (1958) *'' Paris Holiday'' (1958) *''Seven Hills of Rome'' (1958) *''Tempest'' (1958) *''This Angry Age'' (1958) *'' The Vikings'' (1958) *'' For the F ...
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The Black Cauldron (film)
''The Black Cauldron'' is a 1985 American animated dark fantasy adventure film directed by Ted Berman and Richard Rich. It was produced by Walt Disney Productions in association with Silver Screen Partners II and released by Walt Disney Pictures. The 25th Disney animated feature film, it is loosely based on the first two books in ''The Chronicles of Prydain'' by Lloyd Alexander, a series of five novels that are, in turn, based on Welsh mythology. Set in the mythical land of Prydain during the Early Middle Ages, the film centers on a wicked emperor known as the Horned King, who hopes to secure an ancient magical cauldron that will aid him in his desire to conquer the world. He is opposed by young swineherder Taran, the young Princess Eilonwy, the harp-playing bard Fflewddur Fflam, and a friendly wild creature named Gurgi, who seek to destroy the cauldron to prevent the Horned King from ruling the world. The film is directed by Ted Berman and Richard Rich, who had directed Disne ...
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Sleeping Beauty (1959 Film)
''Sleeping Beauty'' is a 1959 American animated musical fantasy film produced by Walt Disney based on the 1697 story "Sleeping Beauty" by Charles Perrault. The 16th Disney animated feature film, it was released to theaters on January 29, 1959, by Buena Vista Distribution. It features the voices of Mary Costa, Eleanor Audley, Verna Felton, Barbara Luddy, Barbara Jo Allen, Bill Shirley, Taylor Holmes, and Bill Thompson. The film was directed by Les Clark, Eric Larson, and Wolfgang Reitherman, under the supervision of Clyde Geronimi. The film was written by Erdman Penner with additional story work by Joe Rinaldi, Winston Hibler, Bill Peet, Ted Sears, Ralph Wright, and Milt Banta. The film's musical score and songs, featuring the work of the Graunke Symphony Orchestra under the direction of George Bruns, are arrangements or adaptations of numbers from the 1890 ''Sleeping Beauty'' ballet by Pyotr Ilyich Tchaikovsky. ''Sleeping Beauty'' was the first animated film to be photograph ...
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Walt Disney Productions
The Walt Disney Company, commonly known as Disney (), is an American multinational mass media and entertainment conglomerate headquartered at the Walt Disney Studios complex in Burbank, California. Disney was originally founded on October 16, 1923, by brothers Walt and Roy O. Disney as the Disney Brothers Studio; it also operated under the names the Walt Disney Studio and Walt Disney Productions before changing its name to the Walt Disney Company in 1986. Early on, the company established itself as a leader in the animation industry, with the creation of the widely popular character Mickey Mouse, who is the company's mascot, and the start of animated films. After becoming a major success by the early 1940s, the company started to diversify into live-action films, television, and theme parks in the 1950s. Following Walt's death in 1966, the company's profits began to decline, especially in the animation division. Once Disney's shareholders voted in Michael Eisner as the hea ...
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United States
The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 states, a federal district, five major unincorporated territories, nine Minor Outlying Islands, and 326 Indian reservations. The United States is also in free association with three Pacific Island sovereign states: the Federated States of Micronesia, the Marshall Islands, and the Republic of Palau. It is the world's third-largest country by both land and total area. It shares land borders with Canada to its north and with Mexico to its south and has maritime borders with the Bahamas, Cuba, Russia, and other nations. With a population of over 333 million, it is the most populous country in the Americas and the third most populous in the world. The national capital of the United States is Washington, D.C. and its most populous city and principal financial center is New York City. Paleo-Americ ...
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The Music Man (1962 Film)
''The Music Man'' is a 1962 American musical film directed and produced by Morton DaCosta, based on Meredith Willson's 1957 Broadway musical of the same name, which DaCosta also directed. Robert Preston reprises the title role from the stage version, starring alongside Shirley Jones, Buddy Hackett, Hermione Gingold, Ron Howard, and Paul Ford. Released by Warner Bros. on June 19, 1962, the film was one of the biggest hits of the year and was widely acclaimed by critics. It was nominated for six Academy Awards, including Best Picture, with composer Ray Heindorf winning Best Music, Scoring of Music, Adaptation or Treatment. The film also won the Golden Globe Award for Best Motion Picture – Musical or Comedy, and Preston and Jones were both nominated in their respective acting categories. In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
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Super Panavision
Super Panavision 70 is the marketing brand name used to identify movies photographed with Panavision 70 mm spherical optics between 1959 and 1983. Ultra Panavision 70 was similar to Super Panavision 70, though Ultra Panavision lenses were anamorphic, which allowed for a significantly wider aspect ratio. However, Ultra Panavision 70 was extremely rare and has only been used on a handful of films since its inception. History During the late 1950s, the Hollywood filmmaking community decided that changing from filming in the commonly accepted 35 mm format to 65 mm film would provide viewing audiences with an enhanced visual experience, compared to an anamorphic widescreen image. To this end, cameras began to be designed to handle 65 mm film stock. The first camera system to be released using this format was Todd-AO, in 1955. The second was MGM Camera 65, a system designed by Panavision, which was introduced in 1956. In 1959, Panavision introduced Super Panavision 70 to compete with th ...
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CinemaScope
CinemaScope is an anamorphic lens series used, from 1953 to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter. Its creation in 1953 by Spyros P. Skouras, the president of 20th Century Fox, marked the beginning of the modern anamorphic format in both principal 2.55:1, almost twice as wide as the previously common Academy format's 1.37:1 ratio. Although the technology behind the CinemaScope lens system was made obsolete by later developments, primarily advanced by Panavision, CinemaScope's anamorphic format has continued to this day. In film-industry jargon, the shortened form, 'Scope, is still widely used by both filmmakers and projectionists, although today it generally refers to any 2.35:1, 2.39:1, 2.40:1, or 2.55:1 presentation or, sometimes, the use of anamorphic lensing or projection in general. Bausch & Lomb won a 1954 Oscar for its development of the CinemaScope l ...
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Todd-AO
Todd-AO is an American post-production company founded in 1953 by Mike Todd and Robert Naify, providing sound-related services to the motion picture and television industries. For more than five decades, it was the worldwide leader in theater sound. The company now operates one facility in the Los Angeles area. Todd-AO is also the name of the widescreen, 70 mm film format that was developed by Mike Todd and the Naify brothers, owners of United Artists Theaters in partnership with the American Optical Company in the mid-1950s. Todd-AO had been founded to promote and distribute this system. History Todd-AO began as a high resolution widescreen film format. It was co-developed in the early 1950s by Mike Todd, a Broadway producer, and United Artists Theaters in partnership with the American Optical Company in Buffalo, New York. It was developed to provide a high definition single camera widescreen process to compete with Cinerama, or as characterized by its creator, "Cinerama o ...
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Super Technirama 70
Super Technirama 70 was the marketing name for a special type of deluxe film exhibition that was most popular in the 1960s. It was the 70mm version of the Technirama exhibition format. Unlike Super Panavision 70 and Ultra Panavision 70, Super Technirama 70 films were not actually photographed on 65mm film stock, but rather a specialized 35mm film process that was then blown up to 70 mm prints for use on curved Cinerama-type screens. History and Description In the late 1950s, 70mm film exhibitions were very popular, due to the large screen size and thunderous soundtrack. In 1959, Walt Disney was interested in using a prestigious 70mm release of his film ''Sleeping Beauty'', and this was the first use of Super Technirama 70. The same year, the live action "Solomon and Sheba" was released with Super Technirama 70 prints. As the technique was still relatively new, the films only credited it as traditional Technirama, however the promotional materials heavily advertised the new techn ...
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