Teatro Farnese
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Teatro Farnese
Teatro Farnese is a Renaissance theatre in the Palazzo della Pilotta, Parma, Italy. It was built in 1618 by Giovanni Battista Aleotti. The idea of creating this grand theater came from the Duke of Parma and Piacenza Ranuccio I Farnese. The theatre was almost destroyed by an Allied air raid during World War II (1944). It was rebuilt and reopened in 1962. It is, along with the Teatro all'antica in Sabbioneta and the Teatro Olimpico in Vicenza, one of only three Renaissance theaters still in existence. Some claim this as the first permanent proscenium theatre (that is, a theatre in which the audience views the action through a single frame, which is known as the "proscenium arch").Kuritz, p. 167 References Notes Cited sources *King, Kimball''Western Drama Through the Ages'' Greenwood Publishing Group, 2007. *Kuritz, Paul''The making of theatre history'' Paul Kuritz, 1988. , Other sources * Paolo Donati, ''Descrizione del gran teatro farnesiano di Parma e notizie storiche ...
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Sabbioneta
Sabbioneta ( egl, label= Casalasco-Viadanese, Subiunèda) is a town and in the province of Mantua, Lombardy region, Northern Italy. It is situated about north of Parma, not far from the northern bank of the Po River. It was inscribed in the World Heritage List in 2008. History Sabbioneta was founded by Vespasiano I Gonzaga in the late 16th century along the ancient Roman Via Vitelliana, on a sandy bank of the Po (whence the name, meaning "sandy" in Italian); he was its first duke, using it as a personal fortress and residence. It was also during this period that it became a minor musical centre; composers such as Benedetto Pallavicino (c. 1551–1601) were employed here by Vespasiano Gonzaga, prior to his moving to the main Gonzaga city of Mantua. Located on an alluvial ground between the Po and Oglio rivers, as well as along the route of the ancient Via Vitelliana, it occupied a strategic position in the heart of the Po Valley. For Vespasiano Gonzaga, Sabbioneta was to be a ...
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Performing Arts Venues In Emilia-Romagna
A performance is an act of staging or presenting a play, concert, or other form of entertainment. It is also defined as the action or process of carrying out or accomplishing an action, task, or function. Management science In the work place, job performance is the hypothesized conception or requirements of a role. There are two types of job performances: contextual and task. Task performance is dependent on cognitive ability, while contextual performance is dependent on personality. Task performance relates to behavioral roles that are recognized in job descriptions and remuneration systems. They are directly related to organizational performance, whereas contextual performances are value-based and add additional behavioral roles that are not recognized in job descriptions and covered by compensation; these are extra roles that are indirectly related to organizational performance. Citizenship performance, like contextual performance, relates to a set of individual activity/co ...
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Buildings And Structures In Parma
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ...
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Theatres In Emilia-Romagna
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patric ...
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Proscenium
A proscenium ( grc-gre, προσκήνιον, ) is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch (whether or not truly "arched") and on the bottom by the stage floor itself, which serves as the frame into which the audience observes from a more or less unified angle the events taking place upon the stage during a theatrical performance. The concept of the fourth wall of the theatre stage space that faces the audience is essentially the same. It can be considered as a social construct which divides the actors and their stage-world from the audience which has come to witness it. But since the curtain usually comes down just behind the proscenium arch, it has a physical reality when the curtain is down, hiding the stage from view. The same plane also includes the drop, in traditional theatres of modern times, from the stage level to the "stalls" level of the audience, which was the original meaning of t ...
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Nikolaus Pevsner
Sir Nikolaus Bernhard Leon Pevsner (30 January 1902 – 18 August 1983) was a German-British art historian and architectural historian best known for his monumental 46-volume series of county-by-county guides, ''The Buildings of England'' (1951–74). Life Nikolaus Pevsner was born in Leipzig, Saxony, the son of Anna and her husband Hugo Pevsner, a Russian-Jewish fur merchant. He attended St. Thomas School, Leipzig, and went on to study at several universities, Munich, Berlin, and Frankfurt am Main, before being awarded a doctorate by Leipzig in 1924 for a thesis on the Baroque architecture of Leipzig. In 1923, he married Carola ("Lola") Kurlbaum, the daughter of distinguished Leipzig lawyer Alfred Kurlbaum. He worked as an assistant keeper at the Dresden Gallery between 1924 and 1928. He converted from Judaism to Lutheranism early in his life. During this period he became interested in establishing the supremacy of German modernist architecture after becoming aware of Le ...
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Vicenza
Vicenza ( , ; ) is a city in northeastern Italy. It is in the Veneto region at the northern base of the ''Monte Berico'', where it straddles the Bacchiglione River. Vicenza is approximately west of Venice and east of Milan. Vicenza is a thriving and cosmopolitan city, with a rich history and culture, and many museums, art galleries, piazzas, villas, churches and elegant Renaissance '' palazzi''. With the Palladian Villas of the Veneto in the surrounding area, and his renowned ''Teatro Olimpico'' (Olympic Theater), the "city of Palladio" has been listed as a UNESCO World Heritage Site since 1994. In December 2008, Vicenza had an estimated population of 115,927 and a metropolitan area of 270,000. Vicenza is the third-largest Italian industrial centre as measured by the value of its exports, and is one of the country's wealthiest cities, in large part due to its textile and steel industries, which employ tens of thousands. Additionally, about one fifth of the country's gold a ...
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Teatro Olimpico
The Teatro Olimpico ("Olympic Theatre") is a theatre in Vicenza, northern Italy, constructed in 1580–1585. The theatre was the final design by the Italian Renaissance architect Andrea Palladio and was not completed until after his death. The ''trompe-l'œil'' onstage scenery, designed by Vincenzo Scamozzi, to give the appearance of long streets receding to a distant horizon, was installed in 1585 for the first performance held in the theatre, and is the oldest surviving stage set still in existence. The full Roman-style ''scaenae frons'' back screen across the stage is made from wood and stucco imitating marble. It was the home of the Accademia Olimpica, which was founded there in 1555. The Teatro Olimpico is, along with the Teatro all'antica in Sabbioneta and the Teatro Farnese in Parma, one of only three Renaissance theatres remaining in existence. Both these theatres were based, in large measure, on the Teatro Olimpico. It is still used several times a year. Since 1994 ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Strategic Bombing
Strategic bombing is a military strategy used in total war with the goal of defeating the enemy by destroying its morale, its economic ability to produce and transport materiel to the theatres of military operations, or both. It is a systematically organized and executed attack from the air which can utilize strategic bombers, long- or medium-range missiles, or nuclear-armed fighter-bomber aircraft to attack targets deemed vital to the enemy's war-making capability. The term terror bombing is used to describe the strategic bombing of civilian targets without military value, in the hope of damaging an enemy's morale. One of the strategies of war is to demoralize the enemy so that peace or surrender becomes preferable to continuing the conflict. Strategic bombing has been used to this end. The phrase "terror bombing" entered the English lexicon towards the end of World War II and many strategic bombing campaigns and individual raids have been described as terror bombing by commen ...
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