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Teatro Re
The Teatro Re was a theatre in Milan, located near the Piazza del Duomo, Milan, Piazza del Duomo and named for its proprietor, Carlo Re. It functioned as both a prose theatre and an opera house and saw the world premieres of numerous operas, including four by Giovanni Pacini. Designed by Luigi Canonica, the theatre was inaugurated in 1813, closed in 1872, and demolished in 1879. History The Teatro Re was named for its proprietor, Carlo Re, a Milanese businessman and impresario who in his early days had been a shoemaker. Designed by Luigi Canonica, the theatre was built on the site of the demolished church of San Salvatore in Xenodochio which had been established in the late 8th century as the chapel for Milan's first orphanage. The building of the theatre began in 1812 and was completed the following year. It was inaugurated on 18 December 1813 with a new production of Rossini's opera ''Tancredi''. Three months later, the first play was presented, Marie-Joseph Chénier's ''Fénelon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Re, Milan By Luigi Cherbuin
Teatro may refer to: * Theatre * Teatro (band), musical act signed to Sony BMG * Teatro (Willie Nelson album), ''Teatro'' (Willie Nelson album), 1998 * Teatro (Draco Rosa album), ''Teatro'' (Draco Rosa album), 2008 {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Italian War Of Independence
The First Italian War of Independence ( it, Prima guerra d'indipendenza italiana), part of the Italian Unification (''Risorgimento''), was fought by the Kingdom of Sardinia (Piedmont) and Italian volunteers against the Austrian Empire and other conservative states from 23 March 1848 to 22 August 1849 in the Italian Peninsula. The conflict was preceded by the outbreak of the Sicilian Revolution of 1848 against the House of Bourbon-Two Sicilies. It was precipitated by riots in the cities of Milan ( Five Days) and Venice, which rebelled against Austria and established their own governments. The part of the conflict which was fought by King Charles Albert against Austria in northern Italy was a royal war and consisted of two campaigns. In both campaigns, the Kingdom of Sardinia attacked the Austrian Empire and after initial victories, Sardinia was decisively defeated and so lost the war. The decisive events of the first and second campaigns were the Battles of Custoza and Novar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Regli
Francesco Regli (1802–1866) was an Italian writer best known today for his extensive biographical dictionary which chronicled the lives and careers of prominent figures in the performing arts in Italy from 1800 to 1860. Described as a "polygraph", Regli was also a poet, novelist, librettist, orator, theatre critic, and journalist. He was the founder and managing editor of several prominent journals of the time, including ''Il Pirata'' and ''Strenna Teatrale Europea''.Slonimsky, Nicolas (ed.) (1958)"Regli, Francesco" ''Baker's Biographical Dictionary of Musicians'', 5th Edition, p. 1320. G. Schirmer References External links * Regli, Francesco (1860)''Dizionario biografico: dei più celebri poéti ed artisti melodrammatici, tragici e comici, maestri, concertisti, coreografi, mimi, ballerini, scenografi, giornalisti, impresarii, ecc. ecc. che fiorirono in Italia dal 1800 al 1860'' Dalmazzo (digitized copy on archive.org The Internet Archive is an American digital library ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felice Romani
Giuseppe Felice Romani (31 January 178828 January 1865) was an Italian poet and scholar of literature and mythology who wrote many librettos for the opera composers Donizetti and Bellini. Romani was considered the finest Italian librettist between Metastasio and Boito.Branca, Emilia (1882). ''Felice Romani ed i più riputati maestri di musica del suo tempo''Roccatagliati, Alessandro (1996). ''Felice Romani librettista'', Quaderni di Musica, Lucca, Italy – Biography Born Giuseppe Felice Romani to a bourgeois family in Genoa, he studied law and literature in Pisa and Genoa.Roccatagliati, Allesandro (2001). "Romani, (Giuseppe) Felice" in ''The New Grove Dictionary of Music and Musicians'', 2nd edition. London: Macmillan. (hardcover). (eBook). At the University of Genoa he translated French literature and, with a colleague, prepared a six-volume dictionary of mythology and antiquities, including the history of the Celts in Italy. Romani's expertise in French and antiquity is ref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Mazzucato
Alberto Mazzucato (28 July 1813 – 31 December 1877) was an Italian composer, music teacher, and writer. Mazzucato was born in Udine. Trained at the Padua Conservatory, he composed eight operas between 1834 and 1843, of which his most successful was ''Esmeralda'' (1838). He also contributed music to the pastiche ''La vergine di Kermo'' (1870) which also contained music by Carlo Pedrotti, Antonio Cagnoni, Federico Ricci, Amilcare Ponchielli, and Giovanni Pacini. Along with Luigi Felice Rossi and Guglielmo Quarenghi, he formed the Società di S Cecilia in 1860. After his last opera, ''Hernani'', premiered at the Teatro Carlo Felice in Genoa on 26 December 1843, Mazzucato retired from his work as a composer in order to focus on his career as an educator. He had been appointed to the staff of the Milan Conservatory in 1843, eventually becoming its Director in 1872. Among his notable pupils were composers Arrigo Boito, Benedetto Junck, Isidore de Lara, Antônio Carlos Gomes, and I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michele Carafa
Michele Enrico Francesco Vincenzo Aloisio Paolo Carafa di Colobrano (17 November 1787 – 26 July 1872) was an Italian opera composer. He was born in Naples and studied in Paris with Luigi Cherubini. He was Professor of counterpoint at the Paris Conservatoire from 1840 to 1858. One of his notable pupils was Achille Peri. Life and work Michele Enrico was born the second son of Giovanni Carafa, prince of Colubrano and duke of Alvito, and princess Teresa Lembo. He was given a solid musical education. In 1802, he composed his first opera, ''Il Fantasma'', which was staged at the theater of his father-in-law, prince of Caramanico, in 1805. He moved in 1806 to Paris, where he was taught composition by Luigi Cherubini and piano by Friedrich Kalkbrenner. However, pressured by his father to give up music for a military career, he became a lieutenant of the hussars in Napoleon's army. Taken prisoner in the Battle of Campo Tenese in 1806, he was freed and participated in the war again ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramma Giocoso
''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A ''dramma giocoso'' characteristically used a grand ''buffo'' (comic or farce) scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. The only operas of this genre that are still frequently staged are Mozart and Da Ponte's '' Don Giovanni'' (1787) and '' Così fan tutte'' (1790), Rossini's ''L'italiana in Algeri'' (1813) and ''La Cenerentola'' (1817), and Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 Ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Rossi
Gaetano Rossi (; 18 May 1774 – 25 January 1855) was an Italian opera librettist for several of the well-known ''bel canto''-era composers including Gioachino Rossini, Gaetano Donizetti, and Saverio Mercadante in Italy and Giacomo Meyerbeer in one of his early Italian successes. Other composers with whom he worked included Simon Mayr, a composer and Donizetti's teacher, as well as the prolific Giovanni Pacini. Biography Born in Verona, Rossi was writing religious verse by the time that he was 13 years old. He wrote libretti for about 60 years, beginning in 1797 with mostly farsas. Rossi wrote the texts for some significant operas by the well-known composers of the era. These included ''Tancredi'' and ''Semiramide'' for Rossini and '' Il crociato in Egitto'' for Meyerbeer, as well as later operas for Donizetti such as ''Maria Padilla'' (as co-author) and ''Linda di Chamounix''. In addition to his writing, he also worked for a time as the stage director for the Teatro Filarmonico ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Coccia
Carlo Coccia (14 April 1782 – 13 April 1873) was an Italian opera composer. He was known for the genre of opera semiseria. Life and career Coccia was born in Naples, and studied in his native city with Pietro Casella, Fedele Fenaroli, and Giovanni Paisiello, who introduced him to King Joseph Bonaparte for whom he became the private musician. He wrote his first opera, ''Il matrimonio per lettera di cambio'', in 1807, but it was a failure; however, the following year, with the help of Paisiello, his second opera, ''Il poeta fortunato'', was well received. He then moved to Venice, where he concentrated on opera semiseria, of which ''Clotilde'' from 1815, is perhaps the best example. Accused of imitating other composers, and of producing too many uneven operas in great haste, he was eventually eclipsed by the emerging Gioachino Rossini, Rossini, and left for Lisbon, where he remained from 1820 to 1823. He then settled in London in 1824, where he was conductor at Her Majesty's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Title Page Of Luigi V, Re Di Francia (Alberto Mazzucato)
A title is one or more words used before or after a person's name, in certain contexts. It may signify either generation, an official position, or a professional or academic qualification. In some languages, titles may be inserted between the first and last name (for example, ''Graf'' in German, Cardinal in Catholic usage (Richard Cardinal Cushing) or clerical titles such as Archbishop). Some titles are hereditary. Types Titles include: * Honorific titles or styles of address, a phrase used to convey respect to the recipient of a communication, or to recognize an attribute such as: ** Imperial, royal and noble ranks ** Academic degree ** Social titles, prevalent among certain sections of society due to historic or other reasons. ** Other accomplishment, as with a title of honor * Title of authority, an identifier that specifies the office or position held by an official Titles in English-speaking areas Common titles * Mr. – Adult man (regardless of marital status) * Ms. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galleria Vittorio Emanuele II
The Galleria Vittorio Emanuele II () is Italy's oldest active shopping gallery and a major landmark of Milan in Italy. Housed within a four-story double arcade in the centre of town, the ''Galleria'' is named after Victor Emmanuel II, the first king of the Kingdom of Italy. It was designed in 1861 and built by architect Giuseppe Mengoni between 1865 and 1877. Architecture The structure consists of two glass-vaulted arcades intersecting in an octagon covering the street connecting Piazza del Duomo to Piazza della Scala. The street is covered by an arching glass and cast iron roof, a popular design for 19th-century arcades, such as the Burlington Arcade in London, which was the prototype for larger glazed shopping arcades, beginning with the Saint-Hubert Gallery in Brussels (opened in 1847), the Passazh in St Petersburg (opened in 1848), the Galleria Umberto I in Naples (opened in 1890), and the Budapest Galleria. The central octagonal space is topped with a glass dome. The Mila ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porta Ticinese
Porta Ticinese (formerly known as Porta Cicca, and during Napoleonic rule as Porta Marengo)Porta Cicca' (in Italian) is a former city gate of Milan, Italy. The gate, facing south-west, was first created with the Spanish walls of the city, in the 16th century, but the original structure was later demolished and replaced in the early 19th century. The name "Porta Ticinese" is used both to refer to the gate proper and to the surrounding district, part of the Zone 6 administrative division. In the same district there is also a medieval gate with the same name, although in common speech the name "Porta Ticinese" is usually assumed to refer to the 19th century gate. The gate of Porta Ticinese is one of the landmark buildings of Milan and a popular tourist attraction. The name "Porta Ticinese" means "Gate to the Ticino", referred to the Ticino river, that traverses the Po Valley south-west of Milan. The name "Porta Cicca" came about during the Spanish rule of Milan in the 16th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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