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Tears For Dolphy
''Tears for Dolphy'' is a 1964 album by jazz trumpeter Ted Curson. The album's title track, an elegy for Eric Dolphy (who died at the end of June that year), has been used in many films. Reception Brian Morton and Richard Cook, writing for ''The Penguin Guide to Jazz'', give ''Tears for Dolphy'' a favorable review, noting "a raw sorrow in the title tune," a robust rhythm section, and the leader's "high, slightly old-fashioned sound." Earlier editions of ''The Penguin Guide to Jazz'' give the album a rating of three-and-a-half stars. Chuck Berg, writing for ''Down Beat'', said Curson and saxophonist Bill Barron's "tough, but highly melodic lines above the steady and crisp rhythmic substructure ably provided by bassist Herb Bushler and drummer Dick Berk." Scott Yanow of AllMusic asserts that most tracks "manage to be both explorative and surprisingly accessible." Track listing All tracks recorded on August 1, 1964. # "Kassim" (Ted Curson) – 7:41 # "East 6th Street" ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Cook (journalist)
Richard David Cook (7 February 1957 – 25 August 2007) was a British jazz writer, magazine editor and former record company executive. Sometimes credited as R. D. Cook, Cook was born in Kew, Surrey, and lived in west London as an adult. A writer on music from the late 1970s until he died, Cook was co-author, with Brian Morton, of ''The Penguin Guide to Jazz Recordings'', which lasted for ten editions until 2010. ''Richard Cook's Jazz Companion'' and ''It's About That Time: Miles Davis On and Off the Record'' were published in 2005. Cook began as a staff writer for ''NME'' in the early 1980s. The editor at the time, Neil Spencer, commented that he "would take on the pieces that the fashion-oriented shunned - a Roxy Music review, an audience with a fading star, a piece on the emergent sounds of Africa". He was later the jazz critic for ''The Sunday Times'' and a music writer for the ''New Statesman''. Cook was formerly editor of ''The Wire'', when it was a jazz-centred perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dick Berk
Richard Alan Berk (May 22, 1939 – February 8, 2014) was an American jazz drummer and bandleader. Career A native of San Francisco, California, he studied at the Berklee College of Music and played in the Boston area early in the 1960s. In 1962 he moved to New York City and played with Ted Curson and Bill Barron in a quintet from 1962 to 1964. Following this he played with Charles Mingus, Mose Allison, Freddie Hubbard, and Walter Bishop, Jr., among others. He moved to Los Angeles late in the 1960s, where he played with Milt Jackson, Frank Rosolino, George Duke, Cal Tjader, Jean-Luc Ponty, and Blue Mitchell. He founded the Jazz Adoption Agency in the early 1980s, playing into the 2000s; the group included Andy Martin, Mike Fahn, Nick Brignola, Jon Nagorney, Keith Saunders, Tad Weed, and John Patitucci. He died in 2014 at the age of 74. Discography As leader * ''Rare One'' (Discovery, 1983) * ''Big Jake'' (Discovery, 1984) * ''More Birds Less Feathers'' (Discovery, 1986 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herb Bushler
Herb Bushler (born March 7, 1939, New York City) is an American jazz bassist. He plays both double bass and electric bass. Bushler played piano and tuba in his youth before picking up double bass; he is classically trained in bass and has performed with symphony orchestras in this capacity. In 1966 he began a longtime association with ballet and film composer Coleridge-Taylor Perkinson. He worked extensively in jazz idioms in the 1960s and 1970s, including with David Amram, Ted Curson, Blossom Dearie, Tony Williams, and Paul Winter. He first played with Gil Evans in 1967, an association that would continue on and off until 1981. Other work in the 1970s included sessions with Enrico Rava, Joe Farrell, Ryo Kawasaki, David Sanborn, and Harold Vick. He played with The Fifth Dimension in the 1960s and has also worked with Dee Dee Bridgewater, Billy Harper, Les McCann, Enrico Rava, Joe Chambers, and Howard Johnson. References *"Herb Bushler". '' The New Grove Dictionary of Jazz''. 2nd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pocket Trumpet
250px, Pocket trumpet in B-flat, with a standard size bell and medium-large bore The pocket trumpet is a B♭ trumpet that is constructed with the tubing wound into a much smaller coil than a standard trumpet, generally with a smaller diameter bell. It is not a standard instrument in a concert band or orchestra and is generally regarded as a novelty. It has been used by soloists in jazz (Don Cherry played the similar pocket cornet) or other ensembles to add flair and variety. History The concept of reducing the brass instrument size without reducing the resonating tube length can be seen in several 19th century models of cornet. ''Pocket cornets'' have been constructed since the 1870s. Pocket trumpets are sometimes played as auxiliary instruments by soloists in jazz and dixieland bands, as well as for some specific studio recording demands. Don Cherry's work with the Ornette Coleman quartet is probably the best known example of pocket trumpet playing. Design and properties ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flip Top
''Flip Top'' is an album by American trumpeter Ted Curson which has one side recorded in the studio in 1964 at the same sessions that produced '' Tears for Dolphy'' and one side recorded live at the Seventh Yugoslavia Jazz Festival in Ljubljana which was first released on the Freedom label in 1977.Ted Curson discography accessed February 26, 2015Fitzgerald, M. Ted Curson leader entry accessed February 26, 2015 Reception awarded the album 4 stars calling it "A recommended and consistently stimulating ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scott Yanow
Scott Yanow (born October 4, 1954) is an American jazz reviewer, historian, and author.Allmusic Biography/ref> Biography Yanow was born in New York City and grew up near Los Angeles. Since 1974, he was a regular reviewer of many jazz styles and was the jazz editor for ''Record Review.'' He wrote for many jazz and arts magazines, including ''JazzTimes'', ''Jazziz'', ''Down Beat'', ''Cadence'', ''CODA'' and the ''Los Angeles Jazz Scene''. In September 2002, Yanow was interviewed on-camera by CNN about the Monterey Jazz Festival and wrote an in-depth biography on Dizzy Gillespie for AllMusic.com. He authored 12 books on jazz (including 2022's Life Through The Eyes Of A Jazz Journalist), over 900 liner notes for CDs and over 20,000 reviews of jazz recordings. Yanow was a contributor to and co-editor of the third edition of the ''All Music Guide to Jazz''. He continues to write for ''Downbeat, Jazziz'', the ''Los Angeles Jazz Scene'', "Syncopated Times," "Jazz Artistry Now," the ''J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
