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Te Lucis Ante Terminum
''Te lucis ante terminum'' (English: ''To Thee before the close of day'') is an old Latin hymn in long metre. It is the hymn at Compline in the ''Roman Breviary''. Origin S.-G. Pimont argued for the authorship of Ambrose of Milan. The Benedictine editors and Luigi Biraghi disagreed. The hymn is found in a hymnary in Irish script (described by Clemens Blume in his ''Cursus'', etc.) of the eighth or early ninth century; but the classical prosody of its two stanzas (''solita'' in the third line of the original text is the only exception) suggests a much earlier origin. In this hymnary it is assigned, together with the hymn '' Christe qui splendor et dies'' (also known as ''Christe qui lux es et dies''), to Compline. An earlier arrangement (as shown by the Rule of Caesarius of Arles, c. 502) coupled with the ''Christe qui lux'' the hymn '' Christe precamur adnue'', and assigned both to the "twelfth hour" of the day for alternate recitation throughout the year. The later introduc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Chant Manuscript Page 203 (14953086188)
Spanish might refer to: * Items from or related to Spain: **Spaniards are a nation and ethnic group indigenous to Spain **Spanish language, spoken in Spain and many Latin American countries **Spanish cuisine Other places * Spanish, Ontario, Canada * Spanish River (other), the name of several rivers * Spanish Town, Jamaica Other uses * John J. Spanish (1922–2019), American politician * "Spanish" (song), a single by Craig David, 2003 See also * * * Español (other) * Spain (other) * España (other) * Espanola (other) * Hispania, the Roman and Greek name for the Iberian Peninsula * Hispanic, the people, nations, and cultures that have a historical link to Spain * Hispanic (other) * Hispanism * Spain (other) * National and regional identity in Spain * Culture of Spain * Spanish Fort (other) Spanish Fort or Old Spanish Fort may refer to: United States * Spanish Fort, Alabama, a city * Spanish Fort (Colorado ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breviary
A breviary (Latin: ''breviarium'') is a liturgical book used in Christianity for praying the canonical hours, usually recited at seven fixed prayer times. Historically, different breviaries were used in the various parts of Christendom, such as Aberdeen Breviary, Belleville Breviary, Stowe Breviary and Isabella Breviary, although eventually the Roman Breviary became the standard within the Roman Catholic Church (though it was later supplanted with the Liturgy of the Hours); in other Christian denominations such as the Lutheran Churches, different breviaries continue to be used, such as The Brotherhood Prayer Book. Different breviaries In the Catholic Church, Pope Nicholas III approved a Franciscan breviary, for use in that religious order, and this was the first text that bore the title of breviary. However, the "contents of the breviary, in their essential parts, are derived from the early ages of Christianity", consisting of psalms, Scripture lessons, writings of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—"Row, Row, Row Your Boat" and "Frère Jacques" are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Medieval music, Middle Ages, Renaissance music, Renaissance, and Baroque music, Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evensong
Evensong is a church service traditionally held near sunset focused on singing psalms and other biblical canticles. In origin, it is identical to the canonical hour of vespers. Old English speakers translated the Latin word as , which became 'evensong' in modern English. Typically used in reference to the Anglican daily office's evening liturgy, it can also refer to the pre-Reformation form of vespers or services of evening prayer from other denominations, particularly within the Anglican Use of the Catholic Church. Structure From Late Antiquity onwards, the office of vespers normally included psalms, the , a hymn, and other prayers. By the Early Middle Ages, it became common for secular clergy to combine vespers and compline. By the sixteenth century, worshippers in western Europe conceived 'evensong' as vespers and compline performed without break. Modern Eastern Orthodox services advertised as 'vespers' often similarly conclude with compline, especially as part of the al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Matthewson
William is a masculine given name of Norman French origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Liam, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the German given name ''Wilhelm''. Both ultimately descend from Proto-Germanic ''*Wiljahelmaz'', with a direct cognate also in the Old Norse name ''Vilhjalmr'' and a West Germanic borrowing into Medieval Latin ''Willelmus''. The Proto-Germanic name is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Te Lucis Ante Terminum (Gardiner)
''Evening Hymn'', "" ("Thee, Lord, before the close of day"), is an anthem composed by Henry Balfour Gardiner, a setting of the Latin compline hymn "" for four voices and organ, in both English and Latin. It was published in 1908. It is regarded as Gardiner's best-known work and a classic of the English choral tradition. History Gardiner had studied at Dr. Hoch's Konservatorium in Frankfurt, composition with Iwan Knorr and piano with Lazzaro Uzielli, at the same time as Percy Grainger, Roger Quilter, Norman O'Neill and Cyril Scott. He composed the anthem in 1907 when he worked on the staff of Winchester College for one term where Edward Thomas Sweeting (1863–1930) was Music Master and College Organist.“The Succession of Organists of the Chapel Royal and the Cathedrals of England and Wales, (etc)”, G Watkins Shaw, Clarendon Press, , 9780198161752, 1991 Gardiner's biographer Stephen Lloyd notes that the anthem had been on his mind for years although he was no longer religiou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Balfour Gardiner
Henry Balfour Gardiner (7 November 1877 – 28 June 1950) was a British musician, composer, and teacher. He was born at Kensington (London), began to play at the age of 5 and to compose at 9. Between his conventional education at Charterhouse School and New College, Oxford, where he obtained only a pass degree, Gardiner was a piano student at the Hoch Conservatory in Frankfurt, where he was taught by Iwan Knorr and Lazzaro Uzielli, who had been a pupil of Clara Schumann. He belonged to the Frankfurt Group, a circle of composers who studied at the Hoch Conservatory in the late 1890s. With George Gardiner (no relation) he collected folk songs in Hampshire (1905–1906),Purslow, F; Marrowbones, English Folk Songs from the Hammond and Gardiner Collections; London; 2007 pp xvi–xvii taught music briefly at Winchester College (1907), and composed. His works included compositions in a variety of genres, including two symphonies (No 2 premiered at the Proms in 1908), but many of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Tallis
Thomas Tallis (23 November 1585; also Tallys or Talles) was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music. Tallis is considered one of England's greatest composers, and is honoured for his original voice in English musicianship. Life Youth As no records about the birth, family origins or childhood of Thomas Tallis exist, almost nothing is known about his early life or origins. Historians have calculated that he was born in the early part of the 16th century, towards the end of the reign of Henry VII of England, and estimates for the year of his birth range from 1500 to 1520. His only known relative was a cousin called John Sayer. As the surnames ''Sayer'' and ''Tallis'' both have strong connections with Kent, Thomas Tallis is usually thought to have been born somewhere in the county. There are suggestions that Tallis sang as a child of the chapel in the Chapel Royal, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarum Rite
The Use of Sarum (or Use of Salisbury, also known as the Sarum Rite) is the Latin liturgical rite developed at Salisbury Cathedral and used from the late eleventh century until the English Reformation. It is largely identical to the Roman rite, with about ten per cent of its material drawn from other sources. The cathedral's liturgy was widely respected during the late Middle Ages, and churches throughout the British Isles and parts of northwestern Europe adapted its customs for celebrations of the Eucharist and canonical hours. The use has a unique ecumenical position in influencing and being authorized by Roman Catholic, Eastern Orthodox, and Anglican churches. Origins In 1078, William of Normandy appointed Osmund, a Norman nobleman, as bishop of Salisbury (the period name of the site whose ruins are now known as Old Sarum). As bishop, Osmund initiated some revisions to the extant Celtic-Anglo-Saxon rite and the local adaptations of the Roman rite, drawing on both Norman and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curlew River
''Curlew River – A Parable for Church Performance'' (Op. 71) is an English music drama, with music by Benjamin Britten to a libretto by William Plomer. The first of Britten's three 'Parables for Church Performance', the work is based on the Japanese ''noh'' play ''Sumidagawa'' (Sumida River) of Juro Motomasa] (1395–1431), which Britten saw during a visit to Japan and the Far East in early 1956. Beyond the ''noh'' source dramatic material, Britten incorporated elements of ''noh'' treatment of theatrical time into this composition. ''Curlew River'' marked a departure in style for the remainder of the composer's creative life, paving the way for such works as ''Owen Wingrave'', ''Death in Venice'' and the Third String Quartet. Plomer translated the setting of the original into a Christian parable, set in early medieval times near the fictional Curlew River, in the fenlands of East Anglia. Peter F. Alexander has investigated in detail the librettist's contribution to the work, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plainsong
Plainsong or plainchant (calque from the French ''plain-chant''; la, cantus planus) is a body of chants used in the liturgy, liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony. The Monophony, monophonic chants of plainsong have a non-metric rhythm. Their rhythms are generally freer than the metered rhythm of later Western music, and they are sung A cappella, without musical accompaniment. There are three types of chant melodies that plainsongs fall into, Syllabic verse, syllabic, Neume, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church (both its Eastern and Western halves) and the Eastern Orthodoxy, Eastern Orthodox churches did not East–West Schism, split until lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiphonary
An antiphonary or antiphonal is one of the liturgical books intended for use (i.e. in the liturgical choir), and originally characterized, as its name implies, by the assignment to it principally of the antiphons used in various parts of the Latin liturgical rites. Medieval antiphonaries varied with regional liturgical tradition. In 1570, following the Council of Trent, the Roman Rite antiphonary was declared universal. The Roman Antiphonary (''Antiphonale Romanum'') contains the chants for the canonical hours for the hours of Lauds, Prime, Terce, Sext, None, Vespers and Compline for every day of the year. The ''Vesperale Romanum'' is an excerpt of the Antiphonary containing the chants sung at Vespers. The music for use at the Mass is contained in the Roman Gradual (''Graduale Romanum''), the chants of the ordinary are also edited as an excerpt from the Gradual, the ''Kyriale Romanum''. The ''Antiphonale Romanum'' was substantially revised in 1910–11 in the course of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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