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Tavole Palatine
The Tavole Palatine ("Palatine Tables") are the remains of a hexastyle peripteral Greek temple of the sixth century BC, dedicated to the goddess Hera and the god Apollo. The temple, located near the Bradano river in the south of Italy, was part of a countryside sanctuary and remains of the wall of the ''temenos'' and of a very ancient altar are visible. History The remains are located in the archaeological area of Metapontum, on the last of the Givoni, ancient sandbanks near the right bank of the river Bradano, built over the remains of a neolithic village on the prehistoric road from Siris- Heraclea, about three kilometres from the ancient city of Metapontum. The temple, restored in 1961, was initially attributed to the cult of the goddess Athena, but a fragment of a vase found in the course of the 1926 archaeological excavations turned out to be a votive dedicated to the goddess Hera, showing that she was the patron of the sanctuary. Until the nineteenth century, the Tavole ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metapontum 2013
Metapontum or Metapontium ( grc, Μεταπόντιον, Metapontion) was an important city of Magna Graecia, situated on the gulf of Tarentum, between the river Bradanus and the Casuentus (modern Basento). It was distant about 20 km from Heraclea and 40 from Tarentum. The ruins of Metapontum are located in the frazione of Metaponto, in the comune of Bernalda, in the Province of Matera, Basilicata region, Italy. History Foundation Though Metapontum was an ancient Greek Achaean colony, various traditions assigned to it a much earlier origin. Strabo and Solinus ascribe its foundation to a body of Pylians, a part of those who had followed Nestor to Troy. Justin, conversely, tells us it was founded by Epeius; in proof of which the inhabitants showed, in a temple of Minerva, the tools which the hero had used to build the Trojan Horse. Another tradition, reported by Ephorus, assigned to it a Phocian origin, and called Daulius, the tyrant of Crisa near Delphi, its founder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saracens
file:Erhard Reuwich Sarazenen 1486.png, upright 1.5, Late 15th-century Germany in the Middle Ages, German woodcut depicting Saracens Saracen ( ) was a term used in the early centuries, both in Greek language, Greek and Latin writings, to refer to the people who lived in and near what was designated by the Roman Empire, Romans as Arabia Petraea and Arabia Deserta. The term's meaning evolved during its history of usage. During the Early Middle Ages, the term came to be associated with the tribes of Arabia. The oldest known source mentioning "Saracens" in relation to Islam dates back to the 7th century, in the Greek-language Christian tract Teaching of Jacob, ''Doctrina Jacobi''. Among other major events, the tract discusses the Muslim conquest of the Levant, which occurred after the rise of the Rashidun Caliphate following the death of the Islamic prophet Muhammad. The Roman-Catholic church and Christianity in Europe, European Christian leaders used the term during the Middle Ages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Protome
A protome (Greek προτομή) is a type of adornment that takes the form of the head and upper torso of either a human or an animal. History Protomes were often used to decorate ancient Greek architecture, sculpture, and pottery. Protomes were also used in Persian monuments. At Persepolis (ca. 521-465 BCE), an array of stone fluted Persian columns topped by bull protomes distinguish the great hall (apadana) where the king received guests numbering over 10,000. Protomes, combining several different animals are also found at the palace of Darius I, Susa, Iran. At his palace at Susa, pairs of complex protomes feature animals (mythic or real) known to be fierce or intimidating. These function symbolically and structurally: they symbolize power and cosmic balance, but they also support the beams of the ceiling structure. At Susa, the protome capitals form a socket that holds the roof beams in place. Many Protome are Terracotta mould-made busts of women that were representations o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ionic Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure passage i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stylobate
In classical Greek architecture, a stylobate ( el, στυλοβάτης) is the top step of the crepidoma, the stepped platform upon which colonnades of temple columns are placed (it is the floor of the temple). The platform was built on a leveling course that flattened out the ground immediately beneath the temple. Etymology The term ''stylobate'' comes from the Ancient Greek στυλοβάτης, consisting of στῦλος stylos, "column", and βατός batos, "walkable, mountable", itself derived from βαίνω baino "to stride, to walk". Terminology Some methodologies use the word ''stylobate'' to describe only the topmost step of the temple's base, while stereobate is used to describe the remaining steps of the platform beneath the stylobate and just above the leveling course. Others, like John Lord, use the term to refer to the entire platform. Architectural use The stylobate was often designed to relate closely to the dimensions of other elements of the temple. In Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peristasis (architecture)
The peristasis ( grc-gre, περίστασις) was a four-sided porch or hallway of columns surrounding the cella in an ancient Greek peripteral temple. This allowed priests to pass round the cella (along a pteron) in cultic processions. If such a hall of columns surrounds a patio or garden, it is called a peristyle rather than a peristasis. In ecclesial architecture, it is also used of the area between the baluster of a Catholic church and the high altar (what is usually called the sanctuary or chancel In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Ove ...). References Ancient Greek architecture Ancient Roman architecture Architectural elements {{Architecturalelement-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doric Order
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adyton
The adyton ( , 'innermost sanctuary, shrine', ) or (Latin) was a restricted area within the cella of a Greek or Roman temple. The ''adyton'' was frequently a small area at the farthest end of the cella from the entrance: at Delphi it measured just . The ''adyton'' often would house the cult image of the deity. ''Adyta'' were spaces reserved for oracles, priestesses, priests, or acolytes, and not for the general public. ''Adyta'' were found frequently associated with temples of Apollo, as at Didyma, Bassae, Clarus, Delos, and Delphi, although they were also said to have been natural phenomena (see the story of Nyx). Those sites often had been dedicated to deities whose worship preceded that of Apollo and may go back to prehistoric eras, such as Delphi, but who were supplanted by the time of Classical Greek culture. In modern usage, the term is sometimes extended to similar spaces in other cultural contexts, as in Egyptian temples or the Western mystery school, Builders of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pronaos
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the ''cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cella
A cella (from Latin for small chamber) or naos (from the Ancient Greek, Greek ναός, "temple") is the inner chamber of an ancient Greek temple, Greek or Roman temple in classical antiquity. Its enclosure within walls has given rise to extended meanings, of a Monastery, hermit's or monk's cell, and since the 17th century, of a Cell (biology), biological cell in plants or animals. Greek and Roman temples In ancient Greek temple, Greek and Roman temples the cella was a room at the center of the building, usually containing a cult image or statue representing the particular deity venerated in the temple. In addition, the cella may contain a table to receive supplementary votive offerings such as votive statues of associated deities, precious and semi-precious stones, helmets, spear and arrow heads, swords, and war trophy, war trophies. No gatherings or sacrifices took place in the cella as the altar for sacrifices was always located outside the building along the axis and tempora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hera Temple At Metaponto (Italy)
In ancient Greek religion, Hera (; grc-gre, Ἥρα, Hḗrā; grc, Ἥρη, Hḗrē, label=none in Ionic and Homeric Greek) is the goddess of marriage, women and family, and the protector of women during childbirth. In Greek mythology, she is queen of the twelve Olympians and Mount Olympus, sister and wife of Zeus, and daughter of the Titans Cronus and Rhea. One of her defining characteristics in myth is her jealous and vengeful nature in dealing with any who offend her, especially Zeus' numerous adulterous lovers and illegitimate offspring. Her iconography usually presents her as a dignified, matronly figure, upright or enthroned, crowned with a ''polos'' or diadem, sometimes veiled as a married woman. She is the patron goddess of lawful marriage. She presides over weddings, blesses and legalises marital unions, and protects women from harm during childbirth. Her sacred animals include the cow, cuckoo and the peacock. She is sometimes shown holding a pomegranate, as an em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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