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Tasse
''For the piece of medieval armor, see tassets'' ''You might also mean tasse à café'' Tasse is a revival of Paul Renner's Steile Futura. The family consists of 4 weights and 5 widths each, but no italic fonts were made. Nelson maintained Renner's alternative characters, adding additional alternate characters. The face is licensed by Font Bureau The Font Bureau, Inc. or Font Bureau is a digital type foundry based in Boston, Massachusetts, United States. The foundry is one of the leading designers of typefaces, specializing in type designs for magazine and newspaper publishers. History .... Tasse shows the influence of pen-written letters in contrast to the modular geometry of Futura. The face is unusual for a sans-serif in having a true italic rather than a sloped Roman. Lowercase italic a becomes single story, and the suggestion of calligraphic strokes are found in the italic characters e, h, K, k, m, n, and u. Renner's original character set offered alternative, more rou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Futura (typeface)
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. It was designed as a contribution on the New Frankfurt-project. It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period. It was developed as a typeface by the Bauer Type Foundry (Bauersche Gießerei), in competition with Ludwig & Mayer's seminal Erbar typeface of 1926. Futura has an appearance of efficiency and forwardness. Although Renner was not associated with the Bauhaus, he shared many of its idioms and believed that a modern typeface should express modern models, rather than be a revival of a previous design. Renner's design rejected the approach of most previous sans-serif designs (now often called grotesques), which were based on the models of signpainting, condensed lettering and nineteenth-century serif typefaces, in favour of simple geometric forms: near-perfect circles, triangles and squares. It is based on strokes of nea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Font Bureau
The Font Bureau, Inc. or Font Bureau is a digital type foundry based in Boston, Massachusetts, United States. The foundry is one of the leading designers of typefaces, specializing in type designs for magazine and newspaper publishers. History Font Bureau was founded in 1989 by Roger Black and David Berlow. Before founding Font Bureau, Roger Black was an established publications designer and consultant. David Berlow is a noted type designer. ''The New York Times Magazine'', ''Newsweek'', ''Esquire Magazine'', ''Rolling Stone'' and the ''Wall Street Journal'' rank among Font Bureau's client list. Apart from Black and Berlow, other prominent designers at Font Bureau have included Tobias Frere-Jones, later of Hoefler & Frere-Jones and Frere-Jones Type, and Cyrus Highsmith, later of Occupant Fonts and Morisawa. Matthew Carter has been a frequent collaborator with the foundry. In October 2009, news sources reported that Font Bureau was "suing NBC Universal for at least $2 million ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tassets
Tassets are a piece of plate armour designed to protect the upper thighs. They take the form of separate plates hanging from the breastplate or faulds. They may be made from a single piece or segmented. The segmented style of tassets connected by sliding rivets produced during the 16th century is also known as ''almain rivets''. From the 16th century onward, the tassets were sometimes integrated with the cuisses to create fully articulated leg defenses that continued from the lower edge of the breastplate down to the poleyn The poleyn or genouillere was a component of Medieval and Renaissance armor that protected the knee. During the transition from mail armor to plate armor, this was among the earliest plate components to develop. They first appeared around 1230 .... External links *Cleveland Museum of Artglossary of arms and armor Western plate armour {{medieval-armour-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tasse à Café
A ''tasse à café'' (, ''coffee cup'') is a cup, generally of white porcelain and of around 120 ml (4 fl oz), in which coffee is served. It is also sometimes used to serve small portions of rich drinks, such as hot chocolate The word originates from , from the , meaning cup or bowl. A half-sized cup is called a ''demi-tasse'' (English demitasse A demitasse (; French: "half cup") or demi-tasse is a small cup used to serve espresso. It may also refer to the contents served in such a cup (though that usage had disappeared in France by the early 20th century). A demitasse typically has a ...), literally "half-cup". References External links Drinkware Coffee preparation {{drinkware-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Renner
Paul Friedrich August Renner (9 August 1878 – 25 April 1956) was a German typeface designer, author, and founder of the Master School for Germany's Printers in Munich. In 1927, he designed the Futura typeface, which became one of the most successful and most-used types of the 20th century. Renner was born in Wernigerode, and died in Hödingen. He had a strict Protestant upbringing, being educated in a 19th-century Gymnasium. He was brought up to have a sense of leadership, duty and responsibility. He disliked abstract art and many forms of modern culture, such as jazz, cinema, and dancing. But equally, he admired the functionalist strain in modernism. Thus, Renner can be seen as a bridge between the traditional (19th century) and the modern (20th century). He attempted to fuse the Gothic and the roman typefaces. Renner was a prominent member of the Deutscher Werkbund (German Work Federation). Two of his major texts are ''Typografie als Kunst'' (Typography as Art) and '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guy Jeffrey Nelson
Guy or GUY may refer to: Personal names * Guy (given name) * Guy (surname) * That Guy (...), the New Zealand street performer Leigh Hart Places * Guy, Alberta, a Canadian hamlet * Guy, Arkansas, US, a city * Guy, Indiana, US, an unincorporated community * Guy, Kentucky, US, an unincorporated community * Guy, Texas, US, an unincorporated community * Guy Street, Montreal, Canada Art and entertainment Films * ''Guy'' (1997 film) (American, starring Vincent D'Onofrio) * ''Guy'' (2018 film) (French, starring Alex Lutz) * '' That Guy... Who Was in That Thing'' (2012), a documentary film * Free Guy (2021), an action comedy film Music * ''Guy'' (album), debut studio album of Guy (band) 1988 * Guy (band), an American R&B group * "G.U.Y.", a 2014 song by Lady Gaga from the album ''Artpop'' Transport * Guy (sailing), rope to control a spinnaker on a sailboat * Air Guyane Express, ICAO code GUY * Guy Motors, a former British bus and truck builder * ''Guy'' (ship, 1933), se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haettenschweiler
Haettenschweiler is a sans-serif typeface in the grotesque style that is very bold and condensed. It is intended for headlines and display text. Schmalfette Grotesk Versions of the font that are now commonly used are descend from an upper-case only design called Schmalfette Grotesk (German for bold condensed sans-serif) by Walter Haettenschweiler that was published in 1954. Schmalfette was published in the book ''Lettera'' (1954) which Haettenschweiler had written with Armin Haab. The ''Lettera'' series collected lettering designs (mostly hand-painted) and original designs, and was often used by designers as a source of inspiration. An early reuse of the design was in the German young peoples' magazine ''Twen''. Microsoft's history of the font, possibly written by Robert Norton (see below) notes that after ''Lettera 4'' was published the design 'was immediately picked up by designers at ''Paris Match'' who cut up pictures of it to make headlines' until it was publicly released. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Font Bureau Typefaces
In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece (a "sort") for each glyph. A typeface consists of a range of such fonts that shared an overall design. In modern usage, with the advent of computer fonts, the term "font" has come to be used as a synonym for "typeface", although a typical typeface (or "font family") consists of a number of fonts. For instance, the typeface "Bauer Bodoni" (sample shown here) includes fonts "Roman" (or "Regular"), "Bold" and ''" Italic"''; each of these exists in a variety of sizes. The term "font" is correctly applied to any one of these alone but may be seen used loosely to refer to the whole typeface. When used in computers, each style is in a separate digital "font file". In both traditional typesetting and modern usage, the word "font" refers to the delivery mechanism of the typeface. In traditional typesetting, the font would be made from metal or wood type: t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
