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Tantum Ergo, WAB 44
' ("Let us raise"), WAB 44, is the last of eight settings of the hymn ''Tantum ergo'' composed by Anton Bruckner in . History Bruckner composed the motet in during his stay in St. Florian Abbey. The original manuscript is lost. An autograph voice score is stored in the archive of the abbey.C. van Zwol, p. 701. The motet was first published in band II/2, pp. 256–258 of the Göllerich/Auer biography. It is put in Band XXI/18 of the '. Music The work of 29 bars in B-flat major, as edited in the current ''Gesamtausgabe'', is scored for choir, 2 violins, 2 trumpets and organ. On 25 June 2017 a new edition of the score by Cohrs, prepared for the ', with "reconstructed parts " of viola, cello and contrabass, and adding of timpani has been premiered by Łukasz Borowicz with the RIAS Kammerchor and the Akademie für Alte Musik Berlin. Discography There are only three recordings of this last setting of ''Tantum ergo'': * Richard Proulx, Cathedral Singers and Chamber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motets By Anton Bruckner
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Göllerich
August Göllerich (2 July 185916 March 1923) was an Austrian pianist, conductor, music educator and music writer. He studied the piano with Franz Liszt, who made him also his secretary and companion on concert tours. Göllerich is known for studying the life and work of Anton Bruckner whose secretary and friend he was. He initiated and conducted concerts of Bruckner's music in Linz, and wrote an influential biography. Life Born in Linz, the son of the Wels town secretary and later member of the Reich Council and State Parliament and his wife Maria, née Nowotny, Göllerich grew up in middle-class circumstances. His father was a member of a liberal writers and literary association in Wels. Göllerich attended the Linz Realschule, which he completed with the Matura. He studied mathematics at the University of Vienna, as his father wished. In 1882, he attended the Bayreuth Festival. After his father's death in 1883, he devoted himself entirely to music, studying in Vienna the pia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akademie Für Alte Musik Berlin
Akademie für Alte Musik Berlin (Academy for Early Music Berlin, short name: Akamus) is a German chamber orchestra founded in East Berlin in 1982. Each year Akamus gives approximately 100 concerts, ranging from small chamber works to large-scale symphonic pieces in Europe's musical centers as well as on tours in Asia, North America and South America. About 30 musicians form the core of the orchestra. They perform under the leadership of their four concertmasters Midori Seiler, Stephan Mai, Bernhard Forck and Georg Kallweit or guest conductors like René Jacobs, Marcus Creed, Daniel Reuss, Peter Dijkstra and Hans-Christoph Rademann. Recording exclusively for harmonia mundi France since 1994, the ensemble’s CDs have earned many international prizes, including the Grammy Award, the Diapason d'Or, the Cannes Classical Award, the Gramophone Award and the Edison Award. In 2011 the recording of Mozarts ''Magic Flute'' was honoured with the German Record Critics' Award. In 2006 the Rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RIAS Kammerchor
The RIAS Kammerchor (RIAS Chamber Choir) is a German choir based in Berlin, Germany. It receives support from the Rundfunk Orchester und Chöre GmbH Berlin ("Berlin Radio Orchestra and Choirs"), a limited-liability company owned by the public broadcasters Deutschlandradio (40%) and RBB (5%), the German Federal Republic (35%), and the State of Berlin (20%). History Founded in 1948, the choir was originally known as the ''Rundfunkchor des RIAS'', after the US-run German-language radio station Rundfunk im amerikanischen Sektor ("Broadcasting in the American Sector"), or RIAS. Early in its history, between 1948 and 1952, the choir recorded works by Bach with Karl Ristenpart, 68 cantatas, the ''Christmas Oratorio'', and the ''St John Passion''. The choir first performed on 15 October 1948, and its first chief conductor was Herbert Froitzheim. Whilst founded as a regional radio station choir, the RIAS Kammerchor quickly established for itself a national and international reputation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrabass
Contrabass (from it, contrabbasso) refers to several musical instruments of very low pitch—generally one octave below bass register instruments. While the term most commonly refers to the double bass (which is the bass instrument in the orchestral string family, tuned lower than the cello), many other instruments in the contrabass register exist. The term "contrabass" is relative, usually denoting a very low-pitched instrument of its type, rather than one in a particular range. For example, the contrabass flute's lowest note is approximately an octave higher than that of the contrabass clarinet. Instruments tuned below contrabass instruments, such as the double contrabass flute or subcontrabass saxophone, may be referred to as "double contrabass," "triple contrabass," "subcontrabass," or "octocontrabass" instruments. On the other hand, the "contrabass" classification often includes such instruments. Wind Brass * Contrabass bugle, a variant tuba used in drum and bugle corps *Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola
The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to scientific pitch notation, C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin-Gunnar Cohrs
Benjamin-Gunnar Cohrs (born 21 September 1965, in Hameln) is a German conductor, scholar, and publicist on music. Early career Benjamin-Gunnar Cohrs gave his early conducting debut 1984 with the orchestra of the Youth Music School in Hameln, where he received his early musical education since 1972 (Flute, Theory, Aural Training, Piano). In the same year he founded the ''Youth String Orchestra of Hameln'', which performed with him numerous works of the string- and chamber orchestra repertoire until 1992. From 1986 to 1989 he studied conducting privately with the noted Italian composer and conductor Nicola Samale (Rome), and from 1989 to 1994 concert conducting (Hans-Joachim Kauffmann), voice (Hidenori Komatsu) and flute (Susanne Meier) at the Conservatory of Arts, Bremen He also attended to rehearsals and projects of numerous well-known conductors, and performed himself with several choirs and orchestras. His concert examination in 1994 included compositions by Felix Mendelssoh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
