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Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German ''Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works For The Stage By Richard Wagner
Richard Wagner's works for the stage, representing more than 50 years of creative life, comprise his 13 completed operas and a similar number of failed or abandoned projects. His first effort, begun when he was 13, was a prose drama, ''Leubald'', but thereafter all his works were conceived as some form of musical drama. It has been suggested that Wagner's wish to add incidental music to ''Leubald'', in the manner of Beethoven's treatment of Goethe's drama '' Egmont'', may have been the initial stimulus that directed him to musical composition. Wagner's musical education began in 1828, and a year later he was producing his earliest compositions, writing words and music, since lost, for his first opera attempt, '' Die Laune des Verliebten''. During the subsequent decade he began several more opera projects, none of which was successful although two were completed and one was staged professionally. His first commercial success came in 1842 with ''Rienzi'',Millington, Barry (2001)''(W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Fliegende Holländer
' (''The Flying Dutchman''), WWV 63, is a German-language opera, with libretto and music by Richard Wagner. The central theme is redemption through love. Wagner conducted the premiere at the Königliches Hoftheater Dresden in 1843. Wagner claimed in his 1870 autobiography '' Mein Leben'' that he had been inspired to write the opera following a stormy sea crossing he made from Riga to London in July and August 1839. In his 1843 '' Autobiographic Sketch'', Wagner acknowledged he had taken the story from Heinrich Heine's retelling of the legend in his 1833 satirical novel ''The Memoirs of Mister von Schnabelewopski'' (''Aus den Memoiren des Herrn von Schnabelewopski''). This work shows early attempts at operatic styles that would characterise his later music dramas. In ''Der fliegende Holländer'' Wagner uses a number of leitmotifs (literally, "leading motifs") associated with the characters and themes. The leitmotifs are all introduced in the overture, which begins with a well- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harp
The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Current-day Iraq (Mesopotamia), Iran (Persia), and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. History Harps have been known since antiquity in Asia, Africa, and Europe, dating back at least as early as 3000 BCE. The instrument had great popularity in Europe during the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Horn
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth century the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. It consists of a mouthpiece, long coiled tubing, and a large flared bell. This instrument was used extensively until the emergence of the valved horn in the early 19th century. Hand stopping technique The natural horn has several gaps in its harmonic range. To play chromatically, in addition to crooking the instrument into the right key, two additional techniques are required: ''bending'' and ''hand-stopping''. Bending a note is achieved by modifying the embouchure to raise or lower the pitch fractionally, and compensates for the slightly out-of-pitch " wolf tones" which all brass instruments have. Hand-stopping is a technique whereby the player can modify the pitch of a note by up to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". History 17th century The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's ''L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important, however, was the prologue, which comprised sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, however, the French overture first appears in the court balle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teplitz
Teplice () (until 1948 Teplice-Šanov; german: Teplitz-Schönau or ''Teplitz'') is a city in the Ústí nad Labem Region of the Czech Republic. It has about 49,000 inhabitants. It is the second largest Czech spa town, after Karlovy Vary. The historic city centre is well preserved and is protected by law as an urban monument zone. Administrative parts The municipal area comprises the administrative parts of Teplice proper, Hudcov, Nová Ves, Prosetice, Řetenice, Sobědruhy and Trnovany. Etymology The name ''Teplice'' is an Old Czech word, meaning "hot spring". Geography Teplice is located about west of Ústí nad Labem and northwest of Prague. The northern part of the municipal territory lies in the Most Basin, the southern part lies in the Central Bohemian Uplands. The highest point is the hill Doubravská hora with an elevation of . There are several small fish ponds in the territory. History According to the 1541 ''Annales Bohemorum'' by chronicler Wenceslaus Hajek, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Theodor Ludwig Lucas
Christian Theodor Ludwig Lucas, also known as Ludwig Lucas or C.T.L. Lucas (born 1796 in Petrikau, South Prussia — d. 1854 in Schrimm, Posen Province) was a German writer and pedagogue. Life Lucas enrolled to study, first Protestant Theology and then law at the University of Königsberg in 1816. In March 1818, he represented the Königsberger Landsmannschaft ( fraternity) on the ''Allgemeinen Deutschen Burschenschaft'' (ADB) in Jena. On behalf of Theodor von Schön, Oberpräsident (Governor) of West Prussia he organised the libraries and archives of the monasteries, following the dissolution of 1818–1835. In 1820 he began an academic career. In 1822 he became a teacher at the Altstadt Gymnasium in Königsberg, in 1828 he served on Government School Board as an assistant to Gustav Friedrich Dinter and in 1832 became director of the newly reorganised Kneiphof Gymnasium. By 1835 he was an associate professor of German literature. Succeeding Reinhold Bernhard Jachmann, he s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Bechstein
Ludwig Bechstein (24 November 1801 – 14 May 1860) was a German writer and collector of folk fairy tales. He was born in Weimar, the illegitimate child of Johanna Carolina Dorothea Bechstein and Hubert Dupontreau, a French emigrant who disappeared before the birth of the child; Ludwig thus grew up very poor in his first nine years. His situation improved only when his uncle Johann Matthäus Bechstein, a renowned naturalist and forester living in Meiningen in the country of Duchy of Saxe-Meiningen, adopted him in 1810. He was sent to school in Meiningen, and in 1818, started an apprenticeship as a pharmacist. From 1828 to 1831 he studied philosophy and literature in Leipzig and Munich thanks to a stipend granted by Duke Bernhard II of Sachsen-Meiningen, who hired him subsequently as a librarian. This lifetime post provided Bechstein with a continuous income, while leaving him a lot of freedom to pursue his own interests and writing. He lived from 1831 until his death in Meinin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Von Ofterdingen
Heinrich von Ofterdingen is a fabled, quasi-fictional Middle High German lyric poet and Minnesinger mentioned in the 13th century epic of the ''Sängerkrieg'' (minstrel contest) on the Wartburg. The legend was revived by Novalis in his eponymous fragmentary novel written in 1800 and by E. T. A. Hoffmann in his 1818 novella ''Der Kampf der Sänger''. Sources The 24 ''Fürstenlob'' (princely praise) stanzas of the ''Sängerkrieg'' describe Heinrich's challenge to the most famous singers like Walther von der Vogelweide, Reinmar von Zweter and Wolfram von Eschenbach in the presence of the Landgrave of Thuringia. Defeated by cunning he obtains the permission to call in the legendary sorcerer Klingsor von Ungerlant (Hungary) to his relief. Several, partially divergent versions of the ''Sängerkrieg'' were rendered in later ''Liederhandschrift'' manuscripts, among them the ''Codex Manesse''; it was depicted as a historic event already by medieval chroniclers such as Dietrich of Apolda. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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