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The Electro-Theremin is an electronic musical instrument developed by trombonist Paul Tanner and amateur inventor Bob Whitsell in the late 1950s to produce a sound to mimic that of the theremin. The instrument features a tone and portamento similar to that of the theremin, but with a different control mechanism. It consisted of a sine wave generator with a knob that controlled the pitch, placed inside a wooden box. The pitch knob was attached to a slider on the outside of the box with some string. The player would move the slider, thus turning the knob to the desired frequency, with the help of markings drawn on the box. This contrasts with the theremin, which a performer plays without touching as two antennae sense the position and movement of the performer's hands. Background The instrument was custom-built at Tanner's request. Tanner appreciated the theremin's sound, but wanted greater control of pitch and attack. The Electro-Theremin uses mechanical controls, a long slide ...
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Good Vibrations
"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966 and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of pop music formula, it was the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era. Also produced by Wilson, the title derived from his fascination with cosmic vibrations, as his mother would tell him as a child that dogs sometimes bark at people in response to their "bad vibrations". He used the concept to suggest extrasensory perception, while Love's lyrics were inspired by the nascent Flower Power movement. The song was written as it was recorded and in a similar fashion to other composi ...
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Paul Tanner
Paul Tanner (October 15, 1917 – February 5, 2013) was an American musician and a member of the Glenn Miller Orchestra. He developed and played the Electro-Theremin, a theremin soundalike instrument that is best known for its use on the Beach Boys 1966 songs "I Just Wasn't Made for These Times" and "Good Vibrations". Early life Paul O.W. Tanner was born on Oct. 15, 1917, in Skunk Hollow, Campbell County, Kentucky. Tanner had five brothers, and each could play an instrument. Tanner learned to play the trombone at a reform school where his father was employed as superintendent.Heckman, Don. (2013, February 6). Paul Tanner dies at 95; trombonist with Glenn Miller Orchestra'. The Los Angeles Times. Tanner and his brothers were playing in what he described as a "strip joint" when Miller heard him and offered him a position in his band. Career Tanner gained fame as a trombone, trombonist, playing with Glenn Miller and Glenn Miller Orchestra, His Orchestra from 1938 to 1942, the ...
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Electronic Musical Instruments
Electronic may refer to: *Electronics, the science of how to control electric energy in semiconductor * ''Electronics'' (magazine), a defunct American trade journal *Electronic storage, the storage of data using an electronic device *Electronic commerce or e-commerce, the trading in products or services using computer networks, such as the Internet *Electronic publishing or e-publishing, the digital publication of books and magazines using computer networks, such as the Internet *Electronic engineering, an electrical engineering discipline Entertainment *Electronic (band), an English alternative dance band ** ''Electronic'' (album), the self-titled debut album by British band Electronic *Electronic music, a music genre *Electronic musical instrument *Electronic game, a game that employs electronics See also *Electronica, an electronic music genre *Consumer electronics Consumer electronics or home electronics are electronic (analog or digital) equipment intended for everyday ...
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Otamatone
The is an electronic musical synthesizer. It was developed in Japan by the CUBE toy company and the Maywa Denki design firm, led by the brothers Masamichi and Nobumichi Tosa. Description The Otamatone is a synthesizer whose body is shaped like an eighth note (quaver) (it also somewhat resembles a tadpole, or a ladle, being Japanese for ''tadpole'' and ''ladle''), with sound emerging from a "mouth" on the notehead. It requires two hands to play: while one hand holds and squeezes the "head", the other hand controls the pitch of the tune by placing the finger on a ribbon controller on the stem; a higher position on the stem creates a lower sound. The ribbon controller is logarithmic to resemble a string instrument, so there is a shorter distance between higher notes than between lower ones. Varying the pressure on the head (thereby opening and closing the "mouth" of the Otamatone) creates a wah-wah effect, and shaking the neck (and thereby slightly changing pressure on the h ...
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Audiocubes
The AudioCubes are a collection of wireless intelligent light emitting objects, capable of detecting each other's location and orientation, and user gestures, and were created by Bert Schiettecatte. They are an electronic musical instrument used by electronic musicians for live performance, sound design, music composition, and creating interactive applications in max/msp, pd and C++. The concept of the AudioCubes was first presented by Bert Schiettecatte in April 2004 at the CHI2004 conference in Vienna. A first prototype of the AudioCubes was shown at the Museum for Contemporary Art, MUHKA in Antwerp in December 2004. They were used in an art installation created in collaboration with Peter Swinnen during the Champ D’Action Time Canvas festival. In January 2007, the AudioCubes were launched on the market and offered online on the Percussa website, the company which Bert Schiettecatte founded in October 2004 to further develop and commercialize the AudioCubes. Hardware ar ...
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Therevox
Therevox builds custom musical instruments in Ontario, Canada. The company focuses on continuous-pitch instruments and is known for building a modern analog synthesizer inspired by the rare Ondes Martenot. First commissioned in 2004 to build modern version of the Electro-Theremin as used by The Beach Boys on their 1966 single "Good Vibrations", only 12 of these instruments went to musicians and studios in North America and Europe. In 2010, Therevox was commissioned by Montreal's Breakglass Studio to design a new instrument that would combine the Ondes Martenot's ''au ruban'' and ''touche d’intensité'' interface with a dual oscillator analog synthesizer similar to the MiniMoog. The design included a built-in Spring Reverb and this prototype became the ET-4 model that has been available since 2012. Some artists to feature the ET-4 include The Besnard Lakes, Belle & Sebastian, Brad Mehldau, Yann Tiersen, The Decemberists, Suuns, The Veils, Team Me, Iron & Wine, Floating Points, S ...
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Trautonium
The Trautonium is an electronic synthesizer invented in 1930 by Friedrich Trautwein in Berlin at the Musikhochschule's music and radio lab, the Rundfunkversuchstelle. Soon afterwards Oskar Sala joined him, continuing development until Sala's death in 2002. Description Instead of a keyboard, its manual is made of a resistor wire over a metal plate, which is pressed to create a sound. Expressive playing was possible with this wire by gliding on it, creating vibrato with small movements. Volume was controlled by the pressure of the finger on the wire and board. The first Trautoniums were marketed by Telefunken from 1933 until 1935 (200 were made). The sounds were at first produced by neon-tube relaxation oscillators Example of a similar early neon keyboard invention by Winston E. Kock (later, thyratrons, then transistors), which produced sawtooth-like waveforms. The pitch was determined by the position at which the performer pressed the resistive wire into contact with the p ...
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Persephone (musical Instrument)
The Persephone is an analog fingerboard synthesizer from the year 2004 in the tradition of the first ribbon controlled instruments from the 1920s. Beyond its vintage look, the Persephone allies sensors technology and digital controls to a pure analogue generation of sound. With its analogue oscillator, the Persephone can generate notes with a range of 10 octaves, which goes from a deep and resonant cello tone to a nearly human voice. And on the highest pitches, it can reach very high frequencies. Its ribbon virtual control surface allows all kind of glissando a Theremin or an Ondes Martenot would allow. The Persephone's ribbon can be scaled from 1, 2, 5 to 10 octaves. The ribbon responds to changes in voltage or resistance caused by changing the finger position along its surface. The Persephone ribbon controller is also able to record pressure or velocity. The ribbon is a linear potentiometer that generates different control voltages depending on where it is touched. Thus, the ...
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Haken Continuum
The Continuum Fingerboard or Haken Continuum is a music performance controller and synthesizer developed by Lippold Haken, a professor of Electrical and Computer Engineering at the University of Illinois, and sold by Haken Audio, located in Champaign, Illinois. The Continuum Fingerboard was initially developed from 1983 to 1998 at the CERL Sound Group at the University of Illinois, to control sound-producing algorithms on the Platypus audio signal processor and the Kyma/Capybara workstation. In 1999, the first Continuum Fingerboard was commercially sold. Until 2008, the Continuum Fingerboard provided IEEE-1394 (FireWire) connections to control a Kyma sound design workstation, as well as MIDI connections to control a MIDI synthesizer module. More recently, the Continuum Fingerboard generates audio directly in addition to providing MIDI connections for MIDI modules, software synthesizers, and Kyma (the IEEE-1394 connection that was present on earlier models has been removed). ...
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D-Beam
The D-Beam was originally manufactured by Interactive Light, as a stand-alone unit, around 1996. It was then soon purchased by Roland Corporation, becoming trademarked and rebranded as D-Beam Controller for their own music equipment. Background After being acquired by Roland, the D-Beam Controller was introduced on a larger scale through the Roland MC-505 in 1998, was further incorporated into a large number of Roland's grooveboxes, workstations, keyboards, and digital samplers over the years. The D-Beam is an interface that can control and manipulate sounds by hand movements interacting with an infrared beam of light. The controller is usually mounted in the equipment's panel facing upwards, and senses the performer's hand (or other body part) at a height of up to 15" (~40 cm) or so above the device. Although controlled in a similar manner to a theremin, the operating principles are fundamentally different; the theremin uses Capacitive sensing In electrical engineering, capac ...
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MC-505
The Roland Corporation, Roland MC-505 is a groovebox conceived in 1998 as a combination of a MIDI controller, a music sequencer, a drum machine, and a desktop synthesizer with many synthesis features: arpeggiator, oscillators, and voltage-controlled filter, control of attack, decay, sustain and release, different envelopes and 2 Lfo. It was released as the successor to the Roland MC-303 and is a compact version of the Roland JX-305 Groovesynth without the full set of 61 keys. It is also the predecessor to the Roland D2, Roland MC-307, Roland MC-909 and the Roland MC-808. Features The key features of the MC-505 are: * 64 voice polyphonic digital subtractive synthesis engine (derived from the Roland JV-1080) with 251 different oscillator, acoustic and drum sample waveforms * 512 built-in preset sounds, 256 user sounds & 26 rhythm sets (includes the Roland CR-78, TR-808, TR-606, TR-909, Roland TR-707, TR-707 and Roland R-8, R-8) * 8-track MIDI sequencer + Mute Ctrl Track * Recordin ...
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