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Tamarind Institute
Tamarind Institute is a lithography workshop created in 1970 as a division of the University of New Mexico in Albuquerque, NM, United States. It began as Tamarind Lithography Workshop, a California non-profit corporation founded by June Wayne on Tamarind Avenue in Los Angeles in 1960. Both the current Institute and the original Lithography Workshop are referred to informally as "Tamarind." Origin and goals Tamarind was founded in the absence of an American print shop dedicated to serving artists, and during a period when American artists tended to reject lithography and collaborative printing in favor of the more "direct...immediate" possibilities of abstract expressionist painting. Faced with a paucity of opportunities on all fronts and a medium which seemed on the verge of extinction, Wayne sought to create more than just a studio: Tamarind Institute's website lists the following goals, developed by founding director June Wayne with associate director Clinton Adams and techn ...
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picture info

Tamarind Institute
Tamarind Institute is a lithography workshop created in 1970 as a division of the University of New Mexico in Albuquerque, NM, United States. It began as Tamarind Lithography Workshop, a California non-profit corporation founded by June Wayne on Tamarind Avenue in Los Angeles in 1960. Both the current Institute and the original Lithography Workshop are referred to informally as "Tamarind." Origin and goals Tamarind was founded in the absence of an American print shop dedicated to serving artists, and during a period when American artists tended to reject lithography and collaborative printing in favor of the more "direct...immediate" possibilities of abstract expressionist painting. Faced with a paucity of opportunities on all fronts and a medium which seemed on the verge of extinction, Wayne sought to create more than just a studio: Tamarind Institute's website lists the following goals, developed by founding director June Wayne with associate director Clinton Adams and techn ...
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Sandow Birk
Sandow Birk (born 1962 in Detroit) is an American visual artist from Los Angeles whose work deals mainly with contemporary American culture. Seven books have been published on his works and he has made two films. With an emphasis on social issues, his frequent themes have included inner city violence, graffiti, various political issues, travel, prisons, surfing and skateboarding. His projects are often elaborate and epic in scale, including a series on "The Leading Causes of Death in America" and the invasion and the second war in Iraq. He completed a hand-made illuminated manuscript version of the Qur'an, transcribing the English language text by hand in a personalized font based on graffiti, and illuminating the pages with scenes of contemporary American life. Career Birk is a graduate of Otis Art Institute of Parsons School of Design (now Otis College of Art and Design) in Los Angeles. His studies included a semester in Paris at the American College, Paris and Parsons School ...
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Burhan Doğançay
Burhan C. Doğançay (11 September 1929 – 16 January 2013) was a Turkish-American artist. Doğançay is best known for tracking walls in various cities across the world for half a century, integrating them in his artistic work. Biography Born in Istanbul, Turkey, Burhan Dogançay obtained his artistic training from his father Adil Doğançay, and Arif Kaptan, both well-known Turkish painters. In his youth, Dogançay played on the Gençlerbirliği football (soccer) team. In 1950, he received a law degree from the University of Ankara. While enrolled at the University of Paris between 1950–1955, from where he obtained a doctorate degree in economics, he attended art courses at the Académie de la Grande Chaumière. During this period he continued to paint regularly and to show his works in several group exhibitions. Soon after his return to Turkey, he participated in many exhibitions, including joint exhibitions with his father at the Ankara Art Lovers Club. Following ...
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Jim Dine
Jim Dine (born June 16, 1935 in Cincinnati, Ohio) is an American artist whose œuvre extends over sixty years. Dine’s work includes painting, drawing, printmaking (in many forms including lithographs, etchings, gravure, intaglio, woodcuts, letterpress and linocuts), sculpture and photography; his early works encompassed assemblage and happenings, while in recent years his poetry output, both in publications and readings, has increased. Dine has been associated with many art movements including Neo-Dada (use of collage and found objects), Abstract Expressionism (the gestural nature of his painting), and Pop Art (affixing everyday objects including tools, rope, articles of clothing and even a bathroom sink) to his canvases, yet he has avoided such classifications. At the core of his art, regardless of the medium of the specific work, lies an intense autobiographical reflection, a relentless exploration and criticism of self through a number of personal motifs including: the h ...
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