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Tales From The Crypt (book)
''Tales from the Crypt'' is a mass-market paperback collection of eight horror comic stories gathered from the pages of the EC Comics comic books of the 1950s. It is one of five such collections published by Ballantine Books between 1964 and 1966 (the others are '' The Vault of Horror'', '' Tales of the Incredible'', ''The Autumn People'' and ''Tomorrow Midnight''). The presentation of the material is problematic at best, since the color comic book pages are represented in black and white and broken into horizontal strips to fit the mass-market paperback format. Still, the collections are historically important. They were the first attempt to resurrect the EC comics, only a decade after public outcry had driven them off the racks. They were the first introduction of those comics to a generation of readers too young to remember them in their first run. The stories are drawn from the comic books ''Tales from the Crypt'', '' The Vault of Horror'' and ''The Haunt of Fear''. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballantine Books
Ballantine Books is a major book publisher located in the United States, founded in 1952 by Ian Ballantine with his wife, Betty Ballantine. It was acquired by Random House in 1973, which in turn was acquired by Bertelsmann in 1998 and remains part of that company today. Ballantine's original logo was a pair of mirrored letter Bs back to back, while its current logo is two Bs stacked to form an elaborate gate. The firm's early editors were Stanley Kauffmann and Bernard Shir-Cliff. History Following Fawcett Publications' controversial 1950 introduction of Gold Medal paperback originals rather than reprints, Lion Books, Avon and Ace also decided to publish originals. In 1952, Ian Ballantine, a founder of Bantam Books, announced that he would "offer trade publishers a plan for simultaneous publishing of original titles in two editions, a hardcover 'regular' edition for bookstore sale, and a paper-cover, 'newsstand' size, low-priced edition for mass market sale." When the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Vault Of Horror (book)
''The Vault of Horror'' is a mass-market paperback collection of eight horror comic stories gathered from the pages of the EC Comics comic books of the 1950s. It is one of five such collections published by Ballantine Books between 1964 and 1966 (the others are ''Tales from the Crypt'', '' Tales of the Incredible'', ''The Autumn People'' and ''Tomorrow Midnight''). The presentation of the material is problematic at best, since the color comic book pages are represented in black and white and broken into horizontal strips to fit the mass-market paperback format. Still, the collections are historically important. They were the first attempt to resurrect the EC comics, only a decade after public outcry had driven them off the racks. They were the first introduction of those comics to a generation of readers too young to remember them in their first run. The stories are drawn from the comic books '' The Vault of Horror'', ''Tales from the Crypt'' and ''The Haunt of Fear''. The w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1964 Short Story Collections
Events January * January 1 – The Federation of Rhodesia and Nyasaland is dissolved. * January 5 - In the first meeting between leaders of the Roman Catholic and Orthodox churches since the fifteenth century, Pope Paul VI and Patriarch Athenagoras I of Constantinople meet in Jerusalem. * January 6 – A British firm, the Leyland Motors, Leyland Motor Corp., announces the sale of 450 buses to the Cuban government, challenging the United States blockade of Cuba. * January 9 – ''Martyrs' Day (Panama), Martyrs' Day'': Armed clashes between United States troops and Panamanian civilians in the Panama Canal Zone precipitate a major international crisis, resulting in the deaths of 21 Panamanians and 4 U.S. soldiers. * January 11 – United States Surgeon General Luther Terry reports that smoking may be hazardous to one's health (the first such statement from the U.S. government). * January 12 ** Zanzibar Revolution: The predominantly Arab government of Zanzibar is overthrown b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tales From The Crypt (film)
''Tales from the Crypt'' is a 1972 British anthology horror film directed by Freddie Francis. It is an anthology film consisting of five separate segments, based on stories from EC Comics. It was produced by Amicus Productions and filmed at Shepperton Studios. In the film, five strangers (Joan Collins, Ian Hendry, Robin Phillips, Richard Greene and Nigel Patrick) in a crypt encounter the mysterious Crypt Keeper (Ralph Richardson), who makes each person in turn foresee the possible manner of their death. It is one of several Amicus horror anthologies produced during the 1970s. Plot Intro Five strangers go with a tourist group to view old catacombs. Separated from the main group, the strangers find themselves in a room with the mysterious Crypt Keeper (Ralph Richardson), who details how each of them may die. "...And All Through the House" * Taken from '' The Vault of Horror'' #35 (February–March 1954). Joanne Clayton (Joan Collins) kills her husband Richard (Martin Boddey) o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amicus Productions
Amicus Productions was a British film production company, based at Shepperton Studios, England, active between 1962 and 1977. It was founded by American producers and screenwriters Milton Subotsky and Max Rosenberg. Films Prior to establishing Amicus, its two producers collaborated on the successful horror film '' The City of the Dead'' (1960). Amicus's first two films were low-budget musicals for the teenage market, ''It's Trad, Dad!'' (1962) and '' Just for Fun'' (1963). Amicus is best remembered for making a series of portmanteau horror anthologies, inspired by the Ealing Studios film ''Dead of Night'' (1945). They also made some straight thriller films, often based on a gimmick. Amicus's horror and thriller films are sometimes mistaken for the output of the better-known Hammer Film Productions, due to the two companies' similar visual style and use of the same actors, including Peter Cushing and Christopher Lee. Unlike the period gothic Hammer films, Amicus productions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eerie (comics)
''Eerie'' was an American magazine of horror comics introduced in 1966 by Warren Publishing. Like '' Mad'', it was a black-and-white magazine intended for newsstand distribution and did not submit its stories to the comic book industry's voluntary Comics Code Authority. Each issue's stories were introduced by the host character, Cousin Eerie. Its sister publications were ''Creepy'' and ''Vampirella''. Publication history The first issue cost 35¢, was published in September 1966 and only had a 200-issue run of an "ashcan" edition. With a logo by Ben Oda, it was created overnight by editor Archie Goodwin and letterer Gaspar Saladino to establish publisher Jim Warren's ownership of the title when it was discovered that a rival publisher (later known as Eerie Publications) would be using the name. Warren explained, "We launched ''Eerie'' because we thought ''Creepy'' ought to have an adversary. The Laurel and Hardy syndrome always appealed to me. ''Creepy'' and ''Eerie'' are li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creepy (magazine)
''Creepy'' was an American horror (genre), horror-comics magazine launched by Warren Publishing in 1964. Like ''Mad (magazine), Mad'', it was a black-and-white newsstand publication in a magazine format and did not carry the seal of the Comics Code Authority. An anthology magazine, it initially was published quarterly but later went bimonthly. Each issue's stories were introduced by the host character, Uncle Creepy. Its sister publications were ''Eerie'' and ''Vampirella''. Launch Illustrator and editor Russ Jones, the founding editor of ''Creepy'' in 1964, said he approached ''Famous Monsters of Filmland'' magazine publisher James Warren (publisher), Jim Warren with the idea of horror comics similar to the 1950s' EC Comics comic books. Warren also choose not to use the comics industry's voluntary self-censorship Comics Code Authority for his black and white magazines. Warren eventually agreed. Jones recalled that: Joe Orlando was not only an illustrator for ''Creepy'' but also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warren Publishing
Warren Publishing was an American magazine company founded by James Warren (publisher), James Warren, who published his first magazines in 1957 and continued in the business for decades. Magazines published by Warren include ''After Hours (magazine), After Hours'', ''Creepy (magazine), Creepy'', ''Eerie'', ''Famous Monsters of Filmland'', ''Help! (magazine), Help!'', and ''Vampirella''. Initially based in Philadelphia, Pennsylvania, the company moved by 1965 to New York City. Publishing history Founding Begun by James Warren, Warren Publishing's initial publications were the horror fiction, horror-fantasy--science fiction movie magazine ''Famous Monsters of Filmland'' and ''Monster World'', both edited by Forrest J Ackerman. Warren soon published ''Spacemen (magazine), Spacemen'' magazine and in 1960 ''Help! (magazine), Help!'' magazine, with the first employee of the magazine being Gloria Steinem. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomorrow Midnight
''Tomorrow Midnight'' is a mass-market paperback collection of comic adaptations of eight short science fiction stories by Ray Bradbury, gathered from the pages of the EC Comics comic books of the 1950s. It is one of five EC collections published by Ballantine Books between 1964 and 1966 (the others are ''Tales from the Crypt'', '' The Vault of Horror'', '' Tales of the Incredible'' and ''The Autumn People''), and one of two made up of comic adaptations of Bradbury's work (the other is ''The Autumn People''). The presentation of the material is problematic at best, since the color comic book pages are represented in black and white and broken into horizontal strips to fit the mass-market paperback format. Still, the collections are historically important. They were the first attempt to resurrect the EC comics, only a decade after public outcry had driven them off the racks. They were the first introduction of those comics to a generation of readers too young to remember them in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Autumn People
''The Autumn People'' is a mass-market paperback collection of comic adaptations of eight short horror and crime stories by Ray Bradbury, gathered from the pages of the EC Comics comic books of the 1950s. It is one of five EC collections published by Ballantine Books between 1964 and 1966 (the others are ''Tales from the Crypt'', '' The Vault of Horror'', '' Tales of the Incredible'' and '' Tomorrow Midnight''), and one of two made up of comic adaptations of Bradbury's work (the other is ''Tomorrow Midnight''). The presentation of the material is problematic at best, since the color comic book pages are represented in black and white and broken into horizontal strips to fit the mass-market paperback format. Still, the collections are historically important. They were the first attempt to resurrect the EC comics, only a decade after public outcry had driven them off the racks. They were the first introduction of those comics to a generation of readers too young to remember them in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tales Of The Incredible
''Tales of the Incredible'' is a mass-market paperback collection of eight science fiction comic stories gathered from the pages of the EC Comics comic books of the 1950s. It is one of five collections published by Ballantine Books between 1964 and 1966 (the others are ''Tales from the Crypt'', '' The Vault of Horror'', ''The Autumn People'' and ''Tomorrow Midnight''). The presentation of the material is problematic at best, since the color comic book pages are represented in black and white and broken into horizontal strips to fit the mass-market paperback format. Still, the collections are historically important. They were the first attempt to resurrect the EC comics, only a decade after public outcry had driven them off the racks. They were the first introduction of those comics to a generation of readers too young to remember them in their first run. The stories are drawn from the comic books ''Weird Fantasy'' and '' Weird Science''. The writer was not credited in the or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
