Taishō Katsuei
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Taishō Katsuei
was a Japanese film studio active in the early 1920s. Founded in April 1920 by Ryōzō Asano, the son of Asano zaibatsu head Sōichirō Asano, it was mostly known as Taikatsu for short. Its origins can be traced back to Tōyō Film (also known as the "Sunrise Film Manufacturing Company"), a venture started in 1918 by Benjamin Brodsky and Thomas Kurihara, that Asano ended up supporting. With Kurihara as the main director and Jun'ichirō Tanizaki as the literary consultant, Taikatsu was one of two studios founded in 1920 (the other being Shōchiku Kinema) that publicly announced their intention to make "pure films" in line with the Pure Film Movement. It established an actors school and began production with ''Amateur Club'', a film directed by Kurihara and scripted by Tanizaki that was strongly influenced by American cinema. Other important works include '' A Serpent's Lust'', another Kurihara-Tanizaki collaboration based on the same story as ''Ugetsu'' by Kenji Mizoguchi. The Taik ...
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Film Studio
A film studio (also known as movie studio or simply studio) is a major entertainment company or motion picture company that has its own privately owned studio facility or facilities that are used to make films, which is handled by the production company. Most firms in the entertainment industry have never owned their own studios, but have rented space from other companies. There are also independently owned studio facilities, who have never produced a motion picture of their own because they are not entertainment companies or motion picture companies; they are companies who sell only studio space. Beginnings In 1893, Thomas Edison built the first movie studio in the United States when he constructed the Black Maria, a tarpaper-covered structure near his laboratories in West Orange, New Jersey, and asked circus, vaudeville, and dramatic actors to perform for the camera. He distributed these movies at vaudeville theaters, penny arcades, wax museums, and fairgrounds. The first ...
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Kenji Mizoguchi
was a Japanese film director and screenwriter, who directed about one hundred films during his career between 1923 and 1956. His most acclaimed works include ''The Story of the Last Chrysanthemums'' (1939), ''The Life of Oharu'' (1952), ''Ugetsu'' (1953), and '' Sansho the Bailiff'' (1954), with the latter three all being awarded at the Venice International Film Festival. A recurring theme of his films was the oppression of women in historical and contemporary Japan. Together with Akira Kurosawa and Yasujirō Ozu, Mizoguchi is seen as a representative of the "golden age" of Japanese cinema. Biography Early years Mizoguchi was born in Hongō, Tokyo, as the second of three children, to Zentaro Miguchi, a roofing carpenter, and his wife Masa. The family's background was relatively humble until the father's failed business venture of selling raincoats to the Japanese troops during the Russo-Japanese War. The family was forced to move to the downtown district of Asakusa and gave Mi ...
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Atsushi Watanabe (actor, Born 1898)
was a Japanese film actor. He appeared in more than 80 films from 1921 to 1970. Career Starting out in Asakusa Opera, Watanabe shifted to film in 1921, joining Makino Educational Pictures, a precursor to Makino Film Productions. Moving to other studios, he eventually settled at Shochiku's Kamata studio in 1925 and eventually became established as a comic star, often appearing in Torajiro Saito's films. He eventually joined the revue company of Roppa Furukawa and made films at Toho. In the postwar era, he appeared in a number of films by Akira Kurosawa. Selected filmography *1921: ''Kyôdainaka wa'' *1922: ''Aa, Konishi junsa'' *1922: ''Aru shinbun kisha no shuki'' *1924: ''Shiragiku no uta'' *1924: ''Nemurerû daichî'' *1924: ''Mikazuki Oroku: zenpen'' *1925: ''Kagaribi no yoru'' *1925: ''Momoiro no toge'' *1925: ''Mahjong'' *1925: ''Umi no himitsu'' *1925: ''Koizuma'' - Rakugoka Koiasa *1925: ''Yôsei chi ni otsureba'' *1925: ''Aisai no himitsu'' *1925: ''Mikazuki oroku'' * ...
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Ureo Egawa
was a Japanese actor active from the 1920s to the 1960s. Career Egawa was born in Kanagawa Prefecture to a Japanese mother and a German father. His name "Ureo" is a Japanification of his German name "Willy". He joined the Taikatsu film studio in 1920, but not finding stable work, he joined a gang of delinquents. Egawa of this period became the model for Ton Satomi's novel . Putting his life back together, he debuted as a director in 1927, but eventually joined the Shochiku studio as an actor, where he starred in films by directors such as Yasujirō Ozu and Yasujirō Shimazu. He later worked at Nikkatsu, Toho and Shintoho, before appearing on television in the 1960s, most famously in ''Ultra Q''. In his later years, he did charity work to help other mixed-race children. Selected filmography Film *''Kyôdainaka wa'' (1921) *''Fumetsu Shinran - Jidai-hen; Gendai-hen'' (1929) - Ichirô *''Ômoîde oki onna'' (1931) *''Seikatsu-sen ABC'' (1931) *''Nanatsu no umi: Zenpen - Shojo-h ...
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Tokihiko Okada
(February 18, 1903 – January 16, 1934) was a silent film star in Japan during the 1920s and early 1930s. A native of Tokyo, he first started at the Taikatsu studio and later he was a leading player for Japanese directors such as Yasujirō Ozu and Kenji Mizoguchi. Film critic Tadao Sato recounts that Okada was among the handsomes and favorite Japanese actors of the era. Throughout his career, Okada played the role of the quintessential nimaime (translated as "second line") which were romantic, sensitive men as opposed to the rugged and hard-boiled leading men known as tateyaku. He was the father of film actress Mariko Okada. Tokihiko Okada died of tuberculosis Tuberculosis (TB) is an infectious disease usually caused by '' Mycobacterium tuberculosis'' (MTB) bacteria. Tuberculosis generally affects the lungs, but it can also affect other parts of the body. Most infections show no symptoms, i ... at age 30. Filmography References {{DEFAULTSORT:Okada, ...
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Buntarō Futagawa
was a pioneering Japanese film director and writer. So far, only two of his works have been released on DVD: ''Orochi'' ( ja, 雄呂血, ''The Serpent'', 1925) and the short film ''Backward Flow'' ( ja, 逆流, ''Gyakuryū'', 1924). As a writer, he used another name: Otsuma Shinozuka ( ja, 紫之塚 乙馬).''日本映画監督全集'' , Kinema Junpo, 1976, p.345. Life Futagawa was born Kichinosuke Takizawa on 18 June 1899, in Misaki, Shiba, Tokyo (present-day Mita, Minato, Tokyo), to a family of tea merchants. His younger brother by three years was film director Eisuke Takizawa. He studied business at Chuo University, but dropped out to join Taishō Katsuei in Yokohama in April 1921. In the silent era, Futagawa worked with actor Tsumasaburō Bandō was one of the most prominent Japanese actors of the twentieth century. Famous for his rebellious, sword fighting roles in many jidaigeki silent films, he rose to fame after joining the Tōjiin Studio of Makino Film ...
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Tomu Uchida
, born Tsunejirō Uchida on 26 April 1898, was a Japanese film director. The stage name "Tomu" translates to “spit out dreams”. Early career Uchida started out at the Taikatsu studio in the early 1920s, but came to prominence at Nikkatsu, adapting literary works with the screenwriter Yasutarō Yagi in a realist style. His 1929 film ''A Living Puppet'' (''Ikeru ningyo'') was selected as the fourth best film of the year by the film journal, ''Kinema Junpo''. Many of his 1930s films featured the actor Isamu Kosugi. One such work, ''Policeman'' (''Keisatsukan''), has been called "a tremendously stylish gangster movie about the love-hate relationship between a cop and a criminal, once childhood friends". It is Uchida’s only surviving complete silent film. Uchida borrows from Hollywood gangster films and expressionist techniques in a story of a young policeman tracking down an old friend who is now a criminal. His work from the 1920 and 1930s possess a leftist social commentary and ...
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Yokohama Foreign Cemetery
are chiefly located in Tokyo and at the former treaty ports of Kobe, Hakodate, Nagasaki, Nagasaki, Nagasaki, and Yokohama. They contain the mortal remains of long-term Japan residents or other foreigners who died in Japan, and are separate from any of the military cemeteries. Hakodate The Hakodate Foreign Cemetery, located in the Motomachi district, is just below Mt. Hakodate and over the coastal beach. The cemetery is divided into national and cultural sections; different local associations are responsible for the maintenance of each section. All graves face the ocean. They include the graves of two mariners from the fleet of Commodore Matthew Perry (naval officer), Matthew Calbraith Perry. Kobe Kobe originally had two foreign cemeteries. One, Onohama, located in the Foreign settlement (Japan), foreign settlement, the other located in Kasugano. In the early 1950s, the Kobe City Government began relocating all foreigners' graves to a new Foreigners' Cemetery, the Kobe Municip ...
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Yokohama
is the second-largest city in Japan by population and the most populous municipality of Japan. It is the capital city and the most populous city in Kanagawa Prefecture, with a 2020 population of 3.8 million. It lies on Tokyo Bay, south of Tokyo, in the Kantō region of the main island of Honshu. Yokohama is also the major economic, cultural, and commercial hub of the Greater Tokyo Area along the Keihin region, Keihin Industrial Zone. Yokohama was one of the cities to open for trade with the Western world, West following the 1859 end of the Sakoku, policy of seclusion and has since been known as a cosmopolitan port city, after Kobe opened in 1853. Yokohama is the home of many Japan's firsts in the Meiji (era), Meiji period, including the first foreign trading port and Chinatown (1859), European-style sport venues (1860s), English-language newspaper (1861), confectionery and beer manufacturing (1865), daily newspaper (1870), gas-powered street lamps (1870s), railway station (1 ...
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Ugetsu
, is a 1953 Japanese historical drama and fantasy film directed by Kenji Mizoguchi starring Masayuki Mori and Machiko Kyō. It is based on two stories in Ueda Akinari's 1776 book of the same name, combining elements of the ''jidaigeki'' (period drama) genre with a ghost story. Drawing from Ueda's tales "The House in the Thicket" and "The Lust of the White Serpent", the film is set in Japan's civil war torn Azuchi–Momoyama period (1568–1600). In a small rural community, a potter leaves his wife and young son behind to make money selling pottery and ends up being seduced by a spirit that makes him forget all about his family. A subplot, inspired by Guy de Maupassant's 1883 short story "How He Got the Legion of Honor" ("Décoré !"), involves his brother-in-law, who dreams of becoming a samurai and chases this goal at the unintended expense of his wife. The film won the Silver Lion Award at the 1953 Venice Film Festival and other honours. ''Ugetsu'' is one of Mizoguchi's mo ...
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Asano Zaibatsu
Asano zaibatsu 浅野財閥, one of the major second-tier zaibatsu ( conglomerates) in Japan, was founded in 1887 by Asano Sōichirō 浅野総一郎 with support from Shibusawa Eiichi 渋沢栄一, the founder of the Shibusawa zaibatsu 渋沢財閥 and "father of Japanese capitalism". History Asano Sōichirō 浅野総一郎 founded Asano zaibatsu in 1884 after purchasing the Fukagawa Cement Works from the government with support from Shibusawa Eiichi 渋沢栄一 of the Shibusawa zaibatsu. Because the Asano zaibatsu had no bank of its own it relied on Shibusawa and Yasuda zaibatsu capital, but it was still "the fifth-largest" zaibatsu in Japan. It had 64 affiliated companies in 1940 and 94 in 1943. It almost monopolized the cement industry in Japan. "Often these companies are controlled through only a minority of shares, domination being accomplished by personal influence, and the manipulation of credit, supplies and outlets." Since 1945, when most of the zaibatsu were disban ...
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A Serpent's Lust
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ...
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