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Tahmurath
Tahmuras or Tahmures ( fa, تهمورث ,طهمورث, ; from Avestan ''Taxma Urupi'', meaning ''strong fox'') was the third Shah of the Pishdadian dynasty of Iran (Persia) according to Ferdowsi's epic poem, the ''Shahnameh''. He is considered the builder of Merv. Tahmuras in the ''Shahnameh'' Tahmures was the son of Hushang. In his time the world was much troubled by the ''div''s (demons) of Ahriman. On the advice of his vizier Shahrasp (), Tahmuras used magic to subdue Ahriman and made him his slave, even riding upon his back as on a horse. The demons rebelled against Tahmuras, and he made war against them with both magic and force. By magic he bound two-thirds of the demons; the remaining third he crushed with his mace. The ''deevs'' now became Tahmuras's slaves and they taught him the art of writing in thirty different scripts. Like his father, Tahmuras was a great inventor of arts for easing the human condition. He invented the spinning and weaving of wool, learned to do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pishdadian Dynasty
The Pishdadian dynasty ( fa, دودمان پیشدادیان) is a mythical line of primordial kings featured in Zoroastrian belief and Persian mythology, who are presented in legend as originally rulers of the world but whose realm was eventually limited to ''Ērānshahr'' or Greater Iran. Although there are scattered references to them in the Zoroastrian scriptures the Avesta and later Pahlavi literature, it is through the 11th century Iranian national epic, the ''Shahnameh'', that the canonical form of their legends is known. From the 9th century, Muslim writers, notably Tabari, re-told many of the Pishdadian legends in prose histories and other works. The Pishdadian kings and the stories relating to them have no basis in historical fact, however. According to the ''Shahnameh'', the Pishdadians were the first Iranian dynasty, pre-dating the historical Achaemenids, and ruling for a period of over two thousand years. Their progenitor was Keyumars, the first human and the “Zo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tahmuras Defeating The Divs
Tahmuras or Tahmures ( fa, تهمورث ,طهمورث, ; from Avestan ''Taxma Urupi'', meaning ''strong fox'') was the third Shah of the Pishdadian dynasty of Iran (Persia) according to Ferdowsi's epic poem, the ''Shahnameh''. He is considered the builder of Merv. Tahmuras in the ''Shahnameh'' Tahmures was the son of Hushang. In his time the world was much troubled by the ''div''s (demons) of Ahriman. On the advice of his vizier Shahrasp (), Tahmuras used magic to subdue Ahriman and made him his slave, even riding upon his back as on a horse. The demons rebelled against Tahmuras, and he made war against them with both magic and force. By magic he bound two-thirds of the demons; the remaining third he crushed with his mace. The ''deevs'' now became Tahmuras's slaves and they taught him the art of writing in thirty different scripts. Like his father, Tahmuras was a great inventor of arts for easing the human condition. He invented the spinning and weaving of wool, learned t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Dumézil
Georges Edmond Raoul Dumézil (4 March 189811 October 1986) was a French philologist, linguist, and religious studies scholar who specialized in comparative linguistics and mythology. He was a professor at Istanbul University, École pratique des hautes études and the Collège de France, and a member of the Académie Française. Dumézil is well known for his formulation of the trifunctional hypothesis on Proto-Indo-European mythology and society. His research has had a major influence on the fields of comparative mythology and Indo-European studies. Early life and education Georges Dumézil was born in Paris, France, on 4 March 1898, the son of Jean Anatole Jean Dumézil and Marguerite Dutier. His father was a highly educated general in the French Army. Dumézil received an elite education in Paris at the Collège de Neufchâteau, Lycée de Troyes, Lycée Louis-le-Grand and Lycée de Tarbes. He came to master Ancient Greek and Latin at an early age. Through the influence of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahura Mazda
Ahura Mazda (; ae, , translit=Ahura Mazdā; ), also known as Oromasdes, Ohrmazd, Ahuramazda, Hoormazd, Hormazd, Hormaz and Hurmuz, is the creator deity in Zoroastrianism. He is the first and most frequently invoked spirit in the ''Yasna''. The literal meaning of the word ''Ahura'' is "lord", and that of ''Mazda'' is "wisdom". The first notable invocation of Ahura Mazda occurred during the Achaemenid period () with the Behistun Inscription of Darius the Great. Until the reign of Artaxerxes II (), Ahura Mazda was worshipped and invoked alone in all extant royal inscriptions. With Artaxerxes II, Ahura Mazda was gathered in a triad with Mithra and Anahita. In the Achaemenid period, there are no known representations of Ahura Mazda at the royal court other than the custom for every emperor to have an empty chariot drawn by white horses to invite Ahura Mazda to accompany the Military history of Iran#Achaemenid Era, Persian army on battles. Images of Ahura Mazda, however, were pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sraosha
Sraosha ( ae, 𐬯𐬭𐬀𐬊𐬴𐬀 or ) is the Avestan name of the Zoroastrian ''yazata'' of "Conscience" and "Observance", which is also the literal meaning of his name. In the Middle Persian commentaries of the 9th-12th centuries, the divinity appears as pal, 𐭮𐭫𐭥𐭱, label=none'', S(a)rosh''. This form appears in many variants in New Persian as well, for example , ''Sorūsh''. Unlike many of the other Yazatas (concepts that are "worthy of adoration"), Sraosha is also frequently referred to as the "Angel of Conscience" or "Voice of Conscience", which overlaps with both of his role as the "Teacher of Daena", Daena being the hypostasis of both "Conscience" and "Religion" and Guardian/Companion over the Chinvat Bridge. In scripture In Zoroaster's revelation Sraosha is already attested in the Gathas, the oldest texts of Zoroastrianism and believed to have been composed by Zoroaster himself. In these earliest texts, Sraosha is routinely associated with the Amesha S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vertigo
Vertigo is a condition where a person has the sensation of movement or of surrounding objects moving when they are not. Often it feels like a spinning or swaying movement. This may be associated with nausea, vomiting, sweating, or difficulties walking. It is typically worse when the head is moved. Vertigo is the most common type of dizziness. The most common disorders that result in vertigo are benign paroxysmal positional vertigo (BPPV), Ménière's disease, and labyrinthitis. Less common causes include stroke, brain tumors, brain injury, multiple sclerosis, migraines, trauma, and uneven pressures between the middle ears. Physiologic vertigo may occur following being exposed to motion for a prolonged period such as when on a ship or simply following spinning with the eyes closed. Other causes may include toxin exposures such as to carbon monoxide, alcohol, or aspirin. Vertigo typically indicates a problem in a part of the vestibular system. Other causes of dizziness incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khvarenah
Khvarenah (also spelled khwarenah or xwarra(h): ae, 𐬓𐬀𐬭𐬆𐬥𐬀𐬵 ') is an Avestan word for a Zoroastrian concept literally denoting "glory" or "splendour" but understood as a divine mystical force or power projected upon and aiding the appointed. The neuter noun thus also connotes "(divine) royal glory", reflecting the perceived divine empowerment of kings. The term also carries a secondary meaning of "(good) fortune"; those who possess it are able to complete their mission or function. In 3rd- to 7th-century Sassanid-era inscriptions as well as in the 9th- to 12th-century texts of Zoroastrian tradition, the word appears as Zoroastrian Middle Persian ''khwarrah'', rendered with the Pahlavi ideogram ''GDE'', reflecting Aramaic ''gada'' "fortune". Middle Persian ''khwarrah'' continues as New Persian ''k(h)orra''. These variants, which are assumed to be learned borrowings from the Avestan, are the only Iranian language forms with an initial 'xᵛ-'. In all other dia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vayu-Vata
Vāyu-Vāta or ''Vāta-Vāyu'' (International Phonetic Alphabet, IPA: ) is the Avestan language name of a dual-natured Zoroastrianism, Zoroastrian divinity of the wind (Vayu) and of the atmosphere (Vata). The names are also used independently of one another, with 'Vayu' occurring more frequently than 'Vata', but even when used independently still representing the other aspect. The entity is simultaneously angelic and demonic, that is, depending on the circumstances, either ''yazata'' - "worthy of worship" - or ''daeva'', which in Zoroastrian tradition is a demon. Scripture frequently applies the epithet "good" when speaking of one or the other in a positive context. In Zurvanism (Zurvanite Zoroastrianism, a now-extinct form of Zoroastrianism), Vata-Vayu represented two facets of the quaternary Zurvan. In this arrangement, Vata-Vayu represented "space" while the other two facets represent "time." Vayu-Vata has Indo-Iranian roots, and has the same name in historical Vedic religio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avesta
The Avesta () is the primary collection of religious texts of Zoroastrianism, composed in the Avestan language. The Avesta texts fall into several different categories, arranged either by dialect, or by usage. The principal text in the liturgical group is the ''Yasna'', which takes its name from the Yasna ceremony, Zoroastrianism's primary act of worship, and at which the ''Yasna'' text is recited. The most important portion of the ''Yasna'' texts are the five Gathas, consisting of seventeen hymns attributed to Zoroaster himself. These hymns, together with five other short Old Avestan texts that are also part of the ''Yasna'', are in the Old (or 'Gathic') Avestan language. The remainder of the ''Yasna'''s texts are in Younger Avestan, which is not only from a later stage of the language, but also from a different geographic region. Extensions to the Yasna ceremony include the texts of the ''Vendidad'' and the ''Visperad''. The ''Visperad'' extensions consist mainly of addit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proto-Indo-European Religion
Proto-Indo-European mythology is the body of myths and deities associated with the Proto-Indo-Europeans, the hypothetical speakers of the reconstructed Proto-Indo-European language. Although the mythological motifs are not directly attested – since Proto-Indo-European speakers lived in preliterate societies – scholars of comparative mythology have reconstructed details from inherited similarities found among Indo-European languages, based on the assumption that parts of the Proto-Indo-Europeans' original belief systems survived in the daughter traditions. The Proto-Indo-European pantheon includes a number of securely reconstructed deities, since they are both cognates – linguistic siblings from a common origin –, and associated with similar attributes and body of myths: such as *''Dyḗws Ph₂tḗr'', the daylight-sky god; his consort *''Dʰéǵʰōm'', the earth mother; his daughter *''H₂éwsōs'', the dawn goddess; his sons the Divine Twins; and ''*Seh₂ul'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Von Spiegel
Friedrich (von) Spiegel (11 July 1820 in Kitzingen – 15 December 1905 in München) was a German orientalist. He was one of the pioneers in the field of Iranian philology. Biography He was born in Kitzingen, studied at Erlangen, Leipzig, and Bonn, then spent five years in the libraries of Copenhagen, Paris, London, and Oxford, and from 1849 to 1890 was professor of oriental languages in the University of Erlangen. His early studies on Pali and the publication of the ''Kammavâkya'' (1841) and the ''Ancedota Palica'' (1845) did much for the knowledge of southern Buddhism. They were quickly followed by his researches on Zoroastrianism and the Avesta. The edition of the greater part of the extant Avesta, together with the Pahlavi translation (1853–58), was followed by a German version (1852–63), and supplemented by a commentary (1865–69). He published a number of Persian works, as well as grammars of the Old Persian and Old Bactrian language Bactrian (, , ) is an exti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Christensen
Arthur Emanuel Christensen (9 January 1875 – 31 March 1945) was a Danes, Danish Orientalism, orientalist and scholar of Iranian peoples, Iranian philology and Persian literature, folklore. He is best known for his works on the Iranian history, Persian Mythology, mythology, Iranian religions, religions and Iranian traditional medicine, medicine. Christensen received his doctorate in 1903. The book ''One Thousand and One Nights'' ignited his interest to the Middle East. The subject of his doctorate dissertation was written about Omar Khayyam, a renowned Persian polymath.مجلهٔ یغما، شمارهٔ ۲۵۳. ص۴۸۵ Selected bibliography * References People from Copenhagen Danish writers Iranologists 1875 births 1945 deaths Members of the Göttingen Academy of Sciences and Humanities {{Denmark-writer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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