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Tag (Barbershop)
In barbershop music, a tag is a dramatic variation put in the last section of the song. It is roughly analogical to a coda in classical music. Tags are characterized by heightening the dramatic tension of the song, frequently including a hanger or sustained note against which the other singers carry the rhythm. In addition, good tags can be sung as short, stand-alone works. Tags may be soft and tender but are typically characterized by loud, "paint-peeling", ringing chords. According to the competition rules of the Barbershop Harmony Society The Barbershop Harmony Society, legally and historically named the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, Inc. (SPEBSQSA), is the first of several organizations to promote and preserve barbershop ..., every song entered for a competition must have a tag. References External links BarbershopTags.comDNS Tags.com Barbershop music Musical terminology {{music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbershop Music
Barbershop vocal harmony, as codified during the barbershop revival era (1930s–present), is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a primarily homorhythmic texture. Each of the four parts has its own role: generally, the lead sings the melody, the tenor harmonizes above the melody, the bass sings the lowest harmonizing notes, and the baritone completes the chord, usually below the lead. The melody is not usually sung by the tenor or baritone, except for an infrequent note or two to avoid awkward voice leading, in tags or codas, or when some appropriate embellishment can be created. One characteristic feature of barbershop harmony is the use of what is known as "snakes" and "swipes". This is when a chord is altered by a change in one or more non-melodic voices. Occasional passages may be sung by fewer than four voice parts. Barbershop music is generally performed by either a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also applies to non-Western art music. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history. Rooted in the patronage of churches and royal courts in Western Europe, surviving earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanger (barbershop Music)
{{Unreferenced, date=June 2019, bot=noref (GreenC bot) A hanger, or a post, in barbershop music is a long note, held by one of the voices in the quartet, while the other voices are free to change notes, and even breathe. Hangers usually occur in the tag of a Barbershop song, although they may occur anywhere. The held note is typically the tonic note of the song (e.g. if the song is in G Major, the hanger is usually a G). Any one of the four voices can have the hanger, although the hanger is typically a high note, therefore it is usually assigned to either the Lead or Tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo .... Some Barbershop arrangements have elaborate tags featuring a long hanger, and the hanger is usually sung at a high volume (fortissimo in musical terminology). Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbershop Harmony Society
The Barbershop Harmony Society, legally and historically named the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, Inc. (SPEBSQSA), is the first of several organizations to promote and preserve barbershop music as an art form. Founded by Owen C. Cash and Rupert I. Hall in Tulsa, Oklahoma in 1938, the organization quickly grew, promoting barbershop harmony among men of all ages. As of 2014, just under 23,000 men in the United States and Canada were members of this organization whose focus is on '' a cappella'' music. The international headquarters was in Kenosha, Wisconsin for fifty years before moving to Nashville, Tennessee in 2007. In June 2018, the society announced it would allow women to join as full members. A parallel women's singing organization, Sweet Adelines International (SAI) was founded in 1945. A second women's barbershop harmony organization, Harmony, Incorporated, broke from SAI in 1959 over an issue of racial exclusion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbershop Music
Barbershop vocal harmony, as codified during the barbershop revival era (1930s–present), is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a primarily homorhythmic texture. Each of the four parts has its own role: generally, the lead sings the melody, the tenor harmonizes above the melody, the bass sings the lowest harmonizing notes, and the baritone completes the chord, usually below the lead. The melody is not usually sung by the tenor or baritone, except for an infrequent note or two to avoid awkward voice leading, in tags or codas, or when some appropriate embellishment can be created. One characteristic feature of barbershop harmony is the use of what is known as "snakes" and "swipes". This is when a chord is altered by a change in one or more non-melodic voices. Occasional passages may be sung by fewer than four voice parts. Barbershop music is generally performed by either a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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