Ta'aroa
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Ta'aroa
Ta'aroa is the supreme creator god in the mythology of the Society Islands of French Polynesia. While the use of the ʻOkina, ʻeta is appropriate given the pronunciation of his name, as is typically the case with Tahitian language, Tahitian words it is often omitted in practice. He then created the queen of all nations. The Myth In the beginning, there was only Ta'aroa, creator of all, including himself. He waited alone in his shell, which appeared as an egg spinning in the empty endless void of the time before the sky, before the earth, before the moon, before the sun, before the stars. He was bored, alone in his shell, and so he cracked it with a shake of his body and slid out of its confines, finding everything somber and silent outside, finding himself alone in the nothingness. So he broke the shell into pieces and from them formed the rocks and the sand, and the foundation of all the world, Tumu-Nui. With his backbone he created the mountains; with his tears he filled the ...
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Tagaloa
In Samoan mythology, Tagaloa (also known as Tagaloa-Lagi or Tagaloa, Lagi of the Heavens/Skies) is generally accepted as the supreme ruler,
Journal of Pacific History, Vol. 33, Mo.2, J998
the creator of the universe, the chief of all gods and the progenitor of other gods. Tagaloa Lagi dwelt in space and made the Heavens the sky, the land, the seas, the fresh water, the trees and the people. Samoans believed Tagaloa created nine heavens. Tagaloa's role as paramount deity in the Samoa pantheon bears similarities to the position of in Tahiti and

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Society Islands
The Society Islands (french: Îles de la Société, officially ''Archipel de la Société;'' ty, Tōtaiete mā) are an archipelago located in the South Pacific Ocean. Politically, they are part of French Polynesia, an overseas country of the French Republic. Geographically, they form part of Polynesia. The archipelago is believed to have been named by Captain James Cook during his first voyage in 1769, supposedly in honour of the Royal Society, the sponsor of the first British scientific survey of the islands; however, Cook wrote in his journal that he called the islands ''Society'' "as they lay contiguous to one another." History Dating colonization The first Polynesians are understood to have arrived on these islands around 1000AD. Oral history origin The islanders explain their origins in term of a orally transmitted story. The feathered god Ta'aroa lay in his shell. He called out but no-one answered, so he went back into his shell, where he stayed for aeons. When he ...
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Io Matua Kore
Io Matua Kore is often understood as the supreme being in Polynesian narrative, particularly of the Māori people. Io does seem to be present in the mythologies of other Polynesian islands including Hawai‘i, the Society Islands, and the Cook Islands. He, or somebody else with his name, appears as a great-grandson of Tiki, and a father of another Io-rangi in Moriori mythology. Controversy Io was first known generally with the publication in 1913 of Hoani Te Whatahoro Jury's book, translated by Percy Smith as ''The Lore of the Whāre-wananga''. The idea that the Io represented a pre-Christian understanding of "God" much like the Christian God would be propagated by Elsdon Best in his ''Maori Religion and Mythology.'' The Io tradition was initially rejected by scholars including prominent Māori scholar Te Rangi Hīroa (Peter Buck), who wrote, "The discovery of a supreme God named Io in New Zealand was a surprise to Māori and Pākehā alike." Buck believed that the Io tradit ...
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Tangaroa
Tangaroa (Takaroa in the South Island) is the great of the sea, lakes, rivers, and creatures that live within them, especially fish, in Māori mythology. As Tangaroa-whakamau-tai he exercises control over the tides. He is sometimes depicted as a whale. In some of the Cook Islands he has similar roles, though in Manihiki he is the fire deity that Māui steals from, which in Māori mythology is instead Mahuika, a goddess of fire. Māori traditions Tangaroa is a son of Ranginui and Papatūānuku, Sky and Earth. After he joins his brothers Rongo, Tū, Haumia, and Tāne in the forcible separation of their parents, he is attacked by his brother Tāwhirimātea, the of storms, and forced to hide in the sea. Tangaroa is the father of many sea creatures. Tangaroa's son, Punga, has two children, Ikatere, the ancestor of fish, and Tū-te-wehiwehi (or Tū-te-wanawana), the ancestor of reptiles. Terrified by Tāwhirimātea's onslaught, the fish seek shelter in the sea, and the reptil ...
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Tangaloa
Tangaloa was an important family of gods in Tongan mythology. The first Tangaloa was the cousin of Havea Hikuleo and Maui, or in some sources the brother or son or father of them. He was Tangaloa Eiki (''T. lord''), and was assigned by his father, Taufulifonua, the realm of the sky to rule. Among his offspring the following are found: Tangaloa Tamapoulialamafoa, Tangaloa Eitumātupua, Tangaloa Atulongolongo, and Tangaloa Tufunga. But different sources disagree about the exact family relations between any Tangaloa. Tangaloa Tufunga (''T. carpenter'') was known as an adze maker. Tangaloa Eitumātupua is known in Samoa as ''Tagaloa Eitumatupua'' (''T. ghost and riddle''; an eitu or aitu is a second rank god of somewhat malevolent nature). Eitumātupua A big toa (ironwood tree'') reaching into the sky grew on the island of Toonangakava between Mataaho and Talakite. Tangaloa Eitumātupua climbed down from the sky and saw a beautiful woman shellfishing. Her name was Ilaheva also know ...
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Kanaloa
In the traditions of ancient Hawaii, Kanaloa is a god symbolized by the squid or by the octopus, and is typically associated with Kāne. It is also an alternative name for the island of Kahoolawe. In legends and chants, Kāne and Kanaloa are portrayed as complementary powers. For example, whereas Kāne was called during the canoe building, Kanaloa was called while the canoe was being sailed. Likewise, Kāne governed the northern edge of the ecliptic while Kanaloa governed its southern edge, Kanaloa is "the subconscious to Kāne's conscious". In this way, they represent a divine duality of wild and taming forces similar to (by Georges Dumézil, et al.) in Indo-European chief god-pairs like Odin–Týr and Mitra–Varuna, or the more widely known ''yin and yang'' of Taoism. Kanaloa is also traditionally depicted as an ocean god, hence his association with seamanship, or cephalopods.Beckwith However, there are also interpretations that see Kanaloa as subordinate to Kāne. Kanaloa ...
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French Polynesia
)Territorial motto: ( en, "Great Tahiti of the Golden Haze") , anthem = , song_type = Regional anthem , song = " Ia Ora 'O Tahiti Nui" , image_map = French Polynesia on the globe (French Polynesia centered).svg , map_alt = Location of French Polynesia , map_caption = Location of French Polynesia (circled in red) , mapsize = 290px , subdivision_type = Sovereign state , subdivision_name = , established_title = Protectorate proclaimed , established_date = 9 September 1842 , established_title2 = Territorial status , established_date2 = 27 October 1946 , established_title3 = Collectivity status , established_date3 = 28 March 2003 , established_title4 = Country status (nominal title) , established_date4 = 27 February 2004 , official_languages = French , regional_languages = , capital = Papeete , coordinates = , largest_city = Fa'a'ā , demonym = French Polynesian , ethnic_groups = 66.5% unmixed  Polynesians7.1% mixed Polynesians9.3% Demis1 ...
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Tāne
In Māori mythology, Tāne (also called Tāne-mahuta, Tāne-nui-a-Rangi, and several other names) is the god of forests and of birds, and the son of Ranginui and Papatūānuku, the sky father and the earth mother, who used to lie in a tight embrace where their many children lived in the darkness between them (Grey 1956:2). On Tahiti, Tane was the god of peace and beauty. Separates his parents The children of Rangi and Papa grew frustrated at their confinement in the cramped space between their parents. Tū, future god of war, proposes that they should kill their parents. But Tāne (or Tāne-mahuta) disagrees, suggesting that it is better to separate them, sending Rangi into the sky and leaving Papa below to care for them. Tāne's brothers Rongo, then Tangaroa, Haumia-tiketike and Tū all try in vain to separate the parents. After many tries, Tāne lies on his back and pushes with his strong legs, and finally forces his parents apart, and Rangi rises high into the heavens (G ...
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Māui (mythology)
Māui (Maui) is the great culture hero and trickster in Polynesian mythology. Very rarely was Māui actually worshipped, being less of a deity and more of a folk hero. His origins vary from culture to culture, but many of his main exploits remain relatively similar.Craighill Handy 1927: 118 Tales of Māui's exploits and adventures are told throughout most of Polynesia; they can be traced back as far west as islands off New Guinea. Some exploits common to most Polynesian traditions are stealing fire for humans from the underworld, fishing up islands with his magical hook, and capturing the Sun to lengthen the days. There is a great deal of variation in the representations of Māui from nation to nation, from being a handsome young man, to being an old wise wandering priest. Although Māui was said to be very rascally or "kolohe", many of his deeds were to better the lives of his fellow people. He was respected throughout most cultures of the Pacific and still is famous to this day. ...
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Māori Mythology
Māori mythology and Māori traditions are two major categories into which the remote oral history of New Zealand's Māori may be divided. Māori myths concern fantastic tales relating to the origins of what was the observable world for the pre-European Māori, often involving gods and demigods. Māori tradition concerns more folkloric legends often involving historical or semi-historical forebears. Both categories merge in to explain the overall origin of the Māori and their connections to the world which they lived in. Māori had yet to invent a writing system before European contact, beginning in 1769, so they had no method to permanently record their histories, traditions, or mythologies. They relied on oral retellings memorised from generation to generation. The three forms of expression prominent in Māori and Polynesian oral literature are genealogical recital, poetry, and narrative prose. Experts in these subjects were broadly known as . The rituals, beliefs, and ge ...
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