TSOP (The Sound Of Philadelphia)
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TSOP (The Sound Of Philadelphia)
"TSOP (The Sound of Philadelphia)" is a 1974 hit recording by MFSB featuring vocals by The Three Degrees. A classic example of the Philadelphia soul genre, it was written by Gamble and Huff as the theme for the American musical television program ''Soul Train'', which specialized in African American musical performers. The single was released on the Philadelphia International Records label. It was the first television theme song to reach number one on the ''Billboard'' Hot 100, and it is arguably the first disco song to reach that position. Background The song is essentially an instrumental piece, featuring a lush blend of string instruments and a horn section in the Philadelphia soul style. There are only two vocal parts: a passage close to the beginning during which The Three Degrees sing "People all over the world!"; and the chorus over the fade out, "Let's get it on/It's time to get down". The words "People all over the world!" are not heard in the original version. The ver ...
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MFSB
MFSB, officially standing for "Mother Father Sister Brother", was a pool of more than 30 studio musicians based at Philadelphia's Sigma Sound Studios. They worked closely with the production team of Gamble and Huff and producer/arranger Thom Bell, and backed up Harold Melvin & the Blue Notes, The O'Jays, The Stylistics, the Spinners, Wilson Pickett, and Billy Paul. In 1972, MFSB began recording as a named act for the Philadelphia International label. "TSOP (The Sound of Philadelphia)", also known as the ''Soul Train'' theme, was their second and most successful single. Released in March 1974, it peaked at number one on the US ''Billboard'' pop and R&B charts. "TSOP" was influential in establishing the disco sound. The track sold over one million copies, and was awarded a gold disc by the RIAA in April 1974. Overview MFSB formed in 1971 and disbanded in 1985, three years after Teddy Pendergrass's car accident, which left him paralyzed. Assembled by record producers Kenneth Ga ...
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When Will I See You Again
"When Will I See You Again" is a song released in 1974 by American soul group The Three Degrees from their third album, ''The Three Degrees''. The song was written and produced by Kenny Gamble and Leon Huff. Sheila Ferguson sang the lead, accompanied by Fayette Pinkney and Valerie Holiday. ''Billboard'' named the song #67 on their list of 100 Greatest Girl Group Songs of All Time. Background Sheila Ferguson recalled that "the song was played to me by Kenny Gamble at the piano in 1973 and I threw a tantrum. I screamed and yelled and said I would never sing it. I thought it was ridiculously insulting to be given such a simple song and that it took no talent to sing it. We did do it and several million copies later, I realized that he knew more than me." She would later have a #60 hit with a solo remake of the track in 1994. The song is unique in that every sentence is a question, heightening the overall effect and emotion. The Three Degrees performed the song at Prince Charles' ...
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Haré+Guu
is a Japanese manga series written and illustrated by Renjuro Kindaichi which ran in Square Enix's ''Monthly Shōnen Gangan'' magazine from 1997 to 2002. The series focuses on the story of a 10-year-old boy named Haré who lives in the jungle and his misadventures with Guu, a liminal being who usually presents herself as a young girl. It was adapted into a 26-episode anime television series, followed by two OVA sequels: ''Haré+Guu DELUXE'' and ''Haré+Guu FINAL''. Plot ''Haré+Guu'' opens with a pregnant Weda leaving her home in an unnamed city. It then flashes forward to the present where Haré is a typical boy living in an unnamed village in an unidentified jungle with his lazy mother Weda. On his way back from his errand of fetching bananas, a large dark being overtakes him. Scared, he runs back to the house where his mom has decided to have a new guest, a cute girl named Guu. The next morning, Haré wakes up to find Guu a completely different person who is no long ...
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George Duke
George M. Duke (January 12, 1946 – August 5, 2013) was an American keyboardist, composer, singer-songwriter and record producer. He worked with numerous artists as arranger, music director, writer and co-writer, record producer and as a professor of music. He first made a name for himself with the album '' The Jean-Luc Ponty Experience with the George Duke Trio''. He was known primarily for 32 solo albums, of which '' A Brazilian Love Affair'' from 1979 was his most popular, as well as for his collaborations with other musicians, particularly Frank Zappa. Biography George M. Duke was born in San Rafael, California, United States, to Thadd Duke and Beatrice Burrell and raised in Marin City. At four years old, he became interested in the piano. His mother took him to see Duke Ellington in concert and told him about this experience. "I don't remember it too well, but my mother told me I went crazy. I ran around saying 'Get me a piano, get me a piano!'" He began his formal pia ...
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Inner Circle (band)
Inner Circle, also known as The Inner Circle Band or The Bad Boys of Reggae, are a Jamaican reggae band formed in Kingston in 1968. The band first backed The Chosen Few in the early 1970s before joining with successful solo artist Jacob Miller and releasing a string of records. This era of the band ended with Miller's death in a car crash in 1980. The group reformed in 1986. During this period, they released several international hit singles, including " Sweat (A La La La La Long)" and " Bad Boys," the theme from the American television show '' Cops''. The group continued to record and tour thereafter. Brothers Ian and Roger Lewis have remained the group's consistent members, playing bass and guitar, respectively. Other long-term members include keyboardist Bernard "Touter" Harvey, a member since 1973, and drummer Lancelot Hall, who joined during their 1986 reformation. The band's lineup is completed by singer Trevor "Skatta" Bonnick and lead guitarist Andre Philips. Career ...
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Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Dexys Midnight Runners
Dexys Midnight Runners (currently officially Dexys, their former nickname, styled without an apostrophe) are an English pop rock band from Birmingham, with soul influences, who achieved major commercial success in the early to mid-1980s. They are best known in the UK for their songs "Come On Eileen" and "Geno", both of which peaked at No. 1 on the UK Singles Chart, as well as six other top-20 singles. "Come On Eileen" also topped the US ''Billboard'' Hot 100, and with extensive airplay on MTV they are associated with the Second British Invasion. During the late 1970s and early 1980s, Dexys went through numerous personnel changes over the course of three albums and 13 singles, with only singer/songwriter/co-founder Kevin Rowland remaining in the band through all of the transitions and only Rowland and "Big" Jim Paterson (trombone) appearing on all of the albums. By 1985, the band consisted only of Rowland and long-standing members Helen O'Hara (violin) and Billy Adams (gui ...
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Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ...
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Neo Soul
Neo soul (sometimes called progressive soul) is a genre of popular music. As a term, it was coined by music industry entrepreneur Kedar Massenburg during the late 1990s to market and describe a style of music that emerged from soul and contemporary R&B. Heavily based in soul music, neo soul is distinguished by a less conventional sound than its contemporary R&B counterpart, with incorporated elements ranging from funk, jazz fusion, hip hop, and African music to pop, rock, and electronic music. It has been noted by music writers for its traditional R&B influences, conscious-driven lyrics, and strong female presence. Neo soul developed during the 1980s and early 1990s, in the United States and United Kingdom, as a soul revival movement. It earned mainstream success during the 1990s, with the commercial and critical breakthroughs of several artists, including D'Angelo, Erykah Badu, Lauryn Hill, and Maxwell. Their music was marketed as an alternative to the producer-driven, digit ...
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