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The Mad Capsule Markets (originally known as The Mad Capsule Market's and Berrie) were a Japanese band that formed in 1985 and were active until 2006. The band became known for their experimental style, which melded various kinds of electronic music and punk rock. Biography Berrie (1985–1990) In 1985, while in high school, vocalist and songwriter Hiroshi Kyono and guitarist Minoru Kojima formed the punk band Berrie. One year later, the duo were joined by bassist Takeshi Ueda and drummer "Seto", at which point the quartet began performing at concerts and entering Battle of the Bands competitions. The band recorded a three-song demo tape entitled ''Poison Revolution'', which they distributed themselves. (Two of these three songs were later re-released on the ''Speak!!!'' album.) Their popularity in the Japanese underground music scene steadily grew and in 1990 this success earned them a place as the opening act for the Red Hot Chili Peppers. However, within months of the perfo ...
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Berrie
The Mad Capsule Markets (originally known as The Mad Capsule Market's and Berrie) were a Japanese band that formed in 1985 and were active until 2006. The band became known for their experimental style, which melded various kinds of electronic music and punk rock. Biography Berrie (1985–1990) In 1985, while in high school, vocalist and songwriter Hiroshi Kyono and guitarist Minoru Kojima formed the punk band Berrie. One year later, the duo were joined by bassist Takeshi Ueda and drummer "Seto", at which point the quartet began performing at concerts and entering Battle of the Bands competitions. The band recorded a three-song demo tape entitled ''Poison Revolution'', which they distributed themselves. (Two of these three songs were later re-released on the ''Speak!!!'' album.) Their popularity in the Japanese underground music scene steadily grew and in 1990 this success earned them a place as the opening act for the Red Hot Chili Peppers. However, within months of the perfo ...
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Hiroshi Kyono
Hiroshi Kyono (born Hiroshi Kiyono March 31, 1969 in Yokohama, Japan) is the vocalist for The Mad Capsule Markets. Early years Kyono claims that in his earlier years he was an MTV junky, in high school he started listening to Japanese punk like Gauze, The Stalin, Inu, and Aburadako. Then he ventured out into overseas punk like Crass and The Pop Group. Kyono's also states that the first record that he bought wasn't very 'punk inspired' as it was Electric Light Orchestra's ''Secret Messages''. In 1985 he started the Boowy inspired punk group Berrie with his high school friend Minoru Kojima (aka Shin.), and the group later was joined by bassist Takeshi Ueda and Seto. The group performed their first show during their senior year of school and were ventured out to Tokyo and Shinjuku. His image at this time was very punk and glam inspired and would often switch from a loud abrasive punk voice to very melodic. The Mad Capsule Markets years After Berrie had opened for the likes of T ...
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Yokohama
is the second-largest city in Japan by population and the most populous municipality of Japan. It is the capital city and the most populous city in Kanagawa Prefecture, with a 2020 population of 3.8 million. It lies on Tokyo Bay, south of Tokyo, in the Kantō region of the main island of Honshu. Yokohama is also the major economic, cultural, and commercial hub of the Greater Tokyo Area along the Keihin region, Keihin Industrial Zone. Yokohama was one of the cities to open for trade with the Western world, West following the 1859 end of the Sakoku, policy of seclusion and has since been known as a cosmopolitan port city, after Kobe opened in 1853. Yokohama is the home of many Japan's firsts in the Meiji (era), Meiji period, including the first foreign trading port and Chinatown (1859), European-style sport venues (1860s), English-language newspaper (1861), confectionery and beer manufacturing (1865), daily newspaper (1870), gas-powered street lamps (1870s), railway station (1 ...
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Underground Music
Underground music is music with practices perceived as outside, or somehow opposed to, mainstream popular music culture. Underground music is intimately tied to popular music culture as a whole, so there are important tensions within underground music because it appears to both assimilate and resist the forms and processes of popular music culture. Underground music may be perceived as expressing sincerity, intimacy, freedom of creative expression in opposition to those practices deemed formulaic or commercially driven. Notions of individuality non-conformity are also commonly deployed in extolling the virtue of underground music. There are examples of underground music that are particularly difficult to encounter, such as the underground rock scenes in the pre- Mikhail Gorbachev Soviet Union, in which has amassed a devoted following over the years (most notably for bands such as Kino). However, most underground music is readily accessible, although performances and recordings ma ...
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Extended Play
An extended play record, usually referred to as an EP, is a musical recording that contains more tracks than a single but fewer than an album or LP record.Official Charts Company , access-date=March 21, 2017 Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of other than 78
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New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ...
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Sampling (signal Processing)
In signal processing, sampling is the reduction of a continuous-time signal to a discrete-time signal. A common example is the conversion of a sound wave to a sequence of "samples". A sample is a value of the signal at a point in time and/or space; this definition differs from the usage in statistics, which refers to a set of such values. A sampler is a subsystem or operation that extracts samples from a continuous signal. A theoretical ideal sampler produces samples equivalent to the instantaneous value of the continuous signal at the desired points. The original signal can be reconstructed from a sequence of samples, up to the Nyquist limit, by passing the sequence of samples through a type of low-pass filter called a reconstruction filter. Theory Functions of space, time, or any other dimension can be sampled, and similarly in two or more dimensions. For functions that vary with time, let ''S''(''t'') be a continuous function (or "signal") to be sampled, and let samp ...
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Yellow Magic Orchestra
Yellow Magic Orchestra (YMO for short) is a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals) and Ryuichi Sakamoto (keyboards, vocals). The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career. The three members were veterans of the music industry before coming together as YMO, and were inspired by eclectic sources, including the electronic music of Isao Tomita and Kraftwerk, Japanese traditional music, arcade games, funk music, and the disco productions ...
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The Stalin
were a Japanese punk rock band formed in June 1980, by leader and vocalist Michiro Endo. After numerous member changes, he disbanded the group in February 1985. In May 1987 Michiro formed a group called Video Stalin, which mostly made videos instead of albums; they disbanded in 1988. In 1989 Michiro created a new band named Stalin and continued to make music with them until 1993. History 1979: Jiheitai Circa 1979, Michiro Endo, a 29-year-old socialist activist, formed a punk band called . Several of their songs would later become The Stalin songs, such as "Ideologist", "Niku" and their versions of "No Fun" and "Light My Fire". 1980–1981: Beginning In June 1980 Endo formed The Stalin. He chose the name because "Joseph Stalin is very hated by most people in Japan, so it is very good for our image." Originally a three piece with Endo on vocals and bass, Atsushi on guitar and Jun on drums. Shintaro joined as bassist later in the month, however their first single, "Dendou ...
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Aburadako
is a Japanese noise punk band. Their name means "Greasy Octopus". A notable oddity is that none of Aburadako's albums have titles and are only distinguished by their packages. In September 2007, ''Rolling Stone Japan'' rated their 1985 studio album at No. 55 on its list of the "100 Greatest Japanese Rock Albums of All Time". Discography Singles * 'Aburadako / Yokujitsu' (9/8/2002) - This is a privately copied CD-R recording of their performance and called "CD-R" * 'Aburadako / Yokujitsu' (1/24/2004) - This is called "Kami-jake" because of its paper packaging. Albums Each album is titled Aburadako. They are differentiated primarily by their cover. Catalogue numbers are provided by the respective record companies. The 2008 compilation of the band's early work from 1983 to 1985 breaks this trend. * ''Aburadako'' (8/?/1983) - The debut album is a 7-inch sonosheet and is called "ADK Sono-sheet". * ''Aburadako'' (9/?/1984) - This is a 12-inch LP referred to as "ADK 12 inch" * ...
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Killing Joke
Killing Joke are an English rock music, rock band from Notting Hill, London, England, formed in 1979 by Jaz Coleman (vocals, keyboards), Paul Ferguson (drums), Geordie Walker (guitar) and Youth (musician), Youth (bass). Their first album, ''Killing Joke (1980 album), Killing Joke'', was released in 1980. After the release of ''Revelations (Killing Joke), Revelations'' in 1982, bassist Youth was replaced by Paul Raven (musician), Paul Raven. The band achieved mainstream success in 1985 with both the album ''Night Time (album), Night Time'' and the single "Love Like Blood (song), Love Like Blood". The band's musical style emerged from the post-punk scene, but stood out due to their heavier approach, and has been cited as a key influence on industrial rock. Their style evolved over many years, at times incorporating elements of gothic rock, synth-pop and electronic music, often baring Walker's prominent guitar and Coleman's "savagely strident vocals". Killing Joke have influenced ...
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Humanity (The Mad Capsule Markets Album)
Humanity is the debut album from Japanese hardcore punk group The Mad Capsule Markets. They later re-released the album in 1996, and this was the only full album that guitarist Minoru Kojima Minoru Kojima (born 11 October 1968) was the original guitarist for Japanese experimental punk band The Mad Capsule Markets. He is also known as Scene or Shin Murohime, which is apparently a conglomeration of characters from the names of different ... played on. This album contains the original version of the songs "San Byoukan no Jisatsu" and "Life Game", which both appear in censored form on the album "P.O.P". The original version of "San Byoukan no Jisatsu" contains an extra line in the chorus about jumping off a building. It was never made certain why the line was removed on "P.O.P", but it was speculated that the song was linked to Japanese teen suicide, and therefore censored on "P.O.P" and has been totally silenced on the re-release of "Humanity" and releases thereafter. The band or r ...
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