TIFF List Of Canada's Top Ten Films Of All Time
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TIFF List Of Canada's Top Ten Films Of All Time
The Top 10 Canadian Films of All Time is a list compiled by the Toronto International Film Festival ranking what are the considered the best Canadian films. The list has been compiled once roughly every 10 years starting in 1984, typically assembled by polling a combination of Canadian critics and filmmakers. The list, which is separate from the festival's annual Canada's Top Ten list of the best Canadian films released within that year, has been published in 1993, 2004, and 2015. Methodology The list is compiled once every decade. The list was started in 1984 because Canadian film was taking off, and was made by polling critics, professors, fans and festival staff. According to Piers Handling, a TIFF director, the idea of the Top 10 was to introduce the public to Canadian film, and around 100 people were polled. TIFF did not provide the poll-takers with a list of films to choose from. In 2015, the polling method was changed, as those who responded were divided into two groups, f ...
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Toronto International Film Festival
The Toronto International Film Festival (TIFF, often stylized as tiff) is one of the largest publicly attended film festivals in the world, attracting over 480,000 people annually. Since its founding in 1976, TIFF has grown to become a permanent destination for film culture operating out of the TIFF Bell Lightbox, located in Downtown Toronto. TIFF's mission is "to transform the way people see the world through film". Year-round, the TIFF Bell Lightbox offers screenings, lectures, discussions, festivals, workshops, industry support, and the chance to meet filmmakers from Canada and around the world. TIFF Bell Lightbox is located on the north west corner of King Street and John Street in downtown Toronto. In 2016, 397 films from 83 countries were screened at 28 screens in downtown Toronto venues, welcoming an estimated 480,000 attendees, over 5,000 of whom were industry professionals. TIFF starts the Thursday night after Labour Day (the first Monday in September in Canada) and ...
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Don Shebib
Donald Everett "Don" Shebib (born 27 January 1938) is a Canadian film director. Shebib is a central figure in the development of English Canadian cinema who made several short documentaries for the National Film Board of Canada and CBC Television in the 1960s before turning to feature films, beginning with the influential ''Goin' Down the Road'' (1970) and what many call his masterpiece, '' Between Friends'' (1973). He soon became frustrated by the bureaucratic process of film funding in Canada and chronic problems with distribution as well as a string of box office disappointments. After '' Heartaches'' (1981), he made fewer films for theatrical release and worked more in television. Shebib is Noah "40" Shebib's father. Early life Shebib was born in Toronto, Ontario, the son of Mary Alice Long, a Newfoundlander of Irish descent, and Moses "Morris" Shebib, born in Sydney, Nova Scotia, in 1910, himself the son of Lebanese immigrants. Shebib grew up in the Toronto suburb of Sc ...
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The Barbarian Invasions
''The Barbarian Invasions'' (french: Les Invasions barbares) is a 2003 Canadian-French sex comedy-drama film written and directed by Denys Arcand and starring Rémy Girard, Stéphane Rousseau and Marie-Josée Croze. The film is a sequel to Arcand's 1986 film ''The Decline of the American Empire'', continuing the story of the character Rémy, a womanizing history professor now terminally ill with cancer. The sequel was a result of Arcand's longtime desire to make a film about a character close to death, also incorporating a response to the September 11 attacks of 2001. It was produced by companies from both Canada and France, and shot mainly in Montreal, also employing a former hospital and property near Lake Memphremagog. The film received a positive response from critics and became one of Arcand's biggest financial successes. It was the first Canadian film to win the Academy Award for Best Foreign Language Film, at the 76th Academy Awards in 2004. It won awards at the 2003 C ...
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The Decline Of The American Empire
''The Decline of the American Empire'' (french: Le Déclin de l'empire Américain) is a 1986 Canadian sex comedy-drama film directed by Denys Arcand and starring Rémy Girard, Pierre Curzi and Dorothée Berryman. The film follows a group of intellectual friends from the Université de Montréal history department as they engage in a long dialogue about their sexual affairs, touching on issues of adultery, homosexuality, group sex, BDSM and prostitution. A number of characters associate self-indulgence with societal decline. The film was a box office success in Canada and internationally and received good reviews. It won the FIPRESCI Prize at the Cannes Film Festival, nine Genie Awards, including Best Motion Picture, and was the first Canadian film nominated for the Academy Award for Best Foreign Language Film. It was followed by two sequels, ''The Barbarian Invasions'' in 2003 and '' Days of Darkness'' in 2007. Plot In an interview with CBC Radio, Université de Montréal His ...
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Francis Mankiewicz
Francis Mankiewicz (March 15, 1944 in Shanghai, China – August 14, 1993 in Montreal, Quebec, Canada) was a Canadian film director, screenwriter and producer. In 1945, his family moved to Montreal, where Francis spent all his childhood. His father was a second cousin to the famous Hollywood brothers, Joseph L. Mankiewicz and Herman J. Mankiewicz. Career Francis Mankiewicz studied geology at McGill University and University of Montreal, and in 1966, travelled to London, England, to study filmmaking. He returned to Montreal in 1968 and assisted on several sponsored films before directing his first feature in 1972. His debut was ''Le temps d'une chasse'', which was followed by the dysfunctional family drama ''Les Bons Débarras'', generally regarded as his best film. He won Best Director at the Genie Awards, and the film was nominated for the Golden Bear at the Berlin Film Festival. Later he directed ''Love and Hate: The Story of Colin and JoAnn Thatcher'', the first Canadian-p ...
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Good Riddance (film)
''Good Riddance'' (french: Les Bons débarras) is a 1980 French-language Canadian drama film. Directed by Francis Mankiewicz and written by Réjean Ducharme, the film concerns Manon (Charlotte Laurier), an unstable young girl who lives with her mother Michelle (Marie Tifo) and her alcoholic and intellectually disabled uncle Ti-Guy (Germain Houde). Starting as the first screenplay by the novelist Ducharme, the film was shot by Mankiewicz and cinematographer Michel Brault on a low budget. It debuted at the Berlin International Film Festival and won several Genie Awards, including Best Motion Picture. It was established as a classic Canadian film, with the Toronto International Film Festival repeatedly placing it in the Top 10 Canadian Films of All Time. Plot Manon is a precocious 13-year-old girl living with her mother Michelle and intellectually challenged uncle Ti-Guy in the Laurentides. Manon wants to quit school and obtain the true love of her mother, whom she accuses of not lov ...
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Michel Brault
Michel Brault, OQ (25 June 1928 – 21 September 2013) was a Canadian cinematographer, cameraman, film director, screenwriter, and film producer. He was a leading figure of Direct Cinema, characteristic of the French branch of the National Film Board of Canada in the 1960s. Brault was a pioneer of the hand-held camera aesthetic. Career His early cameraman work with Gilles Groulx ('' Les Raquetteurs''), Claude Jutra (''À tout prendre'', '' Mon oncle Antoine'') and Pierre Perrault (''Pour la suite du monde'') virtually defines the look of classic Quebec cinema. He became involved with filmmaking while still at university and joined the National Film Board of Canada in 1956, working on the celebrated '' Candid Eye'' series. From 1961–62 he was in France, where he worked with directors such as Jean Rouch and Mario Ruspoli, and shot the influential ''Chronique d’un été'' with Raoul Coutard and others. In France, he is considered an originator and one of the purist prac ...
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Orders (1974 Film)
''Orders'' (french: Les Ordres; known in the United States as: ''Orderers'') is a 1974 Quebec historical drama film about the incarceration of innocent civilians during the 1970 October Crisis and the War Measures Act enacted by the Canadian government of Pierre Trudeau. It is the second film by director Michel Brault. It features entertainer and Senator Jean Lapointe. Plot The film tells the story of five of those incarcerated civilians. It is scripted but is inspired by a number of interviews with actual prisoners made during the events and its style is heavily inspired by the Quebec school of Cinéma vérité. It is a docufiction. Cast * Hélène Loiselle as Marie Boudreau * Jean Lapointe as Clermont Boudreau * Guy Provost as Dr. Jean-Marie Beauchemin * Claude Gauthier as Richard Lavoie * Louise Forestier as Claudette Dusseault *Louise Pratte as Louise Boudreau *Martine Pratte as Martine Boudreau *Monique Pratte as Monique Boudreau *Amulette Garneau as Mrs. Thibault, The ...
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Sarah Polley
Sarah Ellen Polley (born January 8, 1979) is a Canadian actress,Howell, Peter (September 24, 1999)"Nobody's Starlet: Toronto's Sarah Polley is Only 20 but already a veteran actor so secure in her craft she can thumb her nose at Hollywood" ''Toronto Star''. September 4, 1999. Retrieved January 21, 2021. writer, director, producer and political activist. Polley first garnered attention as a child actress for her role as Ramona Quimby in the television series ''Ramona'', based on Beverly Cleary's books. Subsequently this led to her role as Sara Stanley in the Canadian television series '' Road to Avonlea'' (1990–1996). She has starred in many feature films, including ''The Adventures of Baron Munchausen'' (1988), ''Exotica'' (1994), '' The Sweet Hereafter'' (1997), ''Guinevere'' (1999), '' Go'' (1999), ''The Weight of Water'' (2000), '' No Such Thing'' (2001), ''My Life Without Me'' (2003), '' Dawn of the Dead'' (2004), '' Splice'' (2009), and '' Mr. Nobody'' (2009). Polley made ...
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Stories We Tell
''Stories We Tell'' is a 2012 Canadian documentary film written and directed by Sarah Polley and produced by the National Film Board of Canada (NFB). The film explores her family's secrets—including one intimately related to Polley's own identity. ''Stories We Tell'' premiered August 29, 2012 at the 69th Venice International Film Festival, then played at the 39th Telluride Film Festival and the 37th Toronto International Film Festival. In 2015, it was added to the Toronto International Film Festival's list of the top 10 Canadian films of all time, at number 10. It was also named the 70th greatest film since 2000 in a 2016 critics' poll by BBC. Plot The film looks at the relationship between Polley's parents, Michael and Diane Polley, including the revelation that the filmmaker was the product of an extramarital affair between her mother and Montreal producer Harry Gulkin. It incorporates interviews with Polley's siblings from her mother's two marriages, interviews with other r ...
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Guy Maddin
Guy Maddin (born February 28, 1956) is a Canadian screenwriter, director, author, cinematographer, and film editor of both features and short films, as well as an installation artist, from Winnipeg, Manitoba. Since completing his first film in 1985, Maddin has become one of Canada's most well-known and celebrated filmmakers. Maddin has directed twelve feature films and numerous short films, in addition to publishing three books and creating a host of installation art projects. A number of Maddin's recent films began as or developed from installation art projects, and his books also relate to his film work. Maddin is known for his fascination with lost Silent-era films and for incorporating their aesthetics into his own work. Maddin has been the subject of much critical praise and academic attention, including two books of interviews with Maddin and two book-length academic studies of his work. Maddin was appointed to the Order of Canada, the country's highest civilian honour, i ...
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My Winnipeg
''My Winnipeg'' is a 2007 Canadian film directed and written by Guy Maddin with dialogue by George Toles. Described by Maddin as a "docu-fantasia", that melds "personal history, civic tragedy, and mystical hypothesizing", the film is a surrealist mockumentary about Winnipeg, Maddin's home town. A ''New York Times'' article described the film's unconventional take on the documentary style by noting that it "skates along an icy edge between dreams and lucidity, fact and fiction, cinema and psychotherapy". ''My Winnipeg'' began when Maddin was commissioned by the Documentary Channel, and originally titled ''Love Me, Love My Winnipeg''. Maddin's producer directed "Don't give me the frozen hellhole everyone knows that Winnipeg is", so Maddin cast Darcy Fehr in the role of "Guy Maddin" and structured the documentary around a metafictional plot that mythologizes the city and Maddin's autobiography. Plot Although ostensibly a documentary, ''My Winnipeg'' contains a series of fictional epis ...
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