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TB303
The Roland TB-303 Bass Line (also known as the 303) is a bass synthesizer released by Roland Corporation in 1981. Designed to simulate bass guitars, it was a commercial failure and was discontinued in 1984. However, cheap second-hand units were adopted by electronic musicians, and its "squelching" or "chirping" sound became a foundation of electronic dance music genres such as acid house, Chicago house and techno. It has inspired numerous clones. Design and features The TB-303 was designed by Tadao Kikumoto who also designed the Roland TR-909 drum machine. It was marketed as a "computerised bass machine" to replace the bass guitar. However, according to ''Forbes,'' it instead produces a "squelchy tone more reminiscent of a psychedelic mouth harp than a stringed instrument". The TB-303 has a single oscillator, which produces either a "buzzy" sawtooth wave or a "hollow-sounding" square wave. This is fed into a 24 dB/octave low-pass filter, which is manipulated by an envelope ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rip It Up (Orange Juice Song)
"Rip It Up" is a 1983 single by Scottish indie pop band Orange Juice. It was the second single to be released from their 1982 album of the same name. The song became the band's only UK top 40 success, reaching no. 8 in the chart. "Rip It Up" signalled a departure from the sound of the band's earlier singles, with Chic-influenced guitars and using a synthesiser to create a more disco-oriented sound. The song was sampled in 2009 by British soul singer Beverley Knight on her song "In Your Shoes" from the album '' 100%''. In 2014, ''NME'' ranked it at number 216 in its list of The 500 Greatest Songs of All Time. It was also included by ''Pitchfork'' at number 157 in a list of The Best 200 Songs of the 1980s. Recording and influences The song was recorded as part of the sessions for Orange Juice's second studio album and would go on to become the title track of said album. It marked a departure from their previous guitar-pop based material, instead utilising Chic style guitar-fun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acid House
Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago producers DJ Pierre of Phuture and Sleezy D. Acid house soon became popular in the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Acid house brought house music to a worldwide audience. The influence of acid house can be heard in later styles of dance music including trance, hardcore, jungle, big beat, techno and trip hop. Characteristics Acid house's minimalist sound combined house music's ubiquitous programmed four-on-the-floor 4/4 beat with the electronic squelch sound produced by the Roland TB-303 ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analog Synthesizer
An analog (or analogue) synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a variety of vacuum-tube (thermionic valve) and electro-mechanical technologies. After the 1960s, analog synthesizers were built using operational amplifier (op-amp) integrated circuits, and used potentiometers (pots, or variable resistors) to adjust the sound parameters. Analog synthesizers also use low-pass filters and high-pass filters to modify the sound. While 1960s-era analog synthesizers such as the Moog used a number of independent electronic modules connected by patch cables, later analog synthesizers such as the Minimoog integrated them into single units, eliminating patch cords in favour of integrated signal routing systems. History 1900–1920 The earliest mention of a "synthetic harmoniser" using electricity appears to be in 1906, cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Square Wave
A square wave is a non-sinusoidal periodic waveform in which the amplitude alternates at a steady frequency between fixed minimum and maximum values, with the same duration at minimum and maximum. In an ideal square wave, the transitions between minimum and maximum are instantaneous. The square wave is a special case of a pulse wave which allows arbitrary durations at minimum and maximum amplitudes. The ratio of the high period to the total period of a pulse wave is called the duty cycle. A true square wave has a 50% duty cycle (equal high and low periods). Square waves are often encountered in electronics and signal processing, particularly digital electronics and digital signal processing. Its stochastic counterpart is a two-state trajectory. Origin and uses Square waves are universally encountered in digital switching circuits and are naturally generated by binary (two-level) logic devices. Square waves are typically generated by metal–oxide–semiconductor fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charanjit Singh (musician)
Charanjit Singh (1940 – 5 July 2015) was an Indian musician from Mumbai, who performed as a session musician, often as a guitarist or synthesizer player, in numerous Bollywood Bollywood songs, soundtrack orchestras from the 1960s to 1980s, working with ''filmi'' composers such as Shankar Jaikishan, Shankar-Jaikishan, R. D. Burman, R.D. Burman, S. D. Burman, S.D. Burman, and Laxmikant–Pyarelal. In the 21st century, Singh became known for his 1983 album ''Synthesizing: Ten Ragas to a Disco Beat'' following retrospective associations with acid house, both of which prominently feature the Roland TB-303. It received re-release in 2010 on the Bombay Connection label. Biography Singh led a wedding band and recorded and released a number of albums Cover version, covering popular Filmi, film songs. These were a form of instrumental elevator music, some of which have since been re-released by Sublime Frequencies, such as his steel guitar renditions of "Manje Re" from ''Bandhe Haath'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stylus Magazine
''Stylus Magazine'' was an American online music and film magazine, launched in 2002 and co-founded by Todd L. Burns. It featured long-form music journalism, four daily music reviews, movie reviews, podcasts, an MP3 blog, and a text blog. Additionally, ''Stylus'' had daily features like "The Singles Jukebox", which looked at pop singles from around the globe, and "Soulseeking", a column focused on personal responses in listening. Even though they never reached the readership of other music magazines such as PopMatters or Pitchfork, they still had a very consistent and fired-up audience. In 2006, the site was chosen by the ''Observer Music Monthly'' as one of the Internet's 25 most essential music websites. ''Stylus'' closed as a business on 31 October 2007. The site remained online for several years, but did not publish any new content. On 4 January 2010, with the blessing of former editor Todd Burns, ''Stylus'' senior writer Nick Southall launched ''The Stylus Decade'', a web ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orange Juice (band)
Orange Juice was a Scottish jangle pop band founded in the Glasgow suburb of Bearsden as the Nu-Sonics in 1976. They became Orange Juice in 1979, and became perhaps the most important band in the Scottish independent music scene that emerged in the post-punk era, inspired by contemporary punk bands including Subway Sect, Television, and Buzzcocks but also 1960s acts, most notably The Byrds and The Velvet Underground. Musically, the band brought together styles and genres that often appeared incongruous, for example, country, disco and punk. The band released their first singles during 1980 and 1981 on the independent Postcard Records label founded by Alan Horne, along with fellow Scottish bands Josef K and Aztec Camera. Orange Juice's 'neo acoustic', jangly guitar sound – as evident in singles including "Blue Boy" and "Simply Thrilled Honey" – came to define 'The Postcard Sound' that directly influenced acts as diverse as The Bluebells, Haircut One Hundred and The Smiths. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phuture
Phuture is an American house music group from Chicago, founded in 1985 by Earl Smith Jr., Earl "Spanky" Smith Jr., Nathaniel Pierre Jones aka DJ Pierre, and Herbert "Herb J" Jackson. The group is famous for inventing and defining the sound of acid house, a subgenre of house music, with their 1987 release "Acid Tracks". History and background Phuture's seminal "Acid Tracks" is considered to be the first acid house record and credited for inventing and defining the genre. The 12-minute instrumental composition was released on Trax Records in 1987. Originally, it was recorded to tape and played by DJ Ron Hardy at the Chicago nightclub Music Box, supposedly already in 1985. * Lothario "Rio" Lee * Nathaniel Pierre Jones aka DJ Pierre (1985–1990; 2013–present) * Fernando "Fher" Rivera aka Lessnoise Former members * Herb J (Herbert Jackson) (1985–1988) * Jay Juniel (1990) * Phill Little (1990) * Roy Davis Jr. (1990–1997) * DJ Skull (Ron Maney) (1996–1997) * Earl Smith Jr. aka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acid Tracks
"Acid Tracks" is a 1987 acid house song by Phuture produced by Marshall Jefferson and released by Trax Records. Phuture consisted of Nathan Pierre Jones, better known as DJ Pierre, Earl Smith Jr., Earl Smith Jr (known as "Spanky"), and Herbert Jackson. Jones had been interested in developing dance music and became superficially interested in house music after Spanky had taken him to see DJ Ron Hardy perform in Chicago. The trio began developing tracks without finding anything that they felt was satisifying; Jones had heard a track made on the unpopular Roland TB-303 bass machine, which led the group to purchase one. In 1985, the group developed a track initially known as "In Your Mind", which they gave to Ron Hardy to listen to. Hardy agreed to play it at the Muzic Box. Although the audience were not at first receptive, the song became more popular over the course of the night. "Acid Tracks" was bootlegged as "Ron Hardy's Acid Track", leading to Phuture seeking out a way to release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for DAWs and plug-ins. On WhatIs.com of TechTarget (whatis.techtarget.com), an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer". * Note: an example of section title containing "''Audio Sequencer''" Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical sounding and were only able to play back notes of exactly equal duration. Sof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portamento
In music, portamento (plural: ''portamenti'', from old it, portamento, meaning "carriage" or "carrying") is a pitch sliding from one note to another. The term originated from the Italian expression "''portamento della voce''" ("carriage of the voice"), denoting from the beginning of the 17th century its use in vocal performances and emulation by members of the violin family and certain wind instruments, and is sometimes used interchangeably with anticipation. It is also applied to one type of glissando on, e.g., slide trombones, as well as to the "glide" function of steel guitars and synthesizers; in the latter it is often used to add a melancholic effect to the overall melody. Vocal portamento In the first example, Rodolfo's first aria in ''La Sonnambula'' (1831), the portamento is indicated by the slur between the third and fourth notes. The second example, Judit's first line in '' Duke Bluebeard's Castle'' (1912), employs an inclining, wavy line between the fourth and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
