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Twenty Five Years Of Dr. Feelgood
''Twenty Five Years of Dr. Feelgood'' is a double compilation album by Dr. Feelgood, and was released in February 1997. The compilation was edited down from the previously released five CD, ''Looking Back'', box set. Forty tracks from the band were included, incorporating material from vocalist Lee Brilleaux's final concert before his death, and four later efforts with their next singer, Pete Gage. The opening tracks had original guitarist Wilko Johnson in the line-up. Track listing Disc one #"She Does It Right" (Johnson) (3:22) - from ''Down by the Jetty'' #"I Don't Mind" (Johnson) (2:35) - from ''Down by the Jetty'' #"All Through the City" (Johnson) (3:01) - from ''Down by the Jetty'' #"Keep It Out of Sight" (Johnson) (3:00) - from the b-side of the single "Roxette" #"Roxette" (Johnson) - from ''Stupidity'' #"I Can Tell" (McDaniel, Smith) (2:43) - from ''Malpractice'' #"Sneakin' Suspicion" (Johnson) (3:50) - from ''Sneakin' Suspicion'' #"Back in the Night" (Johnson) (3:08 ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Lee Brilleaux
Lee Brilleaux (born Lee John Collinson; 10 May 1952 – 7 April 1994) was an English rhythm-and-blues singer and musician with the band Dr. Feelgood. Early life Lee Brilleaux was born in Durban, South Africa, to English parents, was brought up in Ealing, and moved to Canvey Island with his family when he was 13.Staig, Laurence.Obituary: Lee Brilleaux. ''The Independent''. 9 April 1994. Retrieved 23 March 2013. Career Brilleaux co-founded Dr. Feelgood with Wilko Johnson in 1971 and was the band's lead singer, harmonica player, and occasional guitarist. According to one obituary: "Brilleaux and Johnson developed a frantic act, often charismatically dressed in dark suits and loose ties, shabby rather than smart. The rough, and almost ruthless, edge which ran through his vocal and harmonica style reflected the character and philosophy of the band." In 1976, Brilleaux helped found Stiff Records, one of the driving forces of the " New Wave" of the mid- to late-1970s, with a loan of £5 ...
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She's A Windup
"She's a Windup" is a song by the band Dr. Feelgood. The track was recorded in 1977, and appeared on '' Be Seeing You'', an album by Dr. Feelgood that was released in September that year. "She's a Windup" was also released as a single in the UK in September 1977. Written by all the band members, and produced by Nick Lowe, the song was Dr. Feelgood's second hit single. The B-side of the record, "Hi-Rise", was penned solely by Gypie Mayo. It reached number 34 in the UK Singles Chart, and spent five weeks in the listing. A 12" single (12 UP 36304), issued at the same time as the 7" single, had an additional track on the B-side, a live version of "Homework". The cover shown is the original 12", with a "rubber stamp" logo in the corner. The 7" was released in a plain sleeve. On 20 September 1977 Dr. Feelgood recorded a Peel Session on BBC Radio 1 BBC Radio 1 is a British national radio station owned and operated by the BBC. It specialises in modern popular music and ...
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Jerry Leiber And Mike Stoller
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such crossover hit songs as " Hound Dog" (1952) and "Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), " Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and " King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry Mann and Cynthia Weil; " Stand By Me", written with Ben E. King; "Young Blood", written with Doc Pomus; and "Spanish Harlem", co-written by Leiber and Phil Spect ...
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Riot In Cell Block Nine
"Riot in Cell Block #9" is a R&B song composed by Jerry Leiber and Mike Stoller in 1954. The song was first recorded by The Robins the same year. That recording was one of the first R&B hits to use sound effects and employed a Muddy Waters stop-time riff as the instrumental backing. Lyrics The song's setting takes place at a correctional facility. A man is serving his prison sentence for armed robbery. At 4:00 AM on July 2, 1953, he wakes up to an alarming disturbance; a jail riot. It started in cell block #4 and continued through the prison hall from cell to cell. The jailhouse warden, armed with a tommy gun, threatens to execute all the prisoners if the riot does not stop soon, but one of them, Scarface Jones, retaliates by carrying dynamite. Forty-seven hours later, 3:00 AM on July 4, 1953, the prison security let loose tear gas on the inmates and they return to their cells. Personnel * Richard Berry, lead vocals * Mike Stoller, piano * Gil Bernal, saxophone * Barney Kessel ...
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Mick Green
Michael Robert Green (22 February 1944 – 11 January 2010) was an English rock and roll guitarist who played with The Pirates (with and without Johnny Kidd), Billy J. Kramer and the Dakotas, and Cliff Bennett and the Rebel Rousers. Biography Born Michael Robert Green, in Matlock, Derbyshire, Green grew up in the same block of flats in Wimbledon, south-west London, as the future Pirates. He devoured skiffle and early rock'n'roll, and began his career in 1956 playing in a skiffle trio "The Wayfaring Strangers", formed with his schoolmates Johnny Spence (on bass) and Frank Farley (on drums), which came second in a bands competition to The Quarrymen, an early incarnation of the Beatles. After a stint as the Ramrods, the trio then joined Red-E-Lewis and the Redcaps, who became the Redcaps, backing Cuddly Dudley, when Reddy Lewis left. In 1962, all three then joined Johnny Kidd and the Pirates – formed by Kidd during the 1950s – just after the band had scored a huge hit with ...
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Back In The Night
"Back in the Night" is a song by the band Dr. Feelgood. Recorded in 1975, it appeared on their second album, ''Malpractice''. "Back in the Night" was also issued as a single in the UK in July 1975. It failed to reach the UK Singles Chart. Written by Wilko Johnson, and produced by Vic Maile, the song was Dr. Feelgood's third single release. The b-side of the record, was a live recording of a cover version of " I'm a Man", penned by Bo Diddley. "Back in the Night" was also later included in Dr. Feelgood's 1997's compilation album A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tr ..., '' Twenty Five Years of Dr. Feelgood''. References 1975 singles Music in Southend-on-Sea Dr. Feelgood (band) songs Song recordings produced by Vic Maile 1975 songs United Artists Recor ...
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Sneakin' Suspicion
''Sneakin' Suspicion'' was the fourth album by Dr. Feelgood, and was released in 1977. During recording of ''Sneakin' Suspicion'', the band nearly disbanded following the departure of guitarist, songwriter and focal point, Wilko Johnson. The album reached number 10 in the UK Albums Chart in June 1977, and remained in that chart for six weeks. It also spawned their first single to enter the corresponding UK Singles Chart - "Sneakin' Suspicion". Despite its thriving British success, Dr. Feelgood was unable to find an audience in the United States. After ''Sneakin' Suspicion'' they did not release another record in the U.S. until 1980. Track listing All tracks composed by Wilko Johnson; except where indicated #"Sneakin' Suspicion" (3:50) #"Paradise" (4:03) #" Nothin' Shakin' (But the Leaves on the Trees)" (Cirino Colacrai, Eddie Fontaine, Johnny Gluck, Diane Lampert) (3:28) #"Time and the Devil" (2:59) #"Lights Out" (Seth David, Mac Rebennack) (1:54) #"Lucky Seven" (Lew Lewis) ...
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Sneakin' Suspicion (song)
"Sneakin' Suspicion" is a song by the band Dr. Feelgood. It was recorded in 1977 and was the first track on their album, ''Sneakin' Suspicion'', which was released in May that year. It was recorded at the Rockfield Studios and mixed at the Media Sounds Studios in New York. "Sneakin' Suspicion" was also issued as a single in the United Kingdom in May 1977. It reached number 47 in the UK Singles Chart and spent three weeks in the listing. Written by Wilko Johnson and produced by Bert de Coteaux, it was Dr. Feelgood's first hit single. and the only hit single to feature Johnson, the other five all featuring Gypie Mayo. The B-side of the record, "Lights Out", was written by Seth David and Mac Rebennack. The track was Dr. Feelgood's first UK charted song but it was not their first single release. "Sneakin' Suspicion" was preceded by "Roxette" (November 1974), "She Does It Right" (March 1975), "Back in the Night" (July 1975) and "Roxette" (live) (September 1976). " Riot In Cell ...
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Malpractice (Dr
In the law of torts, malpractice, also known as professional negligence, is an "instance of negligence or incompetence on the part of a professional".Malpractice definition, Professionals who may become the subject of malpractice actions include: * medical professionals: a medical malpractice claim may be brought against a doctor or other healthcare provider who fails to exercise the degree of care and skill that a similarly situated professional of the same medical specialty would provide under the circumstances. * lawyers: a legal malpractice claim may be brought against a lawyer who fails to render services with the level of skill, care and diligence that a reasonable lawyer would apply under similar circumstances. * financial professionals: professionals such as accountants, financial planners and stockbrokers, may be subject to claims for professional negligence based upon their failure to meet professional standards when providing services to their clients. * architect ...
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Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life ...
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