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Tuscan Order
The Tuscan order (Latin ''Ordo Tuscanicus'' or ''Ordo Tuscanus'', with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un-fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order (for example, the Roman architect Vitruvius did not include it alongside his descriptions of the Greek Doric, Ionic, and Corinthian orders). Its classification as a separate formal order is first mentioned in Isidore of Seville's ''Etymologies'' and refined during the Italian Renaissance. Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of ''Regole generali di ...
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Regola Delli Cinqve Ordini D'architettvra (1563) (14778998914)
Regola is the 7th ''rione'' of Rome, Italy, identified by the initials R. VII, and belongs to the Municipio I. The name comes from ''Arenula'' (the name is recognizable in the modern ''Via Arenula''), which was the name of the soft sand (''rena'' in Italian) that the river Tiber left after the floods, and that built strands on the left bank. The inhabitants of the ''rione'' are called ''Regolanti''. They were nicknamed ''mangiacode'' ('tail-eaters'), after the typical dish ''coda alla vaccinara'', which was a specialty of the many ''vaccinari'' ('butchers') of the ''rione''. The seal of the ''rione'' represents a rampant deer with a turquoise background. History During the Roman empire, the area belonged to the ''Campus Martius''. In particular, in the modern Regola there was the Trigarium, the stadium where the riders of the ''triga'' (a cart with three horses) used to train. When Emperor Augustus divided Rome into 14 regions, the modern Regola belonged was included in the I ...
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Andrea Palladio
Andrea Palladio ( ; ; 30 November 1508 – 19 August 1580) was an Italian Renaissance architect active in the Venetian Republic. Palladio, influenced by Roman and Greek architecture, primarily Vitruvius, is widely considered to be one of the most influential individuals in the history of architecture. While he designed churches and palaces, he was best known for country houses and villas. His teachings, summarized in the architectural treatise, ''The Four Books of Architecture'', gained him wide recognition. The city of Vicenza, with its 23 buildings designed by Palladio, and 24 Palladian villas of the Veneto are listed by UNESCO as part of a World Heritage Site named City of Vicenza and the Palladian Villas of the Veneto. The churches of Palladio are to be found within the "Venice and its Lagoon" UNESCO World Heritage Site. Biography and major works Palladio was born on 30 November 1508 in Padua and was given the name Andrea di Pietro della Gondola. His father, Pietro, ...
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I Quattro Libri Dell'architettura
''I quattro libri dell'architettura'' (''The Four Books of Architecture'') is a treatise on architecture by the architect Andrea Palladio (1508–1580), written in Italian. It was first published in four volumes in 1570 in Venice, illustrated with woodcuts after the author's own drawings. It has been reprinted and translated many times, often in single-volume format. Book I was first published in English in 1663 in a London edition by Godfrey Richards. The first complete English language edition was published in London by the Italian-born architect Giacomo Leoni in 1715–1720.The Center for Palladian Studies in America, Inc., "Palladio and his Books." http://www.palladiancenter.org/palladiobooks.html Organization The treatise is divided into four books: The first book discusses building materials and techniques. It documents five classical orders (Doric, Ionic, Corinthian, Tuscan, Composite) in all their parts (bases, columns, architraves, arches, capitals, trabeations), ...
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The Five Orders Of Architecture
''The Five Orders of Architecture'' (''Regola delli cinque ordini d'architettura'') is a book on classical architecture by Giacomo Barozzi da Vignola from 1562, and is considered "one of the most successful architectural textbooks ever written", despite having no text apart from the notes and the introduction. Originally published in Italian as ''Regola delli cinque ordini d'architettura'', it has been fully or partially translated in English with different titles, including ''Canon of the Five Orders of Architecture''; ''Rules of the Five Orders of Architecture''; ''Vignola: an elementary treatise on architecture comprising the complete study of the five orders, with indication of their shadows and the first principles of construction''; ''The Five Orders of Architecture according to Giacomo Barozzio of Vignola, to Which are Added the Greek Orders''; and ''The five orders of architecture, the casting of shadows and the first principles of construction based on the system of Vignol ...
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Daniele Barbaro
Daniele Matteo Alvise Barbaro (also Barbarus) (8 February 1514 – 13 April 1570) was an Italian cleric and diplomat. He was also an architect, writer on architecture, and translator of, and commentator on, Vitruvius. Barbaro's fame is chiefly due to his vast output in the arts, letters, and mathematics. A cultured humanist, he was a friend and admirer of Torquato Tasso, a patron of Andrea Palladio, and a student of Pietro Bembo. Francesco Sansovino considered Daniele to be one of the three best Venetian architects, along with Palladio and Francesco's father Jacopo. Biography He was born in Venice, the son of Francesco di Daniele Barbaro and Elena Pisani, daughter of the banker Alvise Pisani and Cecilia Giustinian. Barbaro studied philosophy, mathematics, and optics at the University of Padua. He has been credited with the design of the university's botanical garden. Barbaro served the Republic of Venice as ambassador to the court of Edward VI in London and as representat ...
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Vitruvian Module
A module (Latin ''modulus'', a measure) is a term that was in use among Roman architects, corresponding to the semidiameter of the column at its base. The term was first set forth by Vitruvius (book iv.3), and was employed by architects in the Italian Renaissance to determine the relative proportions of the various parts of the Classical orders. The module was divided by the 16th century theorists into thirty parts, called minutes, allowing for much greater precision than was thought necessary by Vitruvius, whose subdivision was usually six parts. When illustrating Palladio, the British architect Isaac Ware (''The Four Books of Andrea Palladio's Architecture'', London 1738; ''illustration, right'') laid out the Doric order The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of c ... as an ...
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Leon Battista Alberti
Leon Battista Alberti (; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths. He is considered the founder of Western cryptography, a claim he shares with Johannes Trithemius. Although he often is characterized exclusively as an architect, as James Beck has observed, "to single out one of Leon Battista's 'fields' over others as somehow functionally independent and self-sufficient is of no help at all to any effort to characterize Alberti's extensive explorations in the fine arts". Although Alberti is known mostly for being an artist, he was also a mathematician of many sorts and made great advances to this field during the fifteenth century. The two most important buildings he designed are the churches of San Sebastiano (1460) and Sant'Andrea (1472), both in Mantua. Alberti's life was described in Giorgio Vasari's ' ...
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Giacomo Barozzi Da Vignola
Giacomo Barozzi da Vignola ( , , ; 1 October 15077 July 1573), often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Sebastiano Serlio, Serlio and Andrea Palladio, Palladio. He is often considered the most important architect in Rome in the Mannerism, Mannerist era. Biography Giacomo Barozzi was born at Vignola, near Modena (Emilia-Romagna). He began his career as architect in Bologna, supporting himself by painting and making perspective Patterns, templates for inlay craftsmen. He made a first trip to Rome in 1536 to make measured drawings of Roman temples, with a thought to publish an illustrated Vitruvius. Then Francis I of France, François I called him to Fontainebleau, where he spent the years 1541–1543. Here he pro ...
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Architectural Theory
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes ; ; . Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. The practice, which began in the prehistoric era, has been used as a way of expressing culture for civilizations on all seven continents. For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient times. The earliest surviving text on architectural theories is the 1st century AD treatise '' De architectura'' by the Roman architect Vitruvius, according to whom a good building embodies , and (durability, utility, and beauty). Ce ...
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Palazzo Strozzi
Palazzo Strozzi is a palace in Florence, Italy. History The construction of the palace was begun in 1489 by Benedetto da Maiano, for Filippo Strozzi the Elder, a rival of the Medici who had returned to the city in November 1466 and desired the most magnificent palace to assert his family's continued prominence and, perhaps more important, a political statement of his own status. A great number of other buildings were acquired during the 1470s and demolished to provide enough space for the new construction. Giuliano da Sangallo provided a wood model of the design. Filippo Strozzi died in 1491, long before the construction's completion in 1538. Duke Cosimo I de' Medici confiscated it in the same year, not returning it to the Strozzi family until thirty years later. The palace faces the historical Via de' Tornabuoni. Description Palazzo Strozzi is an example of civil architecture with its rusticated stone, inspired by the Palazzo Medici, but with more harmonious proportions. Unli ...
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Simone Del Pollaiolo
Simone del Pollaiolo (1457–1508) was a Florentine architect who was commonly known as Il Cronaca ("The Chronicle One"). Pollaiolo was born in Florence, the nephew of the better-known brothers Antonio and Piero Benci who had the nickname ''Pollaiuolo'' or ''Pollaiolo'' ("Hen-House Keeper" in Italian, from ). Simone was later given his nickname ''Il Cronaca''. The reason for such nickname has much to do with his style and is explained by Giorgio Vasari. In order to learn more of the architectural art, he marched to Rome around 1470 to observe the old ruins. On his return to Florence he made very meticulous and reasoned stories and descriptions of his observations, which were described like a chronicle. Pollaiolo was responsible for the completion of Strozzi Palace after the death of Benedetto da Maiano in 1497. He died in Florence in 1508. Further reading *Anne-Imelda Radice Anne-Imelda Marino Radice (born February 29, 1948, in Buffalo) is an American art historian an ...
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