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Turkish March (other)
A Turkish march—in Italian, ''marcia alla turca''—is a march written by a classical composer in the Turkish style that includes particular rhythmic patterns and often features piccolos, cymbals, bass drums and triangles. Turkish March may refer to the following specific pieces of classical music: * Turkish Rondo, or ''Rondo alla turca'', the third movement from Wolfgang Amadeus Mozart's Piano Sonata No. 11, K. 331 (1783) * Turkish March (Beethoven) The Turkish March (Marcia alla turca) is a classical march theme by Ludwig van Beethoven. It was written for the 1809 ''Six variations'', Op. 76, and in the Turkish style. Later in 1811, Beethoven included the Turkish March in a play by August v ..., from Ludwig van Beethoven's Six Variations, Op. 76 (1809), which he re-used as the fourth movement in the 1811 incidental music ''The Ruins of Athens'', Op. 113 * A section in the style of a Turkish march from the last movement of Beethoven's Symphony No. 9, Op. 125 (1824) {{ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Music (style)
Turkish music, in the sense described here, is not the music of Turkey, but rather a musical style that was occasionally used by the European composers of the Classical music era. This music was modelled—though often only distantly—on the music of Turkish military bands, specifically the Janissary bands. History An important impetus for Turkish music occurred in 1699, when Austria and the Ottoman Empire negotiated the Treaty of Karlowitz. To celebrate the treaty, the Turkish diplomatic delegation brought a Janissary band along with other performers to Vienna for several days of performances. Although the Janissary sound was familiar in Europe during the 18th century, the Classical composers were not the first to make use of it; rather, the first imitators were military bands. The cultural influence at first involved actual importation of Turkish musicians, as Henry George Farmer relates: :The credit for having introduced this battery of percussion and concussion into Euro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piccolo
The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino (), by which the instrument is called in Italian and thus also in scores of Italian composers. Piccolos are often orchestrated to double the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards. The piccolo is a standard member in orchestras, marching bands, and wind ensembles. History Since the Middle Ages, evidence indicates the use of octave transverse flutes as military instruments, as their penetrating sound was audible above battles. In cultured music, however, the first piccolos were used in some of Jean Philippe Rameau's works in the first half of the 18th century. Sti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cymbal
A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note (such as crotales). Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist. Etymology and names The word cymbal is derived from the Latin ''cymbalum'', which is the latinisation of the Greek word ''kymbalon'', "cymbal", which in turn derives from ''kymbē'', "cup, bowl". In orchestral scores, cymbals may be indicated by the French ''cymbales''; German ''Becken'', ''Schellbecken'', ''Teller'', or ''Tschinellen''; Italian ''piatti'' or ''cinelli''; and Spanish ''platillos''. Many of these deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Drum
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, Del Mar, Norman (1981). ''Anatomy of the Orchestra''. . but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. * The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the largest dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triangle (musical Instrument)
The triangle is a musical instrument in the percussion family, and is classified as an idiophone in the Hornbostel-Sachs classification system. Triangles are made from a variety of metals including aluminum, beryllium copper, brass, bronze, iron, and steel. The metal is formed into a triangle shape by bending or casting methods. The instrument is usually held by a loop of some form of thread or wire at the top curve. The triangle theoretically has indefinite pitch, and produces a plurality of overtones when struck with an appropriate beater. History Iconography is the primary source for knowledge of the history of the triangle, and provides insight into the musical and social context in which the instrument developed. Some scholars believe the triangle to be a direct descendant of the ancient Egyptian sistrum. Others do not go quite so far, referring to the triangle as being "allied" with the sistrum throughout history, but not a direct descendant. It is thought that if ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Rondo
The Piano Sonata No. 11 in A major, K. 331 / 300i, by Wolfgang Amadeus Mozart is a piano sonata in three movements. The sonata was published by Artaria in 1784, alongside Nos. 10 and 12 (K. 330 and K. 332). The third movement of this sonata, famously known as the "Turkish March" or "Turkish Rondo," is often heard on its own and regarded as one of Mozart's best-known piano pieces. Structure The sonata consists of three movements: All of the movements are in the key of A major or A minor; therefore, the work is homotonal. A typical performance of this entire sonata takes about 20 minutes. I. ''Andante grazioso'' Since the opening movement of this sonata is a theme and variation, Mozart defied the convention of beginning a sonata with an allegro movement in sonata form. The theme is a siciliana, consisting of two 8-measure sections, each repeated, a structure shared by each variation. II. ''Menuetto'' The second movement of the sonata is a standard minuet and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish March (Beethoven)
The Turkish March (Marcia alla turca) is a classical march theme by Ludwig van Beethoven. It was written for the 1809 ''Six variations'', Op. 76, and in the Turkish style. Later in 1811, Beethoven included the Turkish March in a play by August von Kotzebue called ''The Ruins of Athens'' (Op. 113), which premiered in Budapest, Hungary in 1812. The march is in B-flat major, tempo vivace and time. Its dynamic scheme is highly suggestive of a procession passing by, starting out pianissimo, poco a poco rising to a fortissimo climax and then receding back to pianissimo by the coda. In popular culture Franz Liszt wrote a version for piano and orchestra in 1837 entitled "Fantasie über Motiven aus Beethovens Ruinen von Athen" (S. 122). He also wrote a piano transcription in 1846, titled "Capriccio alla turca sur des motifs de Beethoven" (S. 388). Anton Rubinstein arranged a popular piano version of the march in B major. Sergei Rachmaninoff further arranged Rubinstein's version, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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