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Tsubame Gaeshi
is a Judo throw that falls within the seventeen techniques of the ''Shimmeisho no waza'', officially recognised by the Kodokan in 1982. Literally translated as "Swallow Counter", ''Tsubame gaeshi'' is the countering of an ashi waza with ''Deashi harai'' from the opposite leg. A right-handed ''Deashi-harai'' executed by uke, for instance, would be avoided by tori bending his right knee, followed by a left-handed ''Deashi-harai''. ''Tsubame gaeshi'' as a counter against uke's ''Deashi harai'' is the opening move of the Kaeshi-no-kata. As a counter against Okuriashi harai, it forms the sixth technique of the Nage-Waza-Ura-no-kata. The name ''Tsubame Gaeshi'' is a reference to the famous technique of the legendary Japanese swordsman Sasaki Kojirō. It was an overhead katana A is a Japanese sword characterized by a curved, single-edged blade with a circular or squared guard and long grip to accommodate two hands. Developed later than the '' tachi'', it was used by samurai ...
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Nage-waza
In martial arts, a throw is a grappling technique that involves off-balancing or lifting an opponent, and throwing them to the ground, in Japanese martial arts referred to as ''nage-waza'', 投げ技, "throwing technique". Throws are a subset of takedown (grappling). Certain throwing techniques called sacrifice throws (''sutemi-waza'', 捨身技, "sacrifice technique") involve putting oneself in a potentially disadvantageous position, such as on the ground, in order to execute a throw. Types of throws There are several major types of throw, among Asian martial arts, Judo has the most developed throwing techniques and throws are considered its specialty. Most throws are named by describing the circumvention point of the throw (e.g., hip throw, shoulder throw, wrist throw etc.), or the nature of effect of the throw on the opponent (e.g., heaven and earth throw, valley drop, body drop) with variations are given descriptive names. The names used here are attributed to Jujutsu throw ...
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Nage-Waza-Ura-no-kata
The is a judo kata that, like the Gonosen-no-kata, focuses on counter-attacks to throwing techniques. It was developed by Mifune Kyūzō, and is not an officially recognized Kodokan kata. Techniques * Uki otoshi countered by Tai otoshi * Seoinage countered by Yoko guruma * Kata guruma countered by Sumi gaeshi * Tai otoshi countered by Kotsuri goshi * Obi otoshi countered by O guruma * Okuriashi harai countered by Tsubame gaeshi * Kouchi gari countered by Hiza Guruma * Ouchi gari countered by Ouchi gaeshi * Sasae tsurikomi ashi countered by Sumi otoshi * Uchi mata countered by Tai otoshi * Hane goshi countered by Kari gaeshi * Harai goshi countered by Ushiro goshi * Hane goshi countered by Utsuri goshi * Uki goshi countered by Yoko wakare * O goshi countered by Ippon seoinage In a video-taped version performed by Mifune dating from the 1950s, Ouchi gari gaeshi, the counter for Ouchi gari, is replaced with Tomoe nage. Although the video notes that Mifune will co ...
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Grappling Hold
A grappling hold, commonly referred to simply as a hold that in Japanese is referred to as ''katame-waza'' ( "grappling technique"), is any specific grappling, wrestling, judo, or other martial art grip that is applied to an opponent. Grappling holds are used principally to control the opponent and to advance in points or positioning. The holds may be categorized by their function, such as clinching, pinning, or submission, while others can be classified by their anatomical effect: chokehold, headlock, joint-lock, or compression lock. Multiple categories may be appropriate for some of these holds. Clinch hold A clinch hold (also known as a clinching hold) is a grappling hold that is used in clinch fighting with the purpose of controlling the opponent. In wrestling it is referred to as the tie-up. The use of a clinch hold results in the clinch. Clinch holds can be used to close in on the opponent, as a precursor to a takedown or throw, or to prevent the opponent from moving ...
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Judo Technique
This is a list of judo techniques. They are categorized into throwing techniques (''nage-waza''), grappling techniques (''katame-waza''), body-striking techniques (''atemi-waza)'', blocks and parries (''uke-waza''), receiving/breakfall techniques (''ukemi''), and resuscitation techniques (''kappo''). Nage-waza (投げ技): throwing techniques Te-waza (手技): hand throwing techniques # Ippon seoinage (一本背負投): Single-handed back throw # Kata guruma (肩車): Shoulder wheel # Kibisu gaeshi (踵返): One-hand reversal # Morote gari (双手刈): Two-hand reap # Obi otoshi (帯落): Belt drop # Seoi nage (背負投): Back throw # Seoi otoshi (背負落): Back drop # Sukui nage (掬投): Scoop throw # Sumi otoshi (隅落): Corner drop # Tai otoshi (体落): Body drop # Uchi mata sukashi (内股透): Inner thigh void throw # Uki otoshi (浮落): Floating drop # Yama arashi (山嵐): Mountain storm # Kouchi gaeshi (小内返): Small inner reap reversal # Kuc ...
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Old World Sparrow
Old World sparrows are a group of small passerine birds forming the family Passeridae. They are also known as true sparrows, a name also used for a particular genus of the family, ''Passer''. They are distinct from both the New World sparrows, in the family Passerellidae, and from a few other birds sharing their name, such as the Java sparrow of the family Estrildidae. Many species nest on buildings and the house and Eurasian tree sparrows, in particular, inhabit cities in large numbers. They are primarily seed-eaters, though they also consume small insects. Some species scavenge for food around cities and, like gulls or pigeons, will eat small quantities of a diversity of items. Description Generally, Old World sparrows are small, plump, brown and grey birds with short tails and stubby, powerful beaks. The differences between sparrow species can be subtle. Members of this family range in size from the chestnut sparrow (''Passer eminibey''), at and , to the parrot-billed spa ...
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Katana
A is a Japanese sword characterized by a curved, single-edged blade with a circular or squared guard and long grip to accommodate two hands. Developed later than the ''tachi'', it was used by samurai in feudal Japan and worn with the edge facing upward. Since the Muromachi period, many old ''tachi'' were cut from the root and shortened, and the blade at the root was crushed and converted into ''katana''. The specific term for ''katana'' in Japan is ''uchigatana'' (打刀) and the term ''katana'' (刀) often refers to single-edged swords from around the world. Etymology and loanwords The word ''katana'' first appears in Japanese in the '' Nihon Shoki'' of 720. The term is a compound of ''kata'' ("one side, one-sided") + ''na'' ("blade"), in contrast to the double-sided '' tsurugi''. See more at the Wiktionary entry. The ''katana'' belongs to the ''nihontō'' family of swords, and is distinguished by a blade length (''nagasa'') of more than 2 ''shaku'', approximately . ' ...
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Sasaki Kojirō
was a Japanese swordsman who may have lived during the Azuchi–Momoyama and early Edo periods and is known primarily for the story of his battle with Miyamoto Musashi in 1612, where Sasaki was killed. Although suffering from defeat as well as death at the hands of Musashi, he is a revered and respected warrior in Japanese history and culture.Bokken- Art of the Japanese Wooden Sword, Dave Lowry, Ohara Publications, 1986, p. 21 History Sasaki Kojirō went by the fighting name of , which was also the name of the ''kenjutsu'' school he had founded. It is said that Sasaki studied the Chūjō-ryu of sword fighting from either Kanemaki Jisai or Toda Seigen. Toda Seigen was a master of the ''kodachi''. If Sasaki had indeed learned Chūjō-ryu from Seigen, he would have been his master's sparring partner. Due to his master's use of the kodachi, Sasaki used a '' nodachi'', or a long ''katana'', against him, therefore eventually excelling in its use. It was after defeating his master' ...
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Okuriashi Harai
is one of the original 40 throws of Judo as developed by Kano Jigoro. It belongs to the second group of the traditional throwing list in the ''Gokyo no waza'' of the Kodokan Judo. It is also part of the current 67 Throws of Kodokan Judo. It is classified as a foot technique (''ashiwaza''). Technique description Okuriashi harai is a double foot sweep from standing position. To execute the technique, extend the stepping motion of the opponent's leg towards his other leg by using your foot pushing against his foot's instep or side. The sweep is most effective against a retreating opponent and does not work if just one of his feet leaves the ground. Similar techniques, variants, and aliases English aliases: Similar techniques: * de ashi harai: sweeping of one foot either forward or sideways * Harai tsuri komi ashi: sweeping one foot backwards Further reading * See also * Judo technique * The Canon Of Judo The Canon of Judo is a book that was originally publish ...
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Foot Throwing Techniques
The foot ( : feet) is an anatomical structure found in many vertebrates. It is the terminal portion of a limb which bears weight and allows locomotion. In many animals with feet, the foot is a separate organ at the terminal part of the leg made up of one or more segments or bones, generally including claws or nails. Etymology The word "foot", in the sense of meaning the "terminal part of the leg of a vertebrate animal" comes from "Old English fot "foot," from Proto-Germanic *fot (source also of Old Frisian fot, Old Saxon fot, Old Norse fotr, Danish fod, Swedish fot, Dutch voet, Old High German fuoz, German Fuß, Gothic fotus "foot"), from PIE root *ped- "foot". The "plural form feet is an instance of i-mutation." Structure The human foot is a strong and complex mechanical structure containing 26 bones, 33 joints (20 of which are actively articulated), and more than a hundred muscles, tendons, and ligaments.Podiatry Channel, ''Anatomy of the foot and ankle'' The joints of the ...
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Kaeshi-no-kata
Practice of is almost entirely limited to Great-Britain, where until today it has been understood as a judo kata which, like the Gonosen-no-kata, focuses on counter-attacks to throwing techniques. The kata was commonly explained as being an older form than Gonosen-no-kata, that was passed onto Ōtani Masutarō from Tani Yukio. It was recently shown, however, that the "kaeshi-no-kata" has no authentic basis as a kata, and is largely the result of a linguistic mix-up. "Kaeshi-kata", properly written 返へし方 rather than 返の形, and without the possessive particle の (no) was the title of a series of articles written in the 1920s by Takahashi-sensei from Waseda University in Tokyo. Nearly a dozen articles presented his pioneering work on the principles of counter-attacks to throwing techniques. These were loose techniques that were never intended for, or made into a kata form. However, without access to these sources or a thorough understanding of the author's intent, conf ...
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Tori (martial Arts)
is a term used in Japanese martial arts to refer to the executor of a technique in partnered practice. The term "tori" comes from the verb , meaning "to take", "to pick up", or "to choose". In judo and some other martial arts, ''tori'' is the person who completes the technique against the training partner, called ''uke''. Regardless of the situation, the principle is that "tori" is always the one who successfully ''completes'' a technique. The terms "tori" and "uke" are not synonymous with attacker and defender, because the role is determined by who completes a successful technique, not who initiates one. In aikido and related martial arts, ''tori'' executes a defensive technique against a designated attack initiated by ''uke''. Aikido has alternative terms describing the role of ''tori'', depending on the particular style or situation, including and .Shite can also refer to the principal character in a Japanese Noh is a major form of classical Japanese dance-drama that ha ...
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