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Trouble In Mind (song)
"Trouble in Mind" is a vaudeville blues-style song written by jazz pianist Richard M. Jones. Singer Thelma La Vizzo with Jones on piano first recorded it in 1924 and in 1926, Bertha "Chippie" Hill popularized the tune with her recording with Jones and trumpeter Louis Armstrong. The song became an early blues standard, with numerous renditions by a variety of musicians in a variety of styles. Lyrics and composition "Trouble in Mind" has been called "one of the enduring anthems of the blues as hope for the future even in the darkest of times". In many versions, new lyrics are added. However, most usually include the well-known verse: The song has roots that pre-date blues. Two spiritual songs from the 1800s have been identified as antecedents: "I'm a-Trouble in De Mind", published in the ''Slave Songs of the United States'' (1867); and "I'm Troubled in Mind", cited in ''The Story of the isk UniversityJubilee Singers and Their Songs'' (1880). Other folk song collections fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard M
Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include "Richie", " Dick", "Dickon", " Dickie", "Rich", "Rick", "Rico", "Ricky", and more. Richard is a common English, German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Catalan "Ricard" and the Italian "Riccardo", among others (see comprehensive variant list below). People named Richard Multiple people with the same name * Richard Andersen (other) * Richard Anderson (other) * Richard Cartwright (other) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transcription (music)
In music, transcription is the practice of Musical notation, notating a piece or a sound which was previously unnotated and/or unpopular as a written music, for example, a jazz improvisation or a video game soundtrack. When a musician is tasked with creating sheet music from a recording and they write down the notes that make up the piece in music notation, it is said that they created a ''musical transcription'' of that recording. Transcription may also mean rewriting a piece of music, either solo or Musical ensemble, ensemble, for another instrument or other instruments than which it was originally intended. The Beethoven Symphonies (Liszt), Beethoven Symphonies transcribed for solo piano by Franz Liszt are an example. Transcription in this sense is sometimes called ''arrangement'', although strictly speaking transcriptions are faithful adaptations, whereas arrangements change significant aspects of the original piece. Further examples of music transcription include Ethnomusico ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smithsonian Folkways
Smithsonian Folkways is the nonprofit record label of the Smithsonian Institution. It is a part of the Smithsonian's Smithsonian Center for Folklife and Cultural Heritage, located at Capital Gallery in downtown Washington, D.C. The label was founded in 1987 after the family of Moses Asch, founder of Folkways Records, donated the entire Folkways Records label to the Smithsonian. The donation was made on the condition that the Institution continue Asch's policy that each of the more than 2,000 albums of Folkways Records remain in print forever, regardless of sales. Since then, the label has expanded on Asch's vision of documenting the sounds of the world, adding six other record labels to the collection, as well as releasing over 300 new recordings. Some well-known artists have contributed to the Smithsonian Folkways collection, including Pete Seeger, Ella Jenkins, Woody Guthrie, and Lead Belly. Famous songs include "This Land Is Your Land", "Goodnight, Irene", and " Midnight Speci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouble In Mind (Big Bill Broonzy Album)
''Trouble in Mind'' is an album by American blues musician Big Bill Broonzy. It was released on February 22, 2000 by Smithsonian Folkways. The album consists of traditional folk, blues, and spiritual songs featuring Broonzy accompanying himself on acoustic guitar and a guest appearance by Pete Seeger. Suffering from cancer, Broonzy realized his time was limited and hence recorded extensively between 1956 and 1957. While most of the work draws from the album ''Big Bill Broonzy Sings Country Blues'' (1957), arranged by Moses Asch and Charles Edward Smith, ''Trouble in Mind'' is also sourced from concert broadcasts and interviews recorded late in Broonzy's career. Like other albums issued by Smithsonian Folkways, ''Trouble in Mind'' has been kept in print; the production quality of the album is higher than most installments of the label's catalogue. An accompanying booklet, arranged by Jeff Place and Anthony Seeger, includes photos and notes documenting Broonzy's stint with Folkw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmie Noone
Jimmie Noone (April 23, 1895 – April 19, 1944) was an American jazz clarinetist and bandleader. After beginning his career in New Orleans, he led Jimmie Noone's Apex Club Orchestra, a Chicago band that recorded for Vocalion and Decca. Classical composer Maurice Ravel acknowledged basing his ''Boléro'' on an improvisation by Noone. At the time of his death Noone was leading a quartet in Los Angeles and was part of an all-star band that was reviving interest in traditional New Orleans jazz in the 1940s. Early life Jimmie Noone was born on April 23, 1895, on a farm in Cut Off, Louisiana, United States, to Lucinda (née Daggs)Ancestry.com. California, Death Index, 1940–1997 atabase on-line Provo, UT, USA: Ancestry.com Operations Inc, 2000. Original data: State of California. California Death Index, 1940-1997. Sacramento, CA, USA: State of California Department of Health Services, Center for Health Statistics. and James Noone. He grew up in Hammond, Louisiana, where he started ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Bill Broonzy
Big Bill Broonzy (born Lee Conley Bradley; June 26, 1903 – August 14, 1958) was an American blues singer, songwriter, and guitarist. His career began in the 1920s, when he played country music to mostly African American audiences. In the 1930s and 1940s, he navigated a change in style to a more urban blues sound popular with working-class black audiences. In the 1950s, a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star. His long and varied career marks him as one of the key figures in the development of blues music in the 20th century. Broonzy copyrighted more than 300 songs, including adaptations of traditional folk songs and original blues songs. As a blues composer, he was unique in writing songs that reflected his rural-to-urban experiences.Barlow, William (1989). ''"Looking Up at Down": The Emergence of Blues Culture''. Temple University Press. pp. 301–303. . Life and ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georgia White
Georgia White (9 March 1903 – c.1980) was an American blues singer, most prolific in the 1930s and 1940s. Little is known of her early life, but it has been suggested that she was born in Sandersville, Georgia. By the late 1920s she was singing in nightclub, clubs in Chicago. She made her first sound recording and reproduction, recording, "When You're Smiling, the Whole World Smiles With You," with Jimmie Noone's orchestra in 1930. She returned to the studio in 1935, and over the next six years recorded over 100 tracks for Decca Records, usually accompanied by the pianist Richard M. Jones and also, in the late 1930s, by the guitarist Lonnie Johnson (musician), Lonnie Johnson. She also recorded under the name Georgia Lawson. Her tracks included "I'll Keep Sitting on It," "Take Me for a Buggy Ride," "Mama Knows What Papa Wants When Papa's Feeling Blue," and "Hot Nuts." Her best-known song was "You Done Lost Your Good Thing Now" (1935). White formed an all-female band in the 194 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Classification In Non-classical Music
There is no authoritative system of voice classification in non-classical music as classical terms are used to describe not merely various vocal ranges, but specific vocal timbres unique to each range. These timbres are produced by classical training techniques with which most popular singers are not intimately familiar, and which even those that are do not universally employ them. Overview The term "non-classical music" is typically used to describe music in jazz, pop, blues, soul, country, folk, and rock styles. In the United States, the term contemporary commercial music (CCM) is used by some vocal pedagogues. Voice classification systems and vocal type terms were initially created for the purpose of classifying voices specifically within classical singing. As new styles of music developed, the quest for common terms for vocalists throughout these styles was sought, resulting in a loose application of the existing classical music practices. This approach has led to a system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudi Blesh
Rudolph Pickett Blesh (January 21, 1899 – August 25, 1985) was an American jazz critic and enthusiast. Biography Blesh studied at Dartmouth College and held jobs writing jazz reviews for the ''San Francisco Chronicle'' and the '' New York Herald Tribune'' in the 1940s. He was a prolific promoter of jazz concerts, particularly New Orleans jazz, and hosted a jazz radio program, ''This Is Jazz'', in 1947. (These shows have been reissued by Jazzology Records.) Blesh in collaboration with Harriet Janis (mother of actor and jazz band leader Conrad Janis) wrote ''They All Played Ragtime'' which was published in 1950 by Alfred A Knopf. A promotional record consisting of " Maple Leaf Rag" recorded to piano roll by Jelly Roll Morton in 1907 and an interview with the co-authors was sent to radio stations. ''They All Played Ragtime'' proved to be a popular book and is credited as the cause for a renewed public interest in ragtime music. Blesh founded Circle Records in 1946, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is likely th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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