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Tristano Martinelli
Tristano Martinelli (c. 1556 – 1630), called ''Dominus Arlecchinorum'', the "Master of Harlequins", was an Italian actor in the ''commedia dell'arte'' tradition. He is probably the first actor to use the name 'Harlequin' for the ''secondo zanni'' role. Biography Martinelli was active in France in 1584 to 1585, where he presumably first acted in his ''Arlequin'' role. There is no mention of the ''Arlequin, Arlecchino,'' or ''Harlequin'' character prior to Martinelli's time in Paris. Arlecchino first clearly appears in Martinelli's 1601 publication ''Compositions de Rhetorique,'' yet Tristano Martinelli would follow his name in 1590s signatures with "'''detto Arlechino comico'',' or 'alias Arlechino."'' For the carnival of 1584, he picked a name taken from French folklore, the devil ''Herlequin'', for his performance to a Parisian audience. His character wore a linen costume of colourful patches, and a hare-tail on his cap to indicate cowardice, a black leather half-mask, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of An Actor - Domenico Fetti - Hermitage ГЭ-153, Detail
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Andreini
Francesco Andreini (c. 1548 – 1624) was an Italian actor mainly of commedia dell'arte plays. He began his career playing the role of the unsophisticated love-stricken young man. Later he played the role of Capitan Spavento ("Captain Fright"), a Pickwickian character of excessive fatigue. He died on January 1, 1624, in Mantua, Italy at the age of 76. Francesco Andreini was part of the start of commedia dell'arte and had he not brought this type of theater elsewhere; it would not have made it further to the mainstream media and developed further into multilingualism and oral and textual transmissions. His role of Capitano made its way into modern media with adapted versions solely based on the original Capitano. Francesco had an impact on today's theater and improvisation. (Jaffe-Berg, Erith) https://earlytheatre.org/earlytheatre/article/view/779 Life Andreini was a soldier under the banner of the Medici in the Ottoman–Venetian War (1570–1573). He turned to theatre afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1550s Births
Year 155 ( CLV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Rufinus (or, less frequently, year 908 ''Ab urbe condita''). The denomination 155 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Births * Cao Cao, Chinese statesman and warlord (d. 220) * Dio Cassius, Roman historian (d. c. 235) * Tertullian, Roman Christian theologian (d. c. 240) * Sun Jian, Chinese general and warlord (d. 191) Deaths * Pius I, Roman bishop * Polycarp, bishop of Smyrna (b. AD 65 AD 65 ( LXV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Nerva and Vestinus (or, less frequently, year 818 ''Ab urbe condita''). ...) References {{DEFAULTSORT:155 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Actors
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Male Actors
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Male Actors
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Burlington Magazine
''The Burlington Magazine'' is a monthly publication that covers the fine and decorative arts of all periods. Established in 1903, it is the longest running art journal in the English language. It has been published by a charitable organisation since 1986. History The magazine was established in 1903 by a group of art historians and connoisseurs which included Roger Fry, Herbert Horne, Bernard Berenson, and Charles Holmes. Its most esteemed editors have been Roger Fry (1909–1919), Herbert Read (1933–1939), and Benedict Nicolson (1948–1978). The journal's structure was loosely based on its contemporary British publication '' The Connoisseur'', which was mainly aimed at collectors and had firm connections with the art trade. ''The Burlington Magazine'', however, added to this late Victorian tradition of market-based criticism new elements of historical research inspired by the leading academic German periodicals and thus created a formula that has remained almost intact to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Askew, Pamela
Pamela Askew (February 2, 1925 – June 24, 1997) was an American art historian who wrote influential works on Domenico Fetti and Caravaggio. Askew's father was Arthur McComb, Professor of baroque art at Vassar College and Harvard University, and author of the influential ''Agnolo Bronzino: His Life and Works'' (1928). She grew up in New York City with her mother, Constance, and step-father, R. Kirk Askew Jr., a Park Avenue art dealer. She did undergraduate studies at Vassar College, followed by an MA in Art History at the New York University Institute of Fine Arts, with a thesis on Perino del Vaga. She took her Ph.D. from the Courtauld Institute of Art, London, in 1954, under Johannes Wilde with work on Domenico Fetti. On 26 March 1955, she married Timothy John Oswald Mosley, an Englishman educated at Eton College, who had served in the Coldstream Guards. She returned to teach at Vassar, becoming a full professor in 1969. She died of lymphoma Lymphoma is a group of blood a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Honoré Fragonard
Jean-Honoré Fragonard (; 5 April 1732 (birth/baptism certificate) – 22 August 1806) was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism. One of the most prolific artists active in the last decades of the Ancien Régime, Fragonard produced more than 550 paintings (not counting drawings and etchings), of which only five are dated. Among his most popular works are genre paintings conveying an atmosphere of intimacy and veiled eroticism. Biography Jean-Honoré Fragonard was born at Grasse, Alpes-Maritimes, the son of François Fragonard, a glover, and Françoise Petit. Fragonard was articled to a Paris notary when his father's circumstances became strained through unsuccessful speculations, but showed such talent and inclination for art that he was taken at the age of eighteen to François Boucher. Boucher recognized the youth's rare gifts but, disinclined to waste his time with one so inexperienc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri D'Orléans, Duke Of Aumale
Henri Eugène Philippe Louis d'Orléans, Duke of Aumale (16 January 1822 – 7 May 1897) was a leader of the Orleanists, a political faction in 19th-century France associated with constitutional monarchy. He was born in Paris, the fifth son of King Louis-Philippe I of the French and Maria Amalia of Naples and Sicily and used the title Duke of Aumale. Aumale became an infantry officer and saw active service in the French conquest of Algeria and in 1847 was appointed as its Governor-General. After the French Revolution of 1848, he went to live in England, where he pursued historical interests. The Franco-Prussian War enabled him to return to France, where he was elected to parliament and the Académie française. In 1872, he returned to the army as a Divisional General, and from 1879 to 1883 was inspector-general of the army. An important art collector, Aumale left his Château de Chantilly to the Institute of France, to display his collection. Early life Born at the Pala ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cardinal Mazarin
Cardinal Jules Mazarin (, also , , ; 14 July 1602 – 9 March 1661), born Giulio Raimondo Mazzarino () or Mazarini, was an Italian cardinal, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis XIV from 1642 to his death. In 1654, he acquired the title Duke of Mayenne and in 1659 that of 1st Duke of Rethel and Nevers. After serving as a papal diplomat for Pope Urban VIII, Mazarin offered his diplomatic services to Cardinal Richelieu and moved to Paris in 1640. After the death of Richelieu in 1642, Mazarin took his place as first minister and then of Louis XIII in 1643. Mazarin acted as the head of the government for Anne of Austria, the regent for the young Louis XIV. Mazarin was also made responsible for the king's education until he came of age. The first years of Mazarin in office were marked by military victories in the Thirty Years' War, which he used to make France the main European power and establish the Peace of West ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Fetti
Domenico Fetti (also spelled Feti) (c. 1589 – 1623) was an Italian Baroque painter who had been active mainly in Rome, Mantua and Venice. Biography Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604–1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the ''Miracle of the Loaves and Fishes''. The series of representations of New Testament parables he carried out for his patron's '' studiolo'' gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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