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Trio For Oboe, Bassoon And Piano
The ''Trio pour hautbois, basson et piano'' (Trio for oboe, bassoon and piano), FP 43, by Francis Poulenc is a three-movement chamber work, composed between 1924 and 1926, and premiered in the latter year. The trio was well received at its premiere in Paris, with the composer at the piano. It has been performed and recorded frequently since. Critics have praised the work's depth of feeling, noting touches of Mozartian flavour and echoes of other composers' styles. It is regarded as the first major chamber work by Poulenc. Background and first performance By 1924 the 25-year-old Poulenc had become fairly well known in France, and to some extent elsewhere. First as a member of Les Six around the start of the decade, and then with his music for the ballet ''Les biches'' in 1924, he had established himself as a rising young composer. He had composed several chamber works, including the Sonata for clarinet and bassoon and the Sonata for horn, trumpet and trombone (both 1922), and he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FP (Poulenc)
This is a list of works written by the French composer Francis Poulenc (1899–1963). As a pianist, Poulenc composed many pieces for his own instrument in List of solo piano compositions by Francis Poulenc, his piano music and chamber music. He wrote works for orchestra including several concertos, also three operas, two ballets, incidental music for plays and film music. He composed songs (''Mélodie, mélodies''), often on texts by contemporary authors. His religious music includes the Mass (Poulenc), Mass in G major, the Stabat Mater (Poulenc), Stabat Mater and Gloria (Poulenc), Gloria. Overview The composer had written a catalogue of his works in 1921, which is reproduced in Schmidt's book. According to this list, the first noted piece was in 1914 ''Processional pour la crémation d'un mandarin'' for piano, now lost or destroyed. Poulenc completed his last work, his Oboe Sonata (Poulenc), Oboe Sonata, in 1962. Piano, chamber music and songs As a professional pianist, Poul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous ''comédie-ballets'', including ''L'Amour médecin'', ''George Dandin ou le Mari confondu'', ''Monsieur de Pourceaugnac'', ''Psyché'' and his best known work, ''Le Bourgeois gentilhomme''. Biography Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Franciscan friar ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilfrid Mellers
Wilfrid Howard Mellers (26 April 1914 – 17 May 2008) was an English music critic, musicologist and composer. Early life Born in Leamington, Warwickshire, Mellers was educated at the local Leamington College and later won a scholarship to Downing College, Cambridge, where he read English under F. R. Leavis. He later lodged with the Leavises for three years while pursuing a Music degree. Mellers also took private composition lessons in Oxford from Egon Wellesz and Edmund Rubbra.East, Leslie, revised Gordon Rumson. 'Mellers, Wilfrid (Howard)', in ''Grove Music Online'' (2001) From 1938 he taught at Dartington Hall, and in September 1940 he married Vera Muriel Hobbs. He spent the Second World War working on the land as a conscientious objector.Dickinson, Peter.Mellers, Wilfrid Howard in ''The Oxford Dictionary of National Biography'' (2013) Career After writing many articles for Leavis's journal ''Scrutiny'' since the September 1936 issue, he appeared on the editorial board of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Hell
Henri Hell, pseudonym for José Enrique Lasry (1916 – April 1991) was a French art, music and literary critic, as well as a musicologist. Biography As a literary critic, Henri Hell collaborated with ', '' Combat'', ''la Table Ronde'', '' l'Express'', ''Nouvel Observateur'', ''Le Monde'', the ''Nouvelle Revue Française''. He assisted in the management of the magazine ''Fontaine''. He was a music critic at ''la Revue Musicale'', '' Nouveau Candide'', ''la Table Ronde'', the ''Gazette de Lausanne'', ''Mercure de France''. He directed the Fayard publishing house. Finally, he published a reference book on Francis Poulenc at the same house. He was also an art columnist. Bibliography *1944: ''La France au cœur : Chroniques de la servitude et de la libération, juin 1940–juin 1943'', foreword to the work by Max-Pol Fouchet *1956: ''L'amour vagabond'', contribution to the novel by , Paris, Plon *1957: ''Les Élus du Seigneur'', French translation of '' Go Tell It on the Mountain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eighth Note
180px, Figure 1. An eighth note with stem extending up, an eighth note with stem extending down, and an eighth rest. 180px, Figure 2. Four eighth notes beamed together. An eighth note (American) or a quaver (British) is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note. It is the equivalent of the ''fusa'' in mensural notation. Eighth notes are notated with an oval, filled-in note head and a straight note stem with one note flag (see Figure 1). The stem is on the right of the notehead extending upwards or on the left extending downwards, depending primarily on where the notehead lies relative to the middle line of the staff. A related symbol is the eighth rest (or quaver rest), which denotes a silence for the same duration. Eighth notes may b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Nichols (musical Scholar)
Roger David Edward Nichols (born 6 April 1939) is an English musicologist, critic, translator and author. After an early career as a university lecturer he became a full-time freelance writer in 1980. He is particularly known for his works on French music, including books about Claude Debussy, Olivier Messiaen, Maurice Ravel, Francis Poulenc and the Parisian musical scene of the years after the First World War. Among his translations are the English versions of the standard biography of Gabriel Fauré by Jean-Michel Nectoux and of Harry Halbreich's study of Arthur Honegger. Life and career Nichols was born in the English city of Ely, Cambridgeshire, the son of Edward Nichols and his wife Dorothy, ''née'' West, who were respectively a lawyer and an accountant."Nichols, Roger"Gale Contemporary Authors online retrieved 14 July 2016 He was educated at Harrow, where he read classics, and Worcester College, Oxford, where he studied under Edmund Rubbra. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Haydn
Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet, String Quartet". Haydn spent much of his career as a court musician for the wealthy Esterházy family at their Eszterháza Castle. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe. He was Haydn and Mozart, a friend and mentor of Mozart, Beethoven and his contemporaries#Joseph Haydn, a tutor of Beethoven, and the elder brother of composer Michael Haydn. Biography Early life Joseph Haydn was born in Rohrau, Austria, Rohrau, Habsburg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
