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Tribune Of Galileo
file:Tribuna di galileo 03.JPG, alt=A room with a domed roof supported by round arches. The room beyond the facing arch has frescoes on the wall and a white marble statue of Galileo, also facing the viewer., Tribune of Galileo interior: view across the anteroom toward the statue under the dome The Tribune of Galileo ( it, Tribuna di Galileo) is a Neoclassical architecture, Neoclassic architectural addition, built to commemorate the famous Florence, Florentine scientist, Galileo Galilei and to house some of his scientific instruments. Description The tribune was completed in 1841 and built within the first floor of the Science Museum of La Specola in Florence. The tribune was built by orders of Leopold II (1797-1870). The House of Lorraine-Habsburg was foreign to Tuscany; and the embrace of Galileo can be seen as an attempt to co-opt local patriotism. It contains a large statue of Galileo and a series of lunettes and frescoes depicting events in scientific history relating to Floren ...
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Tribuna Di Galileo 03
''Tribuna'' (russian: Трибуна) is a weekly Russian newspaper that focuses largely on industry and the energy sector. History Tribunas published its first publication in July 1969. Until 1990, the newspaper titled the ''Sotsialisticheskaya Industriya'', then it was renamed into the ''Rabochaya Tribuna''. In 1989 the newspaper was closed by the CPSU Central Committee; one year later it was reorganized as Rabochaya Tribuna. Since April 1998 for newspaper fixed the current title. Since the 2000s (decade) it is owned by media holding Gazprom Media Gazprom-Media (russian: ОАО Газпром-Медиа) is the largest Russian media holding. Gazprom-Media was established in January 1998 as a subsidiary of the 1997 established Gazprom Media Holdings. On its founding in 1997, Gazprom Media H .... Oleg Kuzin has been serving as chief-editor since 2004. Awards and recognitions In 2009, on its 40th anniversary, the newspaper was awarded the national Iskra prize in the  speci ...
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Giuseppe Bezzuoli
Giuseppe Bezzuoli (28 November 1784 – 13 September 1855) was an Italian painter of the Neoclassicism, Neoclassic period, active in Milan, Rome, and his native city of Florence. Biography He studied as a young man under Jean-Baptiste Desmarais at the Academy of Fine Arts of Florence, and afterward spent some time at Rome between 1813 and 1820. He became a candidate to the professorship of painting at the Academy of Fine Arts of Florence, Academy of Fine Arts of Florence after Pietro Benvenuti's death in 1844. His large picture in the Academy include ''The Entry of Charles VIII of France, Charles VIII into Florence'' (1822–1829). Some of his smaller works, such as ''The Galatea'' and the small copy of Raphael's ''School of Athens'' (1819), in the Galleria Tosio Martinengo at Brescia, give a more favorable idea of his talent. He painted one of the lunettes in the Tribune of Galileo at the Natural History Museum (La Specola Museum) in Florence, and the more important series of sce ...
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Cultural Depictions Of Galileo Galilei
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typical be ...
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Museo Di Storia Naturale Di Firenze
The Museo di Storia Naturale di Firenze is a natural history museum in 6 major collections, located in Florence, Italy. It is part of the University of Florence. Museum collections are open mornings except Wednesday, and all day Saturday; an admission fee is charged. The museum was established on February 21, 1775 by Grand Duke Pietro Leopoldo as the Imperial Regio Museo di Fisica e Storia Naturale. At that time it consisted of several natural history collections housed within the palazzo Torrigiani on Via Romana. Through the past two centuries, it has grown significantly and now forms one of the finest collections in Italy. Collections Today's collections are as follows: * Giardino dei Semplici (Via Micheli, 3) - Europe's third oldest botanical garden, established in 1545, now containing some 9,000 plant specimens. * Museo di Botanica (Via La Pira, 4) - a large herbarium of approximately 4 million specimens, including the historic collections of Andrea Cesalpino (1563), claime ...
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Science Museums In Italy
Science is a systematic endeavor that builds and organizes knowledge in the form of testable explanations and predictions about the universe. Science may be as old as the human species, and some of the earliest archeological evidence for scientific reasoning is tens of thousands of years old. The earliest written records in the history of science come from Ancient Egypt and Mesopotamia in around 3000 to 1200 BCE. Their contributions to mathematics, astronomy, and medicine entered and shaped Greek natural philosophy of classical antiquity, whereby formal attempts were made to provide explanations of events in the physical world based on natural causes. After the fall of the Western Roman Empire, knowledge of Greek conceptions of the world deteriorated in Western Europe during the early centuries (400 to 1000 CE) of the Middle Ages, but was preserved in the Muslim world during the Islamic Golden Age and later by the efforts of Byzantine Greek scholars who brought Greek man ...
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Museums In Florence
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 countries ...
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Infrastructure Completed In 1841
Infrastructure is the set of facilities and systems that serve a country, city, or other area, and encompasses the services and facilities necessary for its economy, households and firms to function. Infrastructure is composed of public and private physical structures such as roads, railways, bridges, tunnels, water supply, sewers, electrical grids, and telecommunications (including Internet connectivity and Broadband, broadband access). In general, infrastructure has been defined as "the physical components of interrelated systems providing Commodity, commodities and services essential to enable, sustain, or enhance societal quality of life, living conditions" and maintain the surrounding environment. Especially in light of the massive societal transformations needed to Climate change mitigation, mitigate and Climate change adaptation, adapt to climate change, contemporary infrastructure conversations frequently focus on sustainable development and green infrastructure. Acknowl ...
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Neoclassical Architecture In Florence
Neoclassical or neo-classical may refer to: * Neoclassicism or New Classicism, any of a number of movements in the fine arts, literature, theatre, music, language, and architecture beginning in the 17th century ** Neoclassical architecture, an architectural style of the 18th and 19th centuries ** Neoclassical sculpture, a sculptural style of the 18th and 19th centuries ** New Classical architecture, an overarching movement of contemporary classical architecture in the 21st century ** in linguistics, a word that is a recent construction from New Latin based on older, classical elements * Neoclassical ballet, a ballet style which uses traditional ballet vocabulary, but is generally more expansive than the classical structure allowed * The "Neo-classical period" of painter Pablo Picasso immediately following World War I * Neoclassical economics, a general approach in economics focusing on the determination of prices, outputs, and income distributions in markets through supply and dema ...
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Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ...
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Alessandro Volta
Alessandro Giuseppe Antonio Anastasio Volta (, ; 18 February 1745 – 5 March 1827) was an Italian physicist, chemist and lay Catholic who was a pioneer of electricity and power who is credited as the inventor of the electric battery and the discoverer of methane. He invented the voltaic pile in 1799, and reported the results of his experiments in 1800 in a two-part letter to the president of the Royal Society. With this invention Volta proved that electricity could be generated chemically and debunked the prevalent theory that electricity was generated solely by living beings. Volta's invention sparked a great amount of scientific excitement and led others to conduct similar experiments, which eventually led to the development of the field of electrochemistry. Volta also drew admiration from Napoleon Bonaparte for his invention, and was invited to the Institute of France to demonstrate his invention to the members of the institute. Volta enjoyed a certain amount of closeness ...
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Gasparo Martellini
Gasparo Martellini Gasparo Martellini (Florence, February 15, 1785 -October 20, 1857) was an Italian painter. Biography He was a pupil of Pietro Benvenuti at the Academy of Fine Arts, Florence. He developed an affinity to the atavistic Purismo style of Lorenzo Bartolini. He helped paint frescoes in the ''Hall of Ulysses'' in the Pitti Palace. The frescoes represent Ulysses returning to Ithaca. He painted in 1841 the lunette depicting ''Session of Experiments at the Accademia del Cimento'' for the Tribune of Galileo. For the Spinelli Chapel of the Church of Santa Croce, he painted lunettes and walls with ''Coronation of the Virgin'' and ''Church Militant and the prayer by Florence after the plague of 1633''. He also painted lunette with ''Sinite parvulos'' (Let the children come to me) for the portico of the Ospedale degli Innocenti The Ospedale degli Innocenti (;) 'Hospital of the Innocents', also known in old Tuscan dialect as the ''Spedale degli Innocenti'', is a historic ...
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Luigi Sabatelli
Luigi Sabatelli (21 February 1772 – 29 January 1850) was an Italian painter of the Neoclassic period, active in Milan, Rome, and his native city of Florence. Biography He studied in his native city and in Rome. In 1803, with the reorganization of the Brera Academy of Fine Arts of Milan, Sabatelli was named professor of painting, replacing il Traballesi, and held the post until his death, except for a brief furlough between 1822 and 1825. His first important work in oils was the large picture representing the ''Meeting of David and Abigail'', which now hangs opposite Benvenuti's ''Judith'' in the Lady Chapel of the cathedral at Arezzo. Sabatelli's reputation rests on frescos (1822–1825) in the Hall of the Iliad at the Pitti Palace (the first room of the Picture Gallery), consisting of eight lunettes and a large circular medallion illustrating scenes from the Homeric poems. His sons, Giuseppe (1813–1843) and Francesco Sabatelli (1801–1829), were painters and professors ...
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