Treachery Of Images
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Treachery Of Images
''The Treachery of Images'' (french: La Trahison des Images, link=no) is a 1929 painting by Belgian surrealist painter René Magritte. It is also known as ''This Is Not a Pipe'' and ''The Wind and the Song''. Magritte painted it when he was 30 years old. It is on display at the Los Angeles County Museum of Art. The painting shows an image of a pipe. Below it, Magritte painted, "", French for "This is not a pipe". The theme of pipes with the text "Ceci n'est pas une pipe" is extended in ''Les Mots et Les Images'', ''La Clé des Songes'', ''Ceci n'est pas une pipe (L'air et la chanson)'', ''The Tune and Also the Words'', ''Ceci n’est pas une pomme'', and ''Les Deux Mystères''. The painting is sometimes given as an example of meta message conveyed by paralanguage, like Alfred Korzybski's "The word is not the thing" and " The map is not the territory", as well as Denis Diderot's '' This is not a story''. On December 15, 1929, Paul Éluard and André Breton published an essay a ...
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René Magritte
René François Ghislain Magritte (; 21 November 1898 – 15 August 1967) was a Belgian surrealist artist known for his depictions of familiar objects in unfamiliar, unexpected contexts, which often provoked questions about the nature and boundaries of reality and representation. His imagery has influenced pop art, minimalist art, and conceptual art. Early life René Magritte was born in Lessines, in the province of Hainaut, Belgium, in 1898. He was the oldest son of Léopold Magritte, a tailor and textile merchant,Meuris 1991, p 216. and Régina (née Bertinchamps), who was a milliner before she got married. Little is known about Magritte's early life. He began lessons in drawing in 1910. On 24 February 1912, his mother committed suicide by drowning herself in the River Sambre at Châtelet. It was not her first suicide attempt. Her body was not discovered until 12 March.Abadie 2003, p. 274. According to a legend, 13-year-old Magritte was present when her body was retrieved ...
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Paul Éluard
Paul Éluard (), born Eugène Émile Paul Grindel (; 14 December 1895 – 18 November 1952), was a French poet and one of the founders of the Surrealist movement. In 1916, he chose the name Paul Éluard, a matronymic borrowed from his maternal grandmother. He adhered to Dadaism and became one of the pillars of Surrealism by opening the way to artistic action politically committed to the Communist Party. During World War II, he was the author of several poems against Nazism that circulated clandestinely. He became known worldwide as The Poet of ''Freedom'' and is considered the most gifted of French surrealist poets. Biography Éluard was born in Saint-Denis, Seine-Saint-Denis, France, the son of Eugène Clément Grindel and wife Jeanne-Marie née Cousin. His father was an accountant when Paul was born but soon opened a real estate agency. His mother was a seamstress. Around 1908, the family moved to Paris, rue Louis Blanc. Éluard attended the local school in Aulnay-sous-Bois ...
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Collection Of The Los Angeles County Museum Of Art
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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1929 Paintings
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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Paintings By René Magritte
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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San Francisco Museum Of Modern Art
The San Francisco Museum of Modern Art (SFMOMA) is a modern and contemporary art museum located in San Francisco, California. A nonprofit organization, SFMOMA holds an internationally recognized collection of modern and contemporary art, and was the first museum on the West Coast devoted solely to 20th-century art. The museum's current collection includes over 33,000 works of painting, sculpture, photography, architecture, design, and media arts, and moving into the 21st century.Collection
at sfmoma.org.
The collection is displayed in of exhibition space, making the museum one of the largest in the United States overall, and one of the in the world for modern and contemporary art. Found ...
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Smarthistory
Smarthistory is a free resource for the study of art history created by art historians Beth Harris and Steven Zucker. Smarthistory is an independent not-for-profit organization and the official partner to Khan Academy for art history. Smarthistory started in 2005 as an audio guide series for use at the Metropolitan Museum of Art, The Museum of Modern Art in New York City, and as a resource for students taking introductory art history courses at the college level. In addition to its focus on college-level courses in art history, Smarthistory supports the art history Advanced Placement course and examination developed by The College Board. Smarthistory provides essays, video, photographs, and links to additional resources for each of the 250 works of art and architecture that comprised the 2017 AP art history curriculum. Smarthistory has published more than 880 videos and 2,000 essays on art and cultural history from the Paleolithic era to the 21st century that include the art of A ...
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Les Nouvelles Littéraires
''Les Nouvelles littéraires'' was a French literary and artistic newspaper created in October 1922 by the Éditions Larousse. It disappeared in 1985 after having taken the title '. History ''Les Nouvelles littéraires'' were headed by from 1922 to 1936 then by André Gillon, and then his son Étienne Gillon. René Minguet was its director from 1971 to 1975 followed by from 1975 to 1983. The editors were successively Gilbert Charles, Frédéric Lefèvre from 1922 until 1949, from 1949 to 1962, and until its disestablishment in 1985. The magazine, at first artistic and literary, became interested in cinema and science afterwards. It ceased publication from 1940 until 1945. In 1924, the newspaper published an appendix entitled '' L'Art vivant''. Some collaborators * Raymond Woog * Jean-Louis Ezine * Michel Field * Jeanne Cressanges * Pierre Billard * Pierrette Micheloud * Pascal Mérigeau * Maurice Féaudierre * Madeleine Masson *Maryse Choisy Sources *1973: ''D'une rive ...
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Paul Valéry
Ambroise Paul Toussaint Jules Valéry (; 30 October 1871 – 20 July 1945) was a French poet, essayist, and philosopher. In addition to his poetry and fiction (drama and dialogues), his interests included aphorisms on art, history, letters, music, and current events. Valéry was nominated for the Nobel Prize in Literature in 12 different years. Biography Valéry was born to a Corsican father and Genoese-Istrian mother in Sète, a town on the Mediterranean coast of the Hérault, but he was raised in Montpellier, a larger urban center close by. After a traditional Roman Catholic education, he studied law at university and then resided in Paris for most of the remainder of his life, where he was, for a while, part of the circle of Stéphane Mallarmé. In 1900, he married Jeannine Gobillard, a friend of Stéphane Mallarmé's family, who was also a niece of the painter Berthe Morisot. The wedding was a double ceremony in which the bride's cousin, Berthe Morisot's daughter, Ju ...
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La Révolution Surréaliste
''La Révolution surréaliste'' (English: ''The Surrealist Revolution'') was a publication by the Surrealists in Paris. Twelve issues were published between 1924 and 1929. Shortly after releasing the first ''Surrealist Manifesto'', André Breton published the inaugural issue of ''La Révolution surréaliste'' on December 1, 1924. Pierre Naville and Benjamin Péret were the initial directors of the publication and modeled the format of the journal on the conservative scientific review ''La Nature.'' The format was deceiving, and to the Surrealists' delight, ''La Révolution surréaliste'' was consistently scandalous and revolutionary. The journal focused on writing with most pages densely packed with columns of text, but also included reproductions of art, among them works by Giorgio de Chirico, Max Ernst, André Masson and Man Ray. Selected issues Issue 1 (December 1924): The cover of the initial issue announced the revolutionary agenda of ''La Révolution surréaliste'' with, ...
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André Breton
André Robert Breton (; 19 February 1896 – 28 September 1966) was a French writer and poet, the co-founder, leader, and principal theorist of surrealism. His writings include the first ''Surrealist Manifesto'' (''Manifeste du surréalisme'') of 1924, in which he defined surrealism as "Surrealist automatism, pure psychic automatism". Along with his role as leader of the surrealist movement he is the author of celebrated books such as ''Nadja (novel), Nadja'' and ''L'Amour fou''. Those activities, combined with his critical and theoretical work on writing and the plastic arts, made André Breton a major figure in twentieth-century French art and literature. Biography André Breton was the only son born to a family of modest means in Tinchebray (Orne) in Normandy, France. His father, Louis-Justin Breton, was a policeman and atheism, atheistic, and his mother, Marguerite-Marie-Eugénie Le Gouguès, was a former seamstress. Breton attended medical school, where he developed a parti ...
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This Is Not A Story
''This is not a story'' (or ''This is not just a story''; French: Ceci n’est pas un conte) is a story by the French author Denis Diderot written in 1772. The three ''Moral Stories'' ''This is not a story'', '' Madame de La Carlière'' and the '' Supplément au voyage de Bougainville'' together make up a trilogy of moral stories written in 1772 that partially appeared in the ''Correspondance littéraire'' in 1773. The intention of Diderot himself was for the three stories to be considered together: "le troisième conte donnera son sens aux deux premiers" (''the third story will give meaning to the first two''), he tells the reader. This intention is confirmed by the initial title of '' Madame de La Carlière'', ''Second conte'' (French for ''Second story''), and by the allusions to characters or developments of one of the stories in another. Subsequently, though, the editors did not respect this material and intellectual unity and the texts were edited separately. Jacques-André N ...
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