Transcendental Étude (other)
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Transcendental Étude (other)
Transcendental Étude may refer to: * ''Transcendental Études'' (1852), S.139, 12 studies for piano by Franz Liszt * 12 Transcendental Études (Lyapunov), ''12 Études d'exécution transcendante'' (1897–1905), Op. 11, for piano by Sergei Lyapunov * '' Transcendental Studies (Sorabji)'' (1940–44), 100 studies for piano by Kaikhosru Shapurji Sorabji * '' Etudes Transcendantales'' (1982–85), song cycle for mezzo-soprano and chamber ensemble by Brian Ferneyhough * Studio Trascendentale, Op. 102, by Adolfo Fumagalli See also * Études (other) * Étude, the musical form * Étude (instrumental) "Étude" is a single by musician Mike Oldfield, released in 1984. It is from the album ''The Killing Fields'', the soundtrack album for the film of the same name . It was reissued in 1990, when it was used in a commercial for Nurofen. The 1 ...
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Transcendental Études
The ''Transcendental Études'' (french: Études d'exécution transcendante, links=no), S.139, are a set of twelve compositions for piano by Franz Liszt. They were published in 1852 as a revision of an 1837 set (which had not borne the title "d'exécution transcendante"), which in turn were – for the most part – an elaboration of a set of studies written in 1826. History The genesis of the ''Transcendental Études'' goes back to 1826, when 15-year-old Liszt wrote a set of youthful exercises called the ''Étude en douze exercices'' (Study in twelve exercises), S.136. These pieces were not particularly technically demanding. Liszt then returned to these pieces for thematic ideas, elaborating on them considerably, in the composition of the ''Douze Grandes Études'' (Twelve Grand Studies), S.137, which were published in 1837. The ''Transcendental Études'', S.139, are revisions of the ''Douze Grandes Études''. This third and final version was published in 1852 and dedicate ...
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12 Transcendental Études (Lyapunov)
The ''12 Etudes d’exécution transcendante'' (), Op.11, was a series of 12 etudes written from 1897 to 1905 by Sergei Lyapunov, and served as the posthumous continuation of Franz Liszt's uncompleted work ''Transcendental Études,'' having only the first 12 finished before his death in 1886''.'' The work is also dedicated to Liszt, with the twelfth etude being named after the composer as well. Inspired by one of his three teachers during his time at Moscow Conservatory Karl Klindworth, a former student of Liszt, along with being heavily influenced and artistically guided by Mily Balakirev Mily Alexeyevich Balakirev (russian: Милий Алексеевич Балакирев,BGN/PCGN transliteration of Russian: Miliy Alekseyevich Balakirev; ALA-LC system: ''Miliĭ Alekseevich Balakirev''; ISO 9 system: ''Milij Alekseevič Balakir ..., the main ideologue of The Five, these Etudes use the full gamut of Nationalist techniques: From folk-songs and church bells, to Caucasian melod ...
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Transcendental Studies (Sorabji)
''100 Transcendental Studies'' (french: Études transcendantes) by Kaikhosru Shapurji Sorabji are a series of 100 piano études written between 1940 and 1944. Swedish pianist Fredrik Ullén has released all 100 études on BIS Records. Description The études vary greatly in style, character, and length, with the shortest running about a minute and the longest running approximately 45 minutes. According to the Sorabji Archive, the following études have yet to be premiered: Nos. 27, 33, 39, 42, 45–48, 51, 53–58, 60–64, 68, 74, 82, 87, 90, 91 and 93. Sorabji almost certainly intended for these Études to be compared with Franz Liszt's ''Transcendental Études The ''Transcendental Études'' (french: Études d'exécution transcendante, links=no), S.139, are a set of twelve compositions for piano by Franz Liszt. They were published in 1852 as a revision of an 1837 set (which had not borne the title "d' ...''. The style of Sorabji's études is typical of his work, consis ...
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Adolfo Fumagalli
Adolfo Fumagalli (19 October 18283 May 1856) was a 19th-century Italian virtuoso pianist and composer, known today primarily for his virtuosic compositions for the left hand alone. Born in Inzago, Italy, he grew up in a very musically oriented environment. He had three brothers who also became musicians and composers, these being Carlo (1822-1907), Luca (1837 - 1908), Disma (1826 - 1893) and Polibio (1830 - 1901). Fumagalli studied music with Angeloni at the Milan Conservatory and, in 1848, at the age of 20, made his Milan debut with some success. He then travelled to Turin, Paris, Belgium and Denmark, playing his own operatic fantasies and other salon works to great acclaim. In 1856 he returned to Italy and, when he arrived, was soon thereafter given an Erard grand piano from the firm as an advertising promotion. On 1 May that year he gave a concert but, shortly after, fell ill and died days later in Florence. He created his greatest sensation when he began performing his ...
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Études (other)
Études (French for "studies") or Étude may refer to: Compositions * Étude, a type of instrumental musical composition designed to provide practice material * ''Études'' (Chopin), by Frédéric Chopin, 1829–1839 * ''Études'' (Debussy), by Claude Debussy, 1915 * ''Études'' (Ligeti), by György Ligeti, 1985–2001 * ''Études'' (Rautavaara), by Einojuhani Rautavaara, 1969 * ''Études'' (ballet), by Harald Lander, 1948 * "Étude" (instrumental), by Mike Oldfield, 1984 * "Etude", a song by Empire of the Sun from ''Walking on a Dream'', 2008 Albums * ''Etudes'' (Charlie Haden album), 1988 * ''Etudes'' (Ron Carter album), 1983 Periodicals * ''Études'' (journal), a Roman Catholic journal published by the Jesuits * ''The Etude'', an American music magazine 1883–1957 See also * List of étude composers An étude is a musical composition (usually short) designed to provide practice in a particular technical skill in the performance of a solo instrument. For the pian ...
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Étude
An étude (; ) or study is an instrumental musical composition, usually short, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano. Of the vast number of études from that era some are still used as teaching material (particularly pieces by Carl Czerny and Muzio Clementi), and a few, by major composers such as Frédéric Chopin, Franz Liszt and Claude Debussy, achieved a place in today's concert repertory. Études written in the 20th century include those related to traditional ones (György Ligeti) and those that require wholly unorthodox technique (John Cage). 19th century Studies, lessons, and other didactic instrumental pieces composed before the 19th century are extremely varied, without any established genres. Domenico Scarlatti's ''30 Essercizi per gravicembalo'' ("30 Exercises for harpsichord", 1738) do not differ in scope fro ...
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