Transcendental Étude (other)
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Transcendental Étude (other)
Transcendental Étude or Study, and similar titles, may refer to: * ''Transcendental Études'' (1852), S.139, 12 studies for piano by Franz Liszt: :* Transcendental Étude No. 1 (Liszt) :* Transcendental Étude No. 2 (Liszt) :* Transcendental Étude No. 3 (Liszt) :* Transcendental Étude No. 4 (Liszt) :* Transcendental Étude No. 5 (Liszt) :* Transcendental Étude No. 6 (Liszt) :* Transcendental Étude No. 7 (Liszt) :* Transcendental Étude No. 8 (Liszt) :* Transcendental Étude No. 9 (Liszt) :* Transcendental Étude No. 10 (Liszt) :* Transcendental Étude No. 11 (Liszt) :* Transcendental Étude No. 12 (Liszt) * 12 Transcendental Études (Lyapunov), (''12 Études d'exécution transcendante'') (1897–1905), Op. 11, for piano by Sergei Lyapunov * Transcendental Studies (Sorabji), ''Transcendental Studies'' (Sorabji) (''Études transcendantes'') (1940–44), 100 studies for piano by Kaikhosru Shapurji Sorabji * ''Études transcendantales'' (1982–85), song cycle for mezzo-soprano and ...
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Transcendental Études
The ''Transcendental Études'' (), S.139, is a set of twelve compositions for piano by Franz Liszt. They were published in 1852 as a revision of an 1837 set (which had not borne the title "d'exécution transcendante"), which in turn were – for the most part – an elaboration of a set of studies written in 1826. History The genesis of the ''Transcendental Études'' goes back to 1825, when 14-year-old Liszt wrote a set of youthful exercises called the ''Étude en douze exercices'' (Study in twelve exercises), S.136. These pieces were not particularly technically demanding. Liszt then returned to these pieces for thematic ideas, elaborating on them considerably, in the composition of the ''Douze Grandes Études'' (Twelve Grand Studies), S.137, which were published in 1837. The ''Transcendental Études'', S.139, are revisions of the ''Douze Grandes Études''. The fourth was altered and published alone as ''Mazeppa'' in late 1846, and the collection as a whole was published ...
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Transcendental Étude No
Transcendence, transcendent, or transcendental may refer to: Mathematics * Transcendental number, a number that is not the root of any polynomial with rational coefficients * Algebraic element or transcendental element, an element of a field extension that is not the root of any polynomial with coefficients from the base field * Transcendental function, a function which does not satisfy a polynomial equation whose coefficients are themselves polynomials * Transcendental number theory, the branch of mathematics dealing with transcendental numbers and algebraic independence Music * ''Transcendence'' (Adil Omar album), a 2018 hip hop album * ''Transcendence'' (Alice Coltrane album), a 1977 jazz album * ''Transcendence'' (Crimson Glory album), a 1988 heavy metal album * ''Transcendence'' (Devin Townsend Project album), a 2016 heavy metal album * "Transcendence" (Lindsey Stirling instrumental), a 2012 instrumental piece * ''Transcendental'' (album), a 2006 progressive metal album ...
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12 Transcendental Études (Lyapunov)
The ''12 Études d’exécution transcendante'' (), Op. 11, are a series of 12 études written from 1897 to 1905 by Sergei Lyapunov. Lyapunov intended them to be the posthumous continuation of Franz Liszt's uncompleted work ''Transcendental Études,'' having finished only the first 12 before his death in 1886. The work is also dedicated to Liszt, with the twelfth étude being named after the composer as well. Inspired by one of his three teachers during his time at Moscow Conservatory Karl Klindworth, a former student of Liszt, along with being heavily influenced and artistically guided by Mily Balakirev, the main ideologue of The Five, these Études use the full gamut of nationalist techniques: From folk-songs and church bells, to Caucasian melodies and sumptuous melodicism. Études Liszt's original intention was to write 24 études in every major and minor key. However, he only completed half of this project, using the neutral and flat keys. As such, Lyapunov's études used ...
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Transcendental Studies (Sorabji)
''100 Transcendental Studies'' () by Kaikhosru Shapurji Sorabji are a series of 100 piano études written between 1940 and 1944. Swedish pianist Fredrik Ullén has released all 100 études on BIS Records. Description The études vary greatly in style, character, and length, with the shortest running only 45 seconds and the longest running approximately 56 minutes. According to the Sorabji Archive, the following études have yet to be premiered: Nos. 27, 33, 39, 42, 45–48, 51, 53–58, 60–64, 68, 74, 82, 87, 90, 91 and 93. Sorabji almost certainly intended for these Études to be compared with Franz Liszt's ''Transcendental Études The ''Transcendental Études'' (), S.139, is a set of twelve compositions for piano by Franz Liszt. They were published in 1852 as a revision of an 1837 set (which had not borne the title "d'exécution transcendante"), which in turn were – f ...''. The style of Sorabji's études is typical of his work, consisting of atonal melodies, disso ...
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Études Transcendantales
''Études transcendantales'' is a song cycle in 9 movements for mezzo-soprano and chamber ensemble composed by Brian Ferneyhough between 1982 and 1985. Background The creative basis for the ''Études transcendantales'' is Ferneyhough's mild mid-life crisis. He thought about death and what makes music more than just music of the moment, and thus the songs deal with such themes. As part of this, he wanted the ensemble to sound rather harsh. Starting from the standard modernist Pierrot ensemble, he replaced the clarinet exchanged for an oboe, the piano for a harpsichord, and removed the violin altogether. Including the voice, now all the parts are very different from each other and have strongly contrasting timbres, e.g., the pointillistic harpsichord with the smoother mezzo-soprano. Originally, Ferneyhough intended all the songs to be set to poems by the German poet Ernst Meister. However, he could not find enough suitable poems on death and permanence, and instead commissione ...
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Adolfo Fumagalli
Adolfo Fumagalli (19 October 18283 May 1856) was a 19th-century Italian virtuoso pianist and composer, known today primarily for his virtuosic compositions for the left hand alone. Born in Inzago, Italy, he grew up in a very musically oriented environment. He had three brothers who also became musicians and composers, these being Carlo (1822-1907), Luca (1837 - 1908), Disma (1826 - 1893) and Polibio (1830 - 1901). Fumagalli studied music with Angeloni at the Milan Conservatory and, in 1848, at the age of 20, made his Milan debut with some success. He then travelled to Turin, Paris, Belgium and Denmark, playing his own operatic fantasies and other salon works to great acclaim. In 1856 he returned to Italy and, when he arrived, was soon thereafter given an Erard grand piano from the firm as an advertising promotion. On 1 May that year he gave a concert but, shortly after, fell ill and died days later in Florence. He created his greatest sensation when he began performing hi ...
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Études (other)
Études (French for "studies") or Étude may refer to: Compositions * Étude, a type of instrumental musical composition designed to provide practice material * ''Études'' (Chopin), by Frédéric Chopin, 1829–1839 * ''Études'' (Debussy), by Claude Debussy, 1915 * ''Études'' (Ligeti), by György Ligeti, 1985–2001 * ''Études'' (Rautavaara), by Einojuhani Rautavaara, 1969 * ''Études'' (ballet), by Harald Lander, 1948 * "Étude" (instrumental), by Mike Oldfield, 1984 * "Etude", a song by Empire of the Sun from ''Walking on a Dream'', 2008 Albums * ''Etudes'' (Charlie Haden album), 1988 * ''Etudes'' (Ron Carter album), 1983 * ''Etudes'' (Andrew Horowitz album), 2019 Periodicals * ''Études'' (journal), a Roman Catholic journal published by the Jesuits * ''The Etude'', an American music magazine 1883–1957 See also * List of étude composers An étude is a musical composition (usually short) designed to provide practice in a particular technical skill in the perf ...
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Étude
An étude (; ) or study is an instrumental musical composition, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano. Of the vast number of études from that era some are still used as teaching material (particularly pieces by Carl Czerny and Muzio Clementi), and a few, by major composers such as Frédéric Chopin, Franz Liszt and Claude Debussy, achieved a place in today's concert repertory. Études written in the 20th century include those related to traditional ones ( György Ligeti) and those that require wholly unorthodox technique (John Cage). 19th century Piano Studies, lessons, and other didactic instrumental pieces composed before the 19th century are extremely varied, without any established genres. Domenico Scarlatti's ''30 Essercizi per gravicembalo'' ("30 Exercises for harpsichord", 1738) do not differ in scope from his ...
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