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Traditional Black Gospel
Traditional Black gospel is music that is written to express either personal or a communal belief regarding African American Christian life, as well as (in terms of the varying music styles) to give a Christian alternative to mainstream secular music. It is a form of Christian music and a subgenre of Black gospel music. Like other forms of music, the creation, performance, significance, and even the definition of gospel music varies according to culture and social context. It is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes, or as an entertainment product for the marketplace. However, a common theme as with most Christian music is praise, worship or thanks to God and Christ.New World Encyclopedia, ''Gospel Music'', Dec 23 2013 Traditional gospel music was popular in the mid-20th century. It is the primary source for urban contemporary gospel and Christian hip hop, which rose in popularity during the late 20th century a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Negro Spirituals
Spirituals (also known as Negro spirituals, African American spirituals, Black spirituals, or spiritual music) is a genre of Christian music that is associated with Black Americans, which merged sub-Saharan African cultural heritage with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade and for centuries afterwards, through the domestic slave trade. Spirituals encompass the "sing songs," work songs, and plantation songs that evolved into the blues and gospel songs in church. In the nineteenth century, the word "spirituals" referred to all these subcategories of folk songs. While they were often rooted in biblical stories, they also described the extreme hardships endured by African Americans who were enslaved from the 17th century until the 1860s, the emancipation altering mainly the nature (but not continuation) of slavery for many. Many new derivative music genres emerged from the spirituals songcraft. Prior to the end of the U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira D
Ira or IRA may refer to: *Ira (name), a Hebrew, Sanskrit, Russian or Finnish language personal name * Ira (surname), a rare Estonian and some other language family name *Iran, UNDP code IRA Law *Indian Reorganization Act of 1934, US, on status of Native Americans *Individual retirement account, in the US, giving tax benefits *Inflation Reduction Act of 2022, a US budget reconciliation bill *Internal Revenue Allotment, a local share of Philippines government revenue Music *Ira (Polish band), a Polish heavy metal band *Ira!, a Brazilian rock band * I.R.A. (band), a Colombian punk band *One part of an Andean wind instrument, the siku Organizations * Indian Reunification Association * Indian Rationalist Association * Indian Rights Association, US, for Native Americans * Initiative for the Resurgence of the Abolitionist Movement (IRA), a Mauritania anti-slavery group * Insurance Regulatory Authority (Kenya), the authority charged with regulation and supervision of Kenya's insurance i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sister Rosetta Tharpe
Sister Rosetta Tharpe (born Rosetta Nubin, March 20, 1915 – October 9, 1973) was an American singer and guitarist. She gained popularity in the 1930s and 1940s with her Gospel music, gospel recordings, characterized by a unique mixture of spiritual lyrics and electric guitar. She was the first great recording star of gospel music, and was among the first gospel musicians to appeal to rhythm and blues and rock and roll audiences, later being referred to as "the original soul sister" and "the Godmother of rock and roll". She influenced early rock-and-roll musicians including Little Richard, Johnny Cash, Carl Perkins, Chuck Berry, Elvis Presley, Jerry Lee Lewis, and Eric Clapton. Tharpe was a pioneer in her guitar technique; she was among the first popular recording artists to use heavy Distortion (music), distortion on her electric guitar, presaging the rise of electric blues. Her guitar-playing technique had a profound influence on the development of British blues in the 1960s. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bessie Smith
Bessie Smith (April 15, 1894 – September 26, 1937) was an American blues singer widely renowned during the Jazz Age. Nicknamed the " Empress of the Blues", she was the most popular female blues singer of the 1930s. Inducted into the Rock and Roll Hall of Fame in 1989, she is often regarded as one of the greatest singers of her era and was a major influence on fellow blues singers, as well as jazz vocalists. Born in Chattanooga, Tennessee, Smith was young when her parents died, and she and her six siblings survived by performing on street corners. She began touring and performed in a group that included Ma Rainey, and then went out on her own. Her successful recording career with Columbia Records began in 1923, but her performing career was cut short by a car crash that killed her at the age of 43. Biography Early life The 1900 census indicates that her family reported that Bessie Smith was born in Chattanooga, Tennessee, in July 1892. The 1910 census gives her age as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ma Rainey
Gertrude "Ma" Rainey ( Pridgett; April 26, 1886 – December 22, 1939) was an American blues singer and influential early blues recording artist. Dubbed the "Mother of the Blues", she bridged earlier vaudeville and the authentic expression of southern blues, influencing a generation of blues singers. Gertrude Pridgett began performing as a teenager and became known as "Ma" Rainey after her marriage to Will "Pa" Rainey in 1904. They toured with the Rabbit Foot Minstrels and later formed their own group, ''Rainey and Rainey, Assassinators of the Blues''. Her first recording was made in 1923. In the following five years, she made over 100 recordings, including " Bo-Weevil Blues" (1923), "Moonshine Blues" (1923), "See See Rider Blues" (1925), "Ma Rainey's Black Bottom" (1927), and "Soon This Morning" (1927). Rainey was known for her powerful vocal abilities, energetic disposition, majestic phrasing, and a "moaning" style of singing. Her qualities are present and most evident in he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tampa Red
Hudson Whittaker (born Hudson Woodbridge; January 8, 1903March 19, 1981), known as Tampa Red, was a Chicago blues musician. His distinctive single-string slide guitar style, songwriting and bottleneck technique influenced other Chicago blues guitarists such as Big Bill Broonzy, Robert Nighthawk, Muddy Waters, Elmore James and Mose Allison.Barlow, William (1989). ''"Looking Up at Down": The Emergence of Blues Culture''. Temple University Press. pp. 304–305. . In a career spanning over 30 years, he also recorded pop, R&B and hokum songs. His best-known recordings include "Anna Lou Blues", "Black Angel Blues", "Crying Won't Help You", "It Hurts Me Too", and " Love Her with a Feeling". Biography Early life Tampa Red was born Hudson Woodbridge in Smithville, Georgia. The date of his birth is uncertain, with Tampa himself giving years varying from 1900 to 1908. The birth date given on his death certificate is January 8, 1904. His parents, John and Elizabeth Woodbridge, died when he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boogie-woogie (music)
Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since 1870s.Paul, Elliot, ''That Crazy American Music'' (1957), Chapter 10, p. 229. It was eventually extended from piano, to piano duo and trio, guitar, big band, country and western music, and gospel. While standard blues traditionally expresses a variety of emotions, boogie-woogie is mainly associated with dancing (although not the competitive dance known as boogie-woogie, a term of convenience in that sport). The genre had a significant influence on rhythm and blues and rock and roll. Musical features Boogie-woogie is characterized by a regular left-hand bass figure, which is transposed following the chord changes. : : Boogie-woogie is not strictly a solo piano style; it can accompany singers and be featured in orchestras and small combos. It is sometimes called ''"eight to the bar"'', as much of it is written in common time () time using eighth notes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arizona Dranes
Juanita "Arizona" Dranes (May 4, 1889 or 1891 – July 27, 1963) was an American blind female gospel singer and pianist. Dranes was one of the first gospel artists to bring the musical styles of Holiness churches' religious music to the public in her records for Okeh Records and performances in the 1920s. She was also one of the first professional woman gospel singers. Her distinctive, nasal vocal style and piano playing that incorporated boogie and ragtime, influenced later gospel artists. Biography Juanita Drane (or possibly Drain) was born blind in 1889 or 1891 in Sherman, Texas. Drane attended the Texas Institute for Deaf, Dumb and Blind Colored Youth in Austin, Texas, from 1896 to 1910. She learned to play piano in her early teens. Drane had been believed to be of both African-American and Mexican descent, but research by Michael Corcoran for ''He Is My Story: the Sanctified Soul of Arizona Dranes'' disproved Mexican heritage. Her correct last name is "Drane", as listed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Get Happy (gospel Music)
Getting happy, an experience seen almost exclusively in the Black Church and in Pentecostal churches generally, refers to the experience of being filled with the Holy Spirit, usually involving ecstatic singing, dancing, and a general spiritual fervor. It is heavily associated with shout music (as the music and the bodily expression are largely inseparable). Accounts of nineteenth century African American slave spirituality use the term, as recorded in the book ''God Struck Me Dead: Voices of Ex-Slaves''. :''All of my people were great Christians. Shouting, singing, praying, and good old heartfelt religion make up the things that filled their lives. ..Aunt Charlotte used to cry most all the time when she got happy.'' —an ex-slave preacher, in ''God Struck Me Dead'', page 75. One of the early nineteenth century traditional 'Negro Spirituals' to use the phrase, is the following: :GOOD MORNING EVERYBODY :Good morning everybody :Good morning everybody, Lord :My soul got happ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Ghost
For the majority of Christian denominations, the Holy Spirit, or Holy Ghost, is believed to be the third person of the Trinity, a Triune God manifested as God the Father, God the Son, and God the Holy Spirit, each entity itself being God.Grudem, Wayne A. 1994. ''Systematic Theology: An Introduction to Biblical Doctrine.'' Leicester, England: Inter-Varsity Press; Grand Rapids, MI: Zondervan page 226. Nontrinitarian Christians, who reject the doctrine of the Trinity, differ significantly from mainstream Christianity in their beliefs about the Holy Spirit. In Christian theology, pneumatology is the study of the Holy Spirit. Due to Christianity's historical relationship with Judaism, theologians often identify the Holy Spirit with the concept of the ''Ruach Hakodesh'' in Jewish scripture, on the theory that Jesus was expanding upon these Jewish concepts. Similar names, and ideas, include the ''Ruach Elohim'' (Spirit of God), ''Ruach YHWH'' (Spirit of Yahweh), and the ''Ruach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holiness Movement
The Holiness movement is a Christian movement that emerged chiefly within 19th-century Methodism, and to a lesser extent other traditions such as Quakerism, Anabaptism, and Restorationism. The movement is historically distinguished by its emphasis on the doctrine of a second work of grace, generally called entire sanctification or Christian perfection and by the belief that the Christian life should be free of sin. For the Holiness Movement "the term 'perfection' signifies completeness of Christian character; its freedom from all sin, and possession of all the graces of the Spirit, complete in kind." A number of evangelical Christian denominations, parachurch organizations, and movements emphasize those beliefs as central doctrine. Beliefs Entire Sanctification The Holiness Movement believes that the "second work of grace" (or "second blessing") refers to a personal experience subsequent to regeneration, in which the believer is cleansed from original sin. It was actually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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