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Toshiko Plays Billy Strayhorn
''Toshiko Plays Billy Strayhorn'' (also released as ''A Tribute to Billy Strayhorn'' (JAM) and ''Dedications III'' (Alfa)) is a jazz album recorded by two different configurations of the Toshiko Akiyoshi Trio in 1978. It was released on the Discomate record label (and later by Alfa Records) in Japan and on the JAM Record label in the USA. Track listing :All songs composed by Billy Strayhorn except "Day Dream," composed by Strayhorn and Duke Ellington: LP side A #"Take the "A" Train" – 4:53 #"Day Dream" – 2:59 #"Rain Check" – 5:28 #"Lotus Blossom" – 3:54 LP side B #"Charpoy" – 5:22 #" Lush Life" – 3:52 #"Chelsea Bridge (song)" – 4:32 #"Intimacy of the Blues" – 6:26 Personnel * Toshiko Akiyoshi – piano All tracks except A3, B4: *Peter Donald – drums * John Heard – bass Tracks A3, B4: * Jeff Hamilton – drums *Bob Daugherty – bass References / External links *Discomate DSP-5011 *JAM Records (USA) JAM 5003 *Alfa Records (Japan) ALCR-163 *Allmusic Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Day Dream
"Day Dream" is a jazz standard composed by Billy Strayhorn with lyrics by John Latouche and written in 1939. It was first recorded by saxophonist Johnny Hodges and his ensemble on November 2, 1940. Duke Ellington was credited as co-composer on the label of the original 78 RPM release, though he is not generally considered to be one of the song's creators. Background On March 23, 1939, Duke Ellington and his orchestra boarded the SS ''Île de France'' for a spring tour of Europe. Strayhorn was working for Ellington at the time but was allowed to remain at his Harlem residence. Thus, he had nearly seven weeks to work on new compositions and arrangements. "Day Dream" was composed during this time. Notable recordings By Johnny Hodges *''Day Dream / Junior Hop'' (Bluebird 11021, 1940) *''Memories Of Ellington'' (Norgran, 1954) *'' Johnny Hodges with Billy Strayhorn and the Orchestra'' (Verve, 1962) By Duke Ellington *'' The Carnegie Hall Concerts: January 1943'' (released 1977) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Hamilton (drummer)
Jeff Hamilton (born August 4, 1953) is an American jazz drummer and co-leader of the Clayton-Hamilton Jazz Orchestra. A former member of the L.A. Four, Hamilton has played with jazz pianist Monty Alexander, bandleader Woody Herman, and singer Rosemary Clooney, and has worked extensively with singer Diana Krall. Early life Hamilton was born in Richmond, Indiana, United States,. From a young age he took piano lessons but was inspired at age five by Gene Krupa and then began drumming at the age of eight. At fifteen, he was invited to play with the Earlham College jazz ensemble. He later attended Indiana University while studying under the tutelage of John Von Ohlen. Music career Starting in 1975, he was a member of Monty Alexander's Trio, then Woody Herman's Orchestra from 1977 until 1978. He was a member of the L.A. Four, with whom he made six albums. He co-leads the Clayton-Hamilton Jazz Orchestra with Jeff Clayton and John Clayton. He also leads his own trio, with Jon Hamar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Heard (musician)
John William Heard (July 3, 1938 – December 10, 2021) was an American bass player and artist. His recording credits include albums with Pharoah Sanders, George Duke, Oscar Peterson, Count Basie, Zoot Sims, Ahmad Jamal, Frank Morgan, George Cables. His professional jazz performance career lasted from the 1960s to the early 2010s, during which he also worked as a visual artist, producing drawings, paintings, and sculptures. Background He was born in Pittsburgh, Pennsylvania, United States. He also played saxophone in his early years. He began playing bass at the age of 14. His professional career began in a band that included sax player Booker Ervin, drummer J.C. Moses, pianist Horace Parlan and trumpet player Tommy Turrentine. While in high school, he attended special classes at the Carnegie Museum of Art. In 1958, he joined the United States Air Force and was sent to Germany. Because of his art experience he was given a job of designing posters for events. He also did some a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chelsea Bridge (song)
"Chelsea Bridge" (1941) is an impressionistic jazz standard composed by Billy Strayhorn. History The piece was originally recorded by the Duke Ellington orchestra on 2 December 1941, with Strayhorn (rather than Ellington himself) on piano and solos by tenor saxophonist Ben Webster and valve trombonist Juan Tizol. It has since been recorded by Webster several times, including with Gerry Mulligan in 1959, as well as by Vince Guaraldi (1956), Joe Henderson (1967), Kenny Burrell (1975), Bobby Hutcherson (1988), Lew Tabackin (1989), Joe Lovano (1994), Ahmad Jamal (1995), André Previn (1999 and live in 2000), Keith Jarrett (1999), and Wynton Marsalis (1999), among many others. Strayhorn himself returned to the piece, recording it as an unaccompanied piano solo on his 1961 album ''The Peaceful Side''. Another version appears on the posthumously released album ''Lush Life'', issued by the Red Baron label. In 1958, lyrics were written for the song by Bill Comstock, a member of The Four F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lush Life (jazz Song)
"Lush Life" is a jazz standard that was written by Billy Strayhorn from 1933 to 1936. It was performed publicly for the first time by Strayhorn and vocalist Kay Davis with the Duke Ellington Orchestra at Carnegie Hall on November 13, 1948. Background The lyric describes the author's weariness of the night life after a failed romance, wasting time with "jazz and cocktails" at "come-what-may places" and in the company of girls with "sad and sullen gray faces/with ''distingué'' traces". Strayhorn was a teenager when he wrote most of the song, which was to become his signature composition (along with "Take the 'A' Train"). The song was written in the key of D-flat major. The melody is over relatively complex chord changes, compared with many jazz standards, with chromatic movement and modulations that evoke a dreamlike state and the dissolute spirit characteristic of the "lush life." During a 1949 interview, Strayhorn spoke of the song’s genesis: “’Lush Life’ wasn’t the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take The "A" Train
"Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra. History The use of the Strayhorn composition as the signature tune was made necessary by a ruling in 1940 by the American Society of Composers, Authors and Publishers (ASCAP). When ASCAP raised its licensing fees for broadcast use, many ASCAP members, including Ellington, could no longer play their compositions over radio, as most music was played live on radio at the time. Ellington turned to Billy Strayhorn and son Mercer Ellington, who were registered with ASCAP's competitor BMI, to "write a whole new book for the band," Mercer recalled. "'A' Train" was one of many tunes written by Strayhorn, and was picked to replace "Sepia Panorama" as the band's signature song. Mercer recalled that he found the composition in a trash can after Strayhorn discarded a draft of it because it sounded too much like a Fletcher Henderson arrangement. The song was first recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LP Record
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toshiko Akiyoshi
is a Japanese–American jazz pianist, composer, arranger, and bandleader. Akiyoshi received fourteen Grammy Award nominations and was the first woman to win Best Arranger and Composer awards in ''Down Beat'' magazine's annual Readers' Poll. In 1984, she was the subject of the documentary '' Jazz Is My Native Language''. In 1996, she published her autobiography, ''Life with Jazz'', and in 2007 she was named an NEA Jazz Master by the U.S. National Endowment for the Arts. Biography Akiyoshi was born in Liaoyang, Manchuria, to Japanese colonists, the youngest of four sisters. In 1945, after World War II, Akiyoshi's family lost their home and returned to Japan, settling in Beppu. A local record collector introduced her to jazz by playing a record of Teddy Wilson playing "Sweet Lorraine." She immediately loved the sound and began to study jazz. In 1952, during a tour of Japan, pianist Oscar Peterson discovered her playing in a club on the Ginza. Peterson was impressed and convinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
